Thursday, May 16, 2013

And the fanfare of trumpets: TUM TA TA!

After over-much hemming and hawing and not-really-knowing what I'm doing and how to do it, I have settled onto two writing projects. One is Top Secret, and the other is entitled, The Baby (Thrice Removed). On this blog I may refer to it alternately as "The Baby" and as "Thrice Removed". Either one is correct. This story is best defined as "whimsy". It's not quite fantasy, besides occurring in another world, because so far I haven't come across anything that couldn't occur here. If it is fantasy, it's of the Alice in Wonderland  variety. But the thing remains, the book starts in London when The Baby goes missing, and involves a tumble down a puddle, and a surge out of a pool of water, and suddenly you're in Crissendumm trying to convince the Royal Family that The Royal Baby is actually your Baby and you'd very much like to take it home now. It's rather a mess, and I love Jamsie and Richmond and The Baby already, and here is a gobble of Chapter Three for you to forage through and judge.


From The Baby (Thrice Removed) by Rachel Heffington, Chapter Three

Richmond had finished retching up the horrid puddle-water, and pulled his wits together enough to sit up and realize—with a profound sense of relief—that Jamsie was beside him. “You still alive?” he whispered through the dark.
Barely,” Jamsie said. Her voice had in it the offended dignity of a cat that has fallen off a garden wall.
What was that?”
A puddle, stupid.”
It wasn’t a puddle.”
Was too.”
Jamsie! A puddle is a shallow bit of water.”
Says who?”
Richmond hugged himself, feeling the cold now that he was mostly alive. “Do you realize what bosh it is to sit here arguing about what that thing was?”
Do you realize you began it?”
Richmond sat in the dark and shivered alone. It would have been much more comfortable to scoot over a bit and shiver with Jamsie, but knowing women, she’d take it to mean he was apologizing—which he most distinctly was not. A dark wind whished along the banks of the whatever-it-was they’d come through, and it seemed to Richmond that it was what most books liked to call an “ominous” breeze. He wished he someone had thought to put a streetlamp somewhere about. Had they fallen straight out of London-town proper into the country surrounding? They certainly had to have come a long way for that to happen—the nearest farm was a thirty minute drive in a cab. What a shoddy business—one moment a fellow is walking along in the park looking for The Baby, the next he’s down a puddle-hole, the next he’s throwing up the water (and lunch besides) and for toppers, the night’s as black as…shoe polish. “Jamsie?” A trickle of terror—or could it be water?—crawled down Richmond’s back. “It’s dark.”
I know that.”
It wasn’t dark a minute ago when we fell.”
Richmond listened to Jamsie catch her breath, hold it, and let it out. “We were falling for a long time. It could have got dark,” she finally said.
Richmond shook his head. “Not that long—we’d have drowned. We tested last summer at the Pools, if you recall, and neither of us could hold our breath longer than forty-five seconds. Jamsie—where are we?” He needed to know. His head was upside down and backward without geography in its proper place. He even felt an odd, urgent desire to panic. Nonsense. A Balder—especially a male one—never panicked. It was against the Code.
Richmond was still making up his mind whether to panic or not when a form stepped away from the blackness of the night around them and became a blackness of its own. Richmond stood at the same time Jamsie did, and they stumbled into each other. Jamsie’s hand clamped around his own, and Richmond felt a centimeter taller and a smidgen braver. The black form was still and midnight-silent.
It neither moved nor spoke, and yet Richmond was certain it wasn’t a…what was that word? Ah yes—a figment of the imagination. A figment of the imagination wouldn’t make Richmond’s stomach wrench like it was doing presently.
The wind muttered again, and tattered pieces of black flung out on either side of the Thing’s body. A cloak, Richmond thought. He must be an assassin. He was more curious than frightened at that thought. An assassin was at least human—not a banshee. He’d rather die at knife-point than be…digested by a creature.
Jamsie’s hand tightened over his and Richmond cleared his throat.
He took a step forward. “Excuse me.” Richmond didn’t want the Thing to think him impolite, but he wasn’t certain if it was a “sir” or a “madam” so he thought it better to leave that part off. “Excuse me, who are you and are you up to any mischief?”
“Mischief?” The form’s voice was black as crows. “What is mischief but a dashed good joke tried on the bally wrong person?”
Richmond eased his weight from one foot to the other and licked his lips. Jamsie’s face was twisted into a sailor’s knot of confusion. This wasn’t how Assassins acted--really, now. “Excuse me, but who are you, and would you mind stepping into the light so we can get a good look at you?”
The Thing moved a step closer and Richmond and Jamsie stumbled back. “There is no light, which is how I like it.”
Jamsie elbowed Richmond and he realized what a blunder he’d just made. The Thing--whatever it was--now knew that they couldn’t see well in the dark and it apparently could. That put them on all sorts of wrong footings. “But what are you?”
“I am Admiral of The Fleet,” it said.
“You mean like ships?” Jamsie had popped up on the other side of Richmond now, and he could see her face, still quizzical.
“No,” The Thing said. “Like birds.”
“Oh, I see,” Richmond said--only he didn’t, quite. “Er, listen.”
The Thing stepped forward with a rustling like taffeta, and before he could help himself, Richmond put his hand out and grabbed hold of a cold, slick arm; he shivered. The Thing glanced down at Richmond’s hand which was just a pale, white-looking blob outside of his jumper-sleeve, and then back at Richmond’s face.
“Don’t touch me,” it seethed, and seemed to grow larger.
“Sorry.” Richmond patted the arm. It felt like--why, it felt like feathers! “What sort of an Admiral did you say you were again?”
“Admiral of the Fleet.”
“But you can’t have a fleet unless you’re speaking of ships.”
The Thing raised one side of its cloak. “Can’t you?”
“I can’t,” Richmond said in a voice that hung just barely above a whisper.
The Thing raised the other side of its cloak, and Jamsie’s fingers tightened around Richmond’s shoulder.
“Then again, maybe you  can have a fleet made up of something else. If you want it,” Richmond hastened to add, stepping backward at the same time.
He tripped. Over what--a root, or Jamsie’s foot--there was little certainty. But what was certain was that in an instant Richmond was on his backside, having landed hard on something tubular and metal. “Ow!” Then he ripped the thing out from under him with a frisson of excitement wriggling up his backbone. “Jamsie--my torch! I’d forgot!”
One flick of the thumb later, and The Thing’s precious darkness was spoiled. In fact, the gleeful beam of Richmond’s battery-powered torch showed that mysterious, inky form to be the most curious conglomeration of things he’d ever seen: There were a dozen crows--wings outstretched--clinging to the shoulders of a frail, peeved-looking old man as if trying to cover him. There was a long top-hat of the Abraham Lincoln variety, and a blanket of the Wild-Indian Variety which looked a deal smudged with soot as if the old man had been busy attempting to dye it black.
“You’re a...a...”
“A what?” The man’s croak was so sudden, his crows flapped off and away, leaving him even frailer-looking than before.
“Well, you’re a person!” Jamsie finished off.
Richmond went up and touched the man’s arm again. It was still cold and slick, but Richmond now saw it was because his shirt was made of crow’s feathers like some people were accustomed to wearing chainmail. He shone his torch in the man’s eyes to see if he would squint--he did.
“Ey, whaddyer doin’ that for?” the man complained, stumbling back a step. “If you want to talk, come where it’s dark.”
“We like the light,” Richmond retorted. “We’ll stay here, thank you.”
“Have it your way, you bally kid.” The man eased himself to the ground and stretched two spindly legs before him. He wore bright green garters and striped stockings which lessened his generally dismal appearance.
Richmond tossed Jamsie his torch and settled on the banks of the pool in a pile of last year’s dandelions. A pinch of fluff went sailing away into the darkness on  a sudden wind. “Can we start by saying our names?”
“Have it your way,” he repeated, only this time the man sniffed at the end with a great deal of Suffering.
“I’m Richmond Balder and this--this is Jamsie.”
The man held up his palm against the brilliant stream of light Jamsie directed at his face. “I like jam. With toast especially. I don’t get much toast these days.”
Richmond chuckled. “Her name isn’t Jam. It’s Jamsie, which is just what we call her. Her real name is--”
“Richmond, you wouldn’t dare.”
“Oh come on, Jamsie. It’s not awful.”
“It is.”
She sniffed and adjusted the torch so it shone in his eyes.
He threw his arms across his face. “Ow--get off it, would you?” She was being such a girl.
“Only if you stop trying to tell people my real name.”
“Fair enough, your Highness.”
The Admiral of the Fleet shifted and cocked one eye at the pair of them. Richmond felt as if he’d said something he shouldn’t have, and it bothered him to not know what he’d said that was so interesting.
“Is she--” the man stuttered, “I mean, are you...”
“Yes?”
“Are you part of Them?”
“Of whom?” Jamsie asked in a very confused voice.
“Of the Highnesses?” He hissed the last part and looked around in visible apprehension. “Please don’t tell me you’re truly a Highness.”
“What the blazes do you mean?”
“I think he’s cracked, Richmond.”
“Do you, now?” Richmond rolled his eyes and yanked the torch from Jamsie’s hand, flicking it off. Darkness enveloped them again, and he could almost feel the Admiral relax till he was just a form in the darkness again.
“Ay, that’s better by heaps,” the Admiral croaked.
Richmond assembled all his thoughts in martial order before speaking next: “Am I right in thinking we aren’t in England?”
The Admiral twitched his shoulders in clear dismissal of the idea. “You, my young friend, are most certainly not in England. England is out t’other end of the Puddle.”
Richmond rose and stretched, keeping his back to the puddle so he wouldn’t have to see the cold, reptilian glint of the moon-sliver on its surface. “Then would you mind very much telling me where we are?”

I hope you enjoyed this bit of Thrice Removed, and please stay tuned for an exclusive Inkpen Authoress interview with British author Penelope Wilcock! It is a really neat one, so please come back and check in tomorrow to hear about how Ms. Wilcock's real life experiences have prepared her to write about a medieval monastery! :)  

Monday, May 13, 2013

Inkpen Poetry Day: Altar-Gleam

Wow. Haven't seen that title for a while, have you? Well. This poem is just the result of some intense work God has been doing in my personal life, and it was written in a moment of agony and hardly edited so I'm not saying it's wonderful, but it is heart-felt and true, and was my offering to God in that moment of will contending with Divine Will...



"Altar-Gleam"

Oh, Lord, it rends my soul to give
this wish--desire--full away,
Not clinging to a piece of hope;
A piece that says, 'Perhaps someday...'

For now the thing--so frightening clear--
Is to release it dark and full
and keep no sliver-thought of me,
though giving leaves a gaping hole.

Desire--oh, how sharp the spears
of joy that haunt this favorite dream.
But am I Your's enough to push
this treasure toward Your altar's gleam?

The thund'ring toss of straining mind.
The clashing knowledge: this is right.
The heart's own cry: 'Oh, please, not yet!'
The beckon of Your fire bright.

No looking back, no holding on,
I watch my treasure dance in flame.
And then I feel inside my soul
the power of Your tender Name.

I've given what was dearest mine
but just before the wound bleeds free
You staunch the flow and catch my heart
and with Your Lover's arms hold me.

What looks as ash is only just
the dust from which Your plans arise
And though I feel the burning here
I see the mercy in Your eyes.



Sunday, May 5, 2013

Hamish has a Blockage

I take the stand that honesty is the best policy, and if I am going to be perfectly honest with you, that would result in the admission  of something I've never admitted. To be quite frank, I have what is commonly called Writer's Block. My case probably springs from being out of practice because since finishing the rewrite of Fly Away Home, I haven't put my mind to any particular project, having too much to do before my trip. But I can't really deny the fact any longer:

"Hamish has a blockage."

Joy and jubilation. Throwing of rose petals and all that. I discussed my problem with my all-wise sister-in-law-ish friend, Abigail, and here is our conversation in toto: 


  • Abigail Taylor

    This does not surprise me, since you refused to tell me your project yesterday. It's your guilty conscience haunting you.
  • Rachel Heffington

    no, its the fact that I haven't written since January, seriously at least.
    and all my projects seem stupid.
    and I don't know how to make interesting and original plots.
    and I say hang all agents
    and I am penniless and broken down and dull and listless
    I need Vitametavegimen
  • Abigail Taylor

    Hmm. let me take case history. How long have you been having this crisis?
  • Rachel Heffington

    since getting ready to go to Romania
  • Abigail Taylor

    I diagnose that prior to Romania, your experiences had run dry, you were in need of inspiration. And now, post-Romania, your inspiration is still too raw and elusively poignant to translate into adequate words
    Trivial words will not do, weighty words will not come, and there you find your condition
  • Rachel Heffington

    oh. that is spot on. how'd ya know? marvelous, for real! 
  • Abigail Taylor

    And so I would prescribe a refill on living, and let the words bide their time. Perhaps even channel a bit more drawing and painting for now!
    Trace what won't be spoken


Her diagnosis was frighteningly accurate. I don't know how she does it, but she does. And so I am going to take her advice, and not try to push the thing. Oh, of course I'll keep writing--my brain explodes if I don't--but I'm not going to push for over-the-top productivity, or pushing out a story that isn't ready to come yet. I am going to wait and live life, and expand creatively in other directions. Sooner or later, I think the blockage will fix itself. But till then? Well, some prayers for inspiration and revived pizazz would not go amuck.

Actually, upon closer inspection, I really do think my writer's block this time comes from having too many elusive, poignant inspirations. A wedged gob of overload. Let's bide our time and see what comes out of this hash!

Now what do you do when faced with writer's block? Let's discuss ideas in the comments below!

    Monday, April 29, 2013

    The Gentle Life


    I walk into Barnes and Noble and my eyes briefly scan the center tables loaded with colorful books. Some are hardbacks with embossed covers. Others are paper-bound and adorned with a bright foil seal that marks them as something special.

    My chest tightens as it always does when I see the titles:

    Fifty Shades of Grey

    The Hunger Games

    Harry Potter

    A Game of Thrones

    Whiskey Beach

    Breadcrumbs

    I hurry past all these books till I reach the aisles that embrace me like the old friends they truly are. Josh Groban's voice comes softly over the speakers that I happen to be standing directly beneath, and my nerves settle. Then the c.d. changes and Anne Hathaway dreams a dream while I flip through the books on the classics shelf or the titles in the youth section. Once in a while I venture into the christian romance aisles and realize over and again how much Beverly Lewis just isn't my thing, though I'm sure she's a wonderful writer. 

    Then the questions start. "What the blazes am I doing trying to be a writer?"

    I cast a quizzical eye toward the next aisle over and am assaulted by books on how to make your love-life "better", right alongside another obnoxious book adorned with a lady in a skimpy bikini.
    "Oh Lord, what the heck am I doing?" I mutter. "That is what the world wants. Where do I fit in?"
    I think of Fly Away Home, sitting in the inbox of an agent, hoping to be read. I think of the trouble I've had trying to find comparative titles for this witty, pretty little story. It's almost an impossible task because let's face it...there aren't many books like mine written these days.

    Like mine. What are mine like?

    I puzzle over the question and put The Story Girl back on the shelf, or close the covers of Persuasion. I am tempted to think my books had their heyday in the 1800's when people actually agreed with Jane Austen: 
    "Let other pens dwell on guilt and misery. I quit such odious subjects as soon as I can, impatient to restore everyone not greatly at fault themselves to tolerable comfort."
    See, as cheesy and outdated as it sounds, I write from my heart. I'm an optimist, and there just isn't dark fantasy or apocalyptic ideas to be found in my brain. I don't contemplate the end of the world so I don't write about the end of the world. I've had no experience with drugs and alcohol and murder so I don't write drugs, alcohol, or murder. I don't write writhing pain and lurid depression. I wouldn't want to. There's too much of it in real life for there to be any need for people to read whole novels circling around the idea. At least that's my opinion; the way my taste runs. 
    But is there anyone who shares my desire for witty, cheerful, optimistic literature that deals with real life but in a way that doesn't leave you thinking you'd better build a bomb-shelter in your backyard just in case? I've read books that leave me scrambling frantically for pepper-spray, karate lessons, and antidepressant pills. Am I alone (and are my books alone) in our cheerful corner of the world's literary appetite? I shrug, mentally stick my tongue out at the writing books that preach "Death! Destruction! Depression!" and wander toward the check-out line with a YA novel under my arm. I'll try this one and see if it's any better than the last I read about a dreary, depressed eleven year-old.

    Then I pass an end-cap with the Downton Abbey cookbook. Oh....Julian Fellowes is a bit more plucky than most others. I forgot about him. The rumbling wit of the Dowager Countess, and the boyish 'hail-fellow-well-met' cheer of Matthew Crawley. Sure, it's a TV show and he kills off every character you like, but it's not murderous or suicidal. One for the Cheerful score!

    I'm feeling a little better when I pass another end-cap with Winnie-the-Pooh books loaded on top with their lovely bumble-bee-spangled covers. Oh, yes. Entirely different category than Downton, but these books have never gone out of popularity in their hundred-year reign. Score Two!

    But the third endcap is what sends a satisfied smile to my face: down the next aisle I see a Mitford book. Jan Karon! I'd entirely forgotten about her. She's modern. She's successful....she's.....cheerful! And then my mind flings back to a conversation I had with a blogging friend related to my additional trouble of trying to peg what genre most of my books fall in. Though I eventually decided on pegging Fly Away Home as "historical romance", it could also fall under the oft-overlooked category of "gentle fiction", as defined by the all-knowing Wikipedia:
    With charm and humor, these novels explore the everyday joys, frustrations, and sorrows of lives quietly led. They typically revolve around the activities of a small community of people, such as a small town, a church, or a gathering of friends. The realities of sex, violence, and other passions are downplayed and are never presented in a graphic manner. Although the genre was once largely dominated by British authors, American authors in the vein of Jan Karon are now extremely popular
    And there you have it. Me and Jan Karon in a nutshell. Having that comparison, my smile sticks.

    There is a place for me and my books.

    There's a place for Mitford, and Cynthia and Father Tim.

    There's a place for Penelope Wilcock's Hawk & Dove trilogy and other books of the kind that bring to mind firesides or sunny porches with a glass of ice-tea sweating close-by. My plan is simple: I only have to find a gentle agent who will confer with a gentle publisher who will then spread some goodwill to the gentle readers like you. It's only a matter of patience and perseverance, and ceaseless optimism. Maybe that is an optimistic point of view...but maybe, just maybe, the world needs a little cheering-up after all. 

    Tuesday, April 23, 2013

    Home from Europe!

    Hello, fellow writers! I am home from Europe, changed in so many ways. I know everyone says that, and it annoys me to have to admit it, but if I am to be honest I must acknowledge that I am not quite the same person I was two weeks ago when I left America. My soul expanded, for one thing, and if you have not felt that tearing, joyful, painful feeling of a soul's expansion, I do feel sorry for you.

     I was true to my word and wrote in my travel journal religiously, recording anything and everything for future enjoyment. At the end of the two weeks I had 104 pages. So there. Here is proof from one of the four cameras that were constantly catching me filling the notebook:



    Many places were inspiring to me, writing-wise, but I think perhaps the place that most caught me off-guard and will end up in a book was the cathedral, Maria Radna:





    From the outside, it was grand and imposing. 


    This basilica, built in 1520, was massive. I stepped through the immense wooden doors and the temperature dropped twenty degrees and my breath came in puffs, and I was dizzied with the splendor. It's hard to  get an idea of just how huge this place was. Put it this way: When I tipped my head back to look at the painting in the topmost dome, I tipped over because it made me too dizzy. Furthermore, the photo below is half-way down the length of pews in that gigantic sanctuary:


    I was torn between complete admiration for this gorgeous place, and sadness that the glory of it is so passing, and the people who trust in the glamour will find themselves grasping wind. Behind the big alter-thing, there was a door. A DOOR! and then up in the ceiling were a series of random numbers and letters....my mind immediately began chucking and whirring like a Dutch-watch. Mark my words: Maria Radna will resurface in my literature someday. I promised.

    Another event that inspired me to no end was the night we had dinner in a gipsie mansion. No lie. The pastor of the village-church we were visiting that night was friends with a gipsie man who had offered to open his home to us. It was....bonkers. We ate off of real silver and drank out of real gold, and stood under behemothian porcelain chandeliers that I expected to crash onto my head in a Xerxes-esque manner any moment.



    (This is only about two-thirds of the house)
    Our hosts were so generous and kind...and I laughed my head off when they closed the heavy oak doors of the dining room and a village pastor asked us to sing "I'll Fly Away" while he played the guitar. The incongruity of it all was so hilarious. But we did. We sang a Bluegrass hymn in the dining room of a legitimate gipsie-mansion, surrounded by a sea of rum-bottles. 


    At the end, we took a group photo on the elaborate staircase. Again, these photos aren't quite giving credit to the enormity of the house. I was so blessed by the gipsies' hospitality, especially since they are Orthodox, and the Orthdox hardly ever even talk with the Baptists. Definitely a special night.


    There were many other things that will end up in my books someday, I am sure. So many things that I will tell you in small doses. I am so glad I purposed to write in my travel-journal, and that I got so many pages. I won't forget, this way. Little impressions and memories that can't find a way to come out in words just yet. People I met and places I saw. Oh my goodness. I can now heartily recommend travel for giving one inspiration. Not just the fact of gathering experiences to incorporate in writing, but also the very fact of getting up and about. Gaining thoughts and impressions and emotions that might never show up directly in a book, but will forever color your heart. Yes, travel is a very good thing. 

    Now the business at hand is to find where the dickens I left off with my writing. I had given myself a break of nearly two months as I focused on preparing for the trip, and I was stuck finding comp titles for Fly Away Home, and I was in between a dozen stories if I was one and....well, I won't fret my head. I'll just start writing because you know, and I know, that that is the only way to be a writer. :)

    Wednesday, April 3, 2013

    Off I Go




    I don't suppose it's quite fair to drop off the face of the planet without a word of explanation.

    I also hardly think it's fair-game to expect a girl who is leaving for Romania in two days to be able to have written much of note in the weeks leading up to her departure.

    That is my alibis. Leaky as a sieve and it would hardly stand up in court, but I know you to be of a forgiving nature so I suppose you will let me slide this once. And notice I haven't only been neglecting this blog: none of my blogs have seen anything of me of late, and that is the best way I could find to handle the fact that life has had no time to include blogging or writing. I have done so little writing that it's embarrassing. Thus, the second reason I have left The Inkpen Authoress to shift for itself: I thought that there is nothing more idiotic than speaking when you have nothing to say. Since I haven't written lately, there is not much honesty or wisdom in pretending I have and hoping I can fool the lot of you. But you are writers and you can't be easily fooled.

    I will become a world-traveler over the weekend. Sarah teases me about saying I am "going to Europe," but two stops in Paris, two in Budapest, and two weeks in Romania seem to me to constitute the expression. I may never make it back to Europe in my life (though let's hope I do) so it behooves me to make good what of it I expect to see while gone. I have high expectations. Of course I'm nervous. Of course I'm stressed. Of course I feel an awful lot like Bilbo leaving Bag End and wondering if perhaps home wasn't nicer than an adventure after all. But I know that God has lead me this far and He will lead me beyond, and so i am looking forward to my Continental Fling.

    So what does a writer pack for her Gallivanting? I hoped you would ask.

    This writer brings:

    • Altoids (which thrill her because of No Mere Mortals) and Tic-Tacs (because the white ones smell just like a baby-doll she owned as a child) and Trident Original Gum (because its taste is associated with her brother who is a comfort and is not going on the trip)
    • A leather travel journal and no less than 4 extra-fine-tip G2 pens
    • A Severe Mercy by Sheldon Vanauken and The Hawk and The Dove Trilogy by Penelope Wilcock, and Winnie-The-Pooh. (her fellow-travelers will laugh at her, but she thinks it might come in handy one night when Home seems very far away)
    • Clothes and clothes and clothes because she doesn't like to be seen out of fashion
    • Her brand new sheep's leather Baccini hobo-tote which makes her feel positively European, and was a gift from the almost-sister-in-law's-sister
    • A tape-measure because no one knows when someone will want one
    • A Sharpie because again, someone will want one and she will be Mary Poppins and have it to their Astonishment and Surprise
    • Lemon Luna-Bars because she doesn't want the trouble of trying to exchange money in the Parisian Airport to buy lunch during a one-hour layover in which she must switch airlines and find her new flight
    • Celestial Seasonings herbal-tea sampler which includes Peppermint tea (for anyone's upset stomach), Sleepytime Tea (in case anyone has insomnia), Camomile tea (in case anyone is stressed and needs to take a relaxer), and some other obscure variety which will definitely come in handy.
    • Striped neon stocks (which are a comfort since they are perfectly absurd)
    • Toenails painted like slices of watermelon (which is a comfort for the former reason)
    • Light, natural eyeshadow and mascara (because she won't be among people who wear much makeup but she still wants a face)
    • Comfortable shoes (so she can climb those possible castle-ruins without blisters ruining her concentration)
    • Sweaters (because who doesn't like a cute, cozy sweater?)
    • Copious amounts of hairpins (because this writer has a lot of hair that always will blow in the wrong direction)
    • Jeggings (because as much as she hates them,{and looks wretched in them} they were all Walmart had left of the leggings she was told to bring to wear under her skirts against the cold weather)
    • Plum-colored Peacoat (because it's news, and it's chic, and it's something she has always wanted)
    As a writer, what do you carry when you're on holiday? I would love to hear in the comments, and I will see you all in two week's time with lots to report from the Continent! :)