Wednesday, September 10, 2014

Sir Francis Drake: A Sanctified Pirate

This is a 1577 prayer by Sir Francis Drake, a "legal" pirate and adventurer who received his knighthood after bringing home booty worth a half million pounds sterling to the Queen of England. It's beautiful, challenging, and has a darn good story behind it. Thanks to Molly Henderson for bringing it to my attention yesterday!

Disturb us, Lord, when
We are too pleased with ourselves,
When our dreams have come true
Because we dreamed too little,
When we arrived safely
Because we sailed too close to the shore.

Disturb us, Lord, when
with the abundance of things we possess
We have lost our thirst
For the waters of life;
Having fallen in love with life,
We have ceased to dream of eternity
And in our efforts to build a new earth,
We have allowed our vision
Of the new Heaven to dim.

Disturb us, Lord, to dare more boldly,
To venture on wilder seas
Where storms will show Your mastery;
Where losing sight of land,
We shall find the stars.

We ask you to push back
The horizons of our hopes;
And to push back the future
In strength, courage, hope, and love.

This we ask in the name of our Captain,
Who is Jesus Christ.

Monday, September 8, 2014

I'm Not The Same After...

"In my life there are so many questions and answers that somehow seem wrong. In my life, there are times when I catch in the silence the sigh of a faraway song."
-Les Miserables


On Facebook, I was challenged by several people (I always forget whom) to post a list of ten books that have changed me in some fashion. Generally, I leave such tags alone because who really wants to hear the list? But after being tagged at least twice, perhaps three times, it was beginning to look like Ignoring. So I bent to the will of the people and formulated my list. Unfortunately, ten is much too brief an amount to allow for all the books I might have added. Thus, this list is not exhaustive. Also, it might be a point of interest for some of you to realize that some of these books are not necessarily ultimate favorites, but have made it into the top ten for reasons of how much they have affected me. The books that do count as favorite, must-read titles are highlighted in blue.

1.) A Severe Mercy by Sheldon Vanauken
2.) The Silver Chair by C.S. Lewis
3.) The Wind in The Willows by Kenneth Grahame
4.) Winnie-the-Pooh by A.A. Milne
5.) Orthodoxy by G.K. Chesterton
6.) Unbroken by Laura Hillenbrand
7.) The Help by Kathryn Stockett
8.) Steal Like an Artist by Austin Kleon
9.) Anne of Green Gables by L.M. Montgomery
10.) Henry V by William Shakespeare

A Severe Mercy: I first read this book at the prompting of my mother, who had long told me bits and pieces of trivia about this book. Together, my parents read the book in their first year of marriage, and I think it was a good choice. You will never read about a couple more sincere or a love more true. This book, perhaps more than any other, has caught and changed my concept of the bond between two souls.
  The Silver Chair: I think Lewis' reputation stands for itself, but on the outside chance that you're a stranger to the tales of Narnia, I think that you will like this book. I like it because it is more than half fairy-tale and more than half true...if you know what I mean. Also, you don't have to have terribly much prior acquaintance with the characters to enjoy the book, though a good friendship would enhance the experience for you. I think I like it best because of how it makes me ache with hearing "that sigh of a faraway song".
The Wind in The Willows: As I've mentioned before, I am a late-comer to this party. For some odd reason, I boycotted it until the age of twenty-one when I read the book and it caught me across the throat with its beauty. I don't know what it is...the charm of the prose, the idea of mucking about in boats, or the feeling of home-yness about it, but it is pure verbal comfort. Read it.
Winnie-the-Pooh: I don't have to tell you about this one. You know how much I love it and what my mission in life (regarding it) has been.
Orthodoxy: Feeling things keenly but not being the best at common-sensical arguments, I adore books that argue my case with finesse and humor. Chesterton is king at this. There is barely a page on which I didn't underline a quote that struck me. Fine stuff here.
Unbroken: You will never in your life read another book that makes you feel this brave and inspired. The true account of an Olympian-turned-WWII-soldier will erase every concept of what you thought determination and grit were. I am so excited to see the film directed by Angelina Jolie (???) which is set to release on Christmas Day. It'll be hard to watch, but it will be worth it. Louis Zamperini was a hero of heroes.
The Help: A One-liner Description: You will never feel proud of your debut novel again. Honestly, I don't know how Kathryn Stockett did it. This book is gold. I would not be able to believe that it was her debut novel except for the fact that Harper Lee had done it before with her To Kill a Mockingbird. The plot stuck with me because it is similar in setting to stories I have heard from my mother about their help, Laura Bullock, and how she took care of my mother and her siblings while my grandmother worked during the day. Excellent story, execution, and writing.
Steal Like An Artist: I think I'll always remember this little book as the one I cram-read in half an hour while hoping my brother (who owned the book) wouldn't say he needed to leave before I'd finished. If you're looking to be inspired in your art, challenged, and uplifted, this is the book for you. It's like an IV of espresso to the sagging inspiration.
Anne of Green Gables: It's weird to think what sort of person I would be today if I had never read this book. I am being perfectly honest when I tell you that I was greatly affected by the character of Anne Shirley. Avonlea comprised much of my childhood, from setting the stones for my great love (and somewhat expertise of) the Victorian era, to cementing my long-held woe that I was not born a ginger, to the fact that I deeply appreciate the beauty of nature, to introducing me to some grand poetry and much literature. It and I are inextricably combined.
Henry V: Another book for when I want to be brave, all I have to do is read Henry's speech at Agincourt, his St. Crispin's Day admonishment, or the proposal scene and I'm suddenly a lioness. Shakespeare is (TRUISMS) a genius.

What are your favorite books? And yes, I'm smiling evilly because I know you guys can't resist. I do so love starting fads.

Copper, Like Everything

When I'm between stories, I tend to write a lot of flash-fiction. Really, I like this stage. It gives me the opportunity to write in different styles and follow characters only so far as I want to follow them. This time, I have something odd for you. I don't even really know what it means, only that it was inspired by a new worker at the Starbucks near us whom I describe (in the physical sense) honestly. I assigned him a unique personality, gave him a tattoo, changed my personality, and invented a conversation between the results. Also, every idea in my writing life begins with flash-fiction about coffee. Fly Away Home? Coffee. Anon, Sir, Anon? Coffee. I'm not promising anything or even predicting. I'm only saying. Enjoy.

//pinterest//

The man behind the counter--who was he?
Revelation came like hail: unexpected and with the sound of thunder. Outside, a deluge thrashed the parking lot.
He looked like Ishmael. The Moby Dick protagonist. Or, if you preferred it, like Ishmael’s ginger counterpart.
When he handed her drink across the counter, she wanted desperately to say, “Have you ever been whaling?” but to her shy nature that sounded like some odd sort of come-on: something she wished fervently to avoid. Instead, she murmured a thank-you and took her coffee to a nearby table. She had only ten minutes and that she would spend studying the Ishmael who wore the name “Levi”.
It was not difficult to watch him, though the workspace was crowded with his fellow baristas. He was too tall and thin a figure to lose even in a mist. So tall and thin and straight that he reminded her precisely of a mast. Even his face had that wooden peg look, striking one across the face when aided by the baldness of his crown and the curly red beard fringing it beneath. But he was young. Paradoxically young and weathered as only a man who has grown up on an ocean swell can be.
She sipped her mocha and tasted seawater. No, the flavor was salted caramel and she only projected the briny association. Still, when the man named Levi approached her table and wiped it down with a clean white cloth, she held herself very small and very quiet in the largeness of that silent question: “Who are you?”
She might ask if she was very bold and cared less about the fact that she was the only customer in the shop. But she was not very bold--not in that way.
Levi slid his cloth across the polished table and swung to the opposite side with a sailor's sure-footed gait. Stubbornly, she kept her lashes cast down, focused on a book she was not reading and the unintelligible mark he had scrawled on the side of her paper cup.
He paused and she shifted her eyes. Not a lot, but enough that she caught the tight angles of his muscular arm and the peculiar color of his skin. It was not pale as one might expect from a ginger, but beard-colored. His beard-colored. Copper, yet not. Too faded to make a true auburn--and who had auburn skin? No, the sun had darkened his arms and bleached his beard till they were equal shades of a nameless, ruddy gold.
“Excuse me.” The voice belonging to Levi rumpled the smooth air between them and startled her gaze to standing position. There, she met his eyes and it was to the credit of her nerves that she did not flinch. For his eyes were matched to the rest of him: guarded, golden, sun-smirched.
“May I clean your table?” he asked.
“Yes.” She felt a disquieting sensation that if he was Ishmael, he had scented a whale. And who was the whale in this analogy? There was a rough familiarity in his look that unsettled her.
Slowly, she moved to let him pass his white cloth over the already-clean surface. His palm quietened between her hands and her book and he waited.
Finally, she felt compelled to speak. “Yes?” Still not looking.
“You love ships, don’t you?” And the odd thing was, his voice so near sounded like the sizzling foam of a wave as it licks back to sea.
How could he know she loved ships? How could he know so specifically it was ships and not the ocean itself that held a match to her gypsy-candle heart? For indeed, she respected the ocean with an awe approaching fear and could not quite love it. How did he know that, or anything at all?
Seeming to understand he had spooked her, Levi bent his orange-rind elbows and stood his wooden face to her angle and she could not avoid the meeting.
“How long since you tasted sea air?”
The flavors of mocha and pink salt warmed her tongue. Who was he, this man who conjured waves with his antiquated words?
“Too long,” she confessed. Then, “How?”
“Your eyes are an ocean.” This was no flirtation. “And you steer by a star.” He turned his arm outward a fraction and there, crossing the blue veins like lines of longitude and latitude on the charts she loved so well, was a peculiar tattoo in copper ink, shaped like a compass-star.
She dared not meet again those eyes that saw too much and told too little with their metallic probing. “Who are you?”
He swirled his cloth in the space between her hands. The tendons beneath the tattooed star shifted with the colors of an unquiet sea. “I am like you.”
A reply came, though her mind screamed that it was long-since time to leave this moment: “And what am I?”
“A brave, lone ship seeking a lone white whale. What your white whale might be, oh, I couldn’t guess, but you are consumed with the finding of it. As am I.”
“As everyone is,” she protested, not wanting to be linked in any way with this strange being.
“Ahhh, no.” Levi smacked the table too suddenly and unfurled his full, stiff height. She could not help that he pulled her gaze upright with him and pinned it on his face.
“Not all are as we,” he said, far too loudly for privacy’s sake. “Will you find your whale? I wonder.”
“Quiet, would you?” In her death-grip concern that he might vanish like a nightmare without explaining himself, she grabbed the star-drawn wrist. His skin under her fingers lavished heat like summer sand. “Who are you?”
“I am Levi.”
“But what do you mean?” she half-sobbed in an outraged whisper.
A smile on his face fit as strangely as a smile would on a ship’s wheel. Carven, unnatural, almost macabre. “I am what October means when it rears scarlet against the parchment year. I am what the road means when you’ve been home too long. I am what the sea means when it whispers, ‘come away.’”
Thoroughly frightened, she released him and saw the pale circles pressed by her fingertips into his skin.
“Furthermore,” he said, backing away and swinging his cloth with that meaningless smile, “I am what you mean when you stare at me so. I am,” he finished with that tone like the end of a wave, “boundless curiosity. The real question would be, what are you?” He winked one copper eye in his copper-mast face and returned to his duties behind the counter.
She stood without feeling anything and turned with her drink to face the rain-streaked door. It was past time to go. Raising the cup to her lips, she paused, seeing again what Levi had scrawled. On the side of the cup, suddenly legible, was a symbol, not letters. Not meant to be read, but noticed: the sailing-star and a trail of water behind.
Copper, like everything.

Saturday, September 6, 2014

September's Chatterbox Announced!


Right away, I'd like to tell you that I have in my possession the official cover for Anon, Sir, Anon and you will get to see it here and several other blogs on Monday, September 15th. Blast it. I almost can't wait that long. Oh well. I can look at it every few hours and smile to myself in a secretive fashion.

I missed Chatterbox last month, but I was thoroughly determined not to miss it this month and so you have it here. No worries, dear people who love it so much. It is coming. In fact, it has come. Because this is the post where I tell you the topic. I'll scootch out of the way and get to the brass tacks:

This is the month of September ("with summer's best of weather and autumn's best of cheer") and as September means it is socially acceptable to bring out the salted caramel everything (Who needs Pumpkin Spice when you could have a mocha with flakes of sea salt on top of the whip? DIVINE.) and talk about autumn fashions and firesides and my obsession with ginger-molasses cookies, I decided that the theme would also be a bit cozy and autumnal. And because I take the path of least resistance when it comes to blogging schedules and because I always feel bad for not participating in my own Chatterboxes, I'm challenging you in retrospect. Because the theme for September, as brought to you by Sandwiches For Two, is...

Pears

Now don't look at me like that. You know I have absolutely no intention of ever fulfilling your assumptions. I did pears with my descriptions, the makers of Saving Mr. Banks did pears with a heart-rending death-bed scene. You'll be able to come up with something, I know.

Oh. And for those of you who are probably new and confused as to what the blazes Chatterbox is, here's the descrip-o:
ChaTTERBOX IS A MONTHLY EVENT CREATED AND HOSTED BY ME, DESIGNED AS A QUICK DIALOG EXERCISE. IT DOESN'T HAVE TO BE STRICTLY DIALOG, AS I ENJOY GOOD DESCRIPTION TOO, BUT CENTERING YOUR PIECE AROUND A CONVERSATION IS THE GENERAL IDEA. I ASSIGN A TOPIC (USUALLY ONE THAT CAN BE TAKEN ANY OF SEVERAL WAYS) AND IT IS YOUR JOB TO WRITE A CONVERSATION BETWEEN YOUR CHARACTERS, USING THIS PROMPT. WHEN YOU'VE POSTED YOUR PIECE ON YOUR BLOG, COME BACK HERE AND LEAVE YOUR LINK ON THE LINK-UP BELOW.
Cheeeeeeeeeers! Can't wait to read all your entries, and this month I will actually be home to look at them, believe it or not! Also, my St. Rachel is, according to rumors, having a bit of luck with stuffing the Map of Whistlecreig into the print copy of Anon, Sir, Anon. :3 We shall see.

Also, I made up a word: Woebegonity. I like that word.

Thursday, September 4, 2014

Child's Play

"I like the idea that every page in every book can have a gem on it. It's probably what I love most about writing--that words can be used in a way that's like a child playing in sandpit, rearranging things, swapping them around. They're the best moments in a day of writing--when an image appears that you didn't know would be there when you started work in the morning."
-Markus Zusack, author of The Book Thief

Wednesday, September 3, 2014

Sandwiches For Two

Yesterday afternoon, a friend posted a quote from The Wind in The Willows about a picnic, and I began to feel wistful. Fall, picnics, and the gypsy in my soul sort of combined with the music from my sister at the piano, and I felt like writing. This came out of it. Please, be my guests.



At six o’clock, just when the sky turned the color of an Anjou pear, he took a willow-basket from its nest above the bureau and thought of her. Not that she was ever far from his thoughts, but a keener, wilder-edged memory of their time together dwelt among the weave of this basket.
He took it down the long, white passage into the kitchen. A long, white loaf of bread, crusty as a slow oven could make it, descended into the basket first and, with his usual care, Brian tucked over it a counterpane of speckled muslin. Beside this, he laid a wedge of cheese from their sheep. Nella loved the dairy and he often thought that, if she hadn’t stayed for him, she might at least have stayed for the cheeses and yoghurts and creams. He could remember it so achingly, the marigold-smell of herbs crushed under her knife, the white curds clinging to her fingers as she kneaded flavor into the blind cheeses.
To the cheese, a small testimony of his stinging faith that she would come back--Someday, someday when Nella had got tired of running and have forgiven him for not being different than he was, she would come back--he added two apples.
Maybe when she came, she’d bring the smell of vanilla with her and he could hold her in his arms with her honey-colored hair sliding against his clean-shaven cheek. He always shaved clean around Nella, for she disliked beards and refused kisses till he’d slicked it off. Her refusals, even, would be welcome now.
Oddly, or perhaps not, it was the comfort of their ordinariness he missed most.
Even in his most loquacious moods, Brian spoke little, and he was conscious that when he did, his voice came out like a banjo-twang. But tonight, hope burdened him and her song crawled to his lips:
“As I came down through Dublin city at the hour of twelve at night,” he sang, just a stumble under speaking volume and not so tunefully, “Who should I see but the Spanish lady washing her feet by candlelight.” He took the apples out of the basket and shined them on his stained jeans, one by one.
“First she washed them, then she dried them o’er a fire of amber coals.” He turned the rosiest apple to end-light of day, then rubbed it again. “In all my life I ne’er did see a maid so sweet about the sole.”
He replaced the apples and tucked beside them a paper-wrapped stack of molasses cookies, the kind they’d made together when November ground his horse-teeth with a silver frost.
Molasses reminded him of her as well. Really, everything did, and he couldn’t wish to help it.
His song snipped short by the sharp hope, Brian laid to rest a stone bottle of new cider and covered it with a blanket the shade of fresh-turned loam. There was his picnic: there were his hopes, layered between the foodstuffs in a half-edible tiramisu he might regret tomorrow.
The question, “Would she come?” haunted him tonight with its tangible promise. Because if she did come, if her answer to that question was affirmative, then there’d be sandwiches for two and a feeling like tears.
His ring-hand trembled but Brian ignored this; if he felt nervous, it meant he doubted and doubt was alien to him when he thought of Nella. Hard-won, that alienation, but he’d learned to kill it with the memories. She’d come.
Slowly, as the Anjou sky dip-dyed its cloth in a vat of pomegranate, Brian took his basket, locked his door, and pocketed the key. Their flock bleated from beyond the barn, behind his battered red pickup. He opened the passenger door, set the basket in the space where, tonight, Nella’s lap would surely be. Then, not bothering to go around the other way, he climbed across the empty seats and blasted the evening quiet with a diesel benediction.
Out the gap between the stone walls, down the road that serpentined between juniper and plum-colored hills, and ten miles further till he reached the river.
Brian parked, cranked the windows down so the darkness would cool the interior, and dragged his picnic out the driver’s side door. Heart squeezed for the thousandth time with the curved hollow of her absence, he headed to their spot. He’d never taken off his wedding ring and he’d never forgotten that here, in the fern glen near the bike path, she’d promised to love him forever. Well. He didn’t know what she felt, though he had hopes, but he’d never broken that troth.
Layer by delicate layer, Brian dismantled his hopes and the basket until he stood on the verge of the soil-colored wool looking down on a small banquet. A late firefly or two winked at his faith. Laughing, he imagined, that a man would continue to celebrate a forgotten anniversary.
He sat down with his back against an auburn-haired maple and waited.
After a time, far down the trail, he heard the tell-tale sound of a vehicle pulling into the parking lot.
Its engine guttered. Stopped. Was it staying? Was it her?
The smell of vanilla wafted in and out of his subconscious and he tensed like a stag scenting danger.
A step crackled on the gravel of the bike path and certainly it was like her step. Hers was gentle and measured, though not usually so very slow. But perhaps she felt shy; it had been a painful while.
Still, he had no thought that she might not come. If Nella returned, she would know, somehow, to meet him here. In their place.
He let one ragged breath and then another between dry lips and waved off a cloud of midges.
The step came closer down the trail filled with light like forgotten amber.
It would be her. It must be her. It--
The hair was white, the frame bent. The face belonged to an old man. Frailer than frail he looked, but in his pale eyes was enjoyment of the dusk’s glory. For it was quite dusk now and getting darker every moment, like a paintbrush dipped in Prussian blue, twirled in a water-glass.
The old man paused, half on the trail, his body twisted in a question mark as if wondering whether he ought to leave. “Hello, there,” he said at last.
“H--” Brian’s voice cracked at the sudden impact of doubt’s ram-horn. He tried again. “Hey.”
“Waiting for someone?” The old man’s voice seemed knit of August husks.
Once more, Brian’s throat closed and the smell of vanilla drifted away. He shook his head, quite certain now. She had never liked the dark. She would not come. He stood, extended a hand, and gestured to his banquet. “Care to join me?”
After all, there were still sandwiches for two and a feeling like tears.

It was his fourteenth picnic.



Tuesday, September 2, 2014

I'm Not a Real Writer, I Guess.

Stereotypes can either amuse or annoy me. I laugh when people stereotype some things because it is funny to me to see what strikes a person enough about a category to paint that thing with a broad brush across the whole category. But some stereotypes are especially wrong and none more so than when it comes to The Stereotype of The Writer. According to those, you would not recognize me as a writer. I am connected with many writers on Pinterest, but when I scroll through my feed, I very rarely repin anything "about writers" that I find. Why? Because I don't fit the apparent stereotype of the writer and by those standards, I wouldn't be here publishing my third book. Here are some of the most presumptuous of all, and what I, as a writer, am really like.

Stereotype: Writers Never Sleep




In Truth:
I have never written a mid-night sentence in my life. My best ideas come during the daytime when my hands are occupied with cutting vegetables or washing dishes or vacuuming. Contrary to this chart, if I don't get enough sleep, my creativity gutters out. Not a good idea when you're living (in a way) by your wits.

Stereotype: Writers Obsess Over Naming Characters


In Truth:
Almost without exception, my characters either come with names or have one attached to them within a day or two. I don't fret over the meanings of the names. The way I find a good name is by trying a couple on for size and seriously evaluating if I could stand to live with that name for the next 80,000 words. Also, convenience in typing. I hate hard-to-reach monikers.

Stereotype: Writers Dwell In The Darkest Mental Corners


In Truth:
This is, perhaps, the biggest bone I have to pick. Yeah, It's important to dig into those tough spots for tough spots but unless you write horror or emo-fiction, this advice is especially presumptuous. And it's everywhere. I agree that you need to address and harness your fears, passions, struggles, etc., but using them all at the same time all the time is overkill. Honestly. The places where they could be used effectively will be drowned in melodrama. No one likes a hypochondriac.

Stereotype: Authors Are Always Killing Characters


In Truth: 
I have killed three characters in all my books (two were murder victims). Even in the ones that will never make it to the public's view. Not that killing characters doesn't have its place, for it can be quite effective in its moment. But killing characters is pretty cliche when it is your go-to. There are so many other ways you could deal with a character, and if you're looking for an addition of misery, try not killing a character. Instead of killing him so that his kids are orphans, what about removing him to a place worse than death? Or, as they did in Once Upon a Time, making a character remember in a place where everyone else has mercifully forgot? There are many ways to add drama, misery, grief, and even despair without killing a character. Death is natural. It'll happen to everyone. There are other ways to deal with a dull character.

Stereotype: You'll Spend Half Your Life Hating Your Work



In Truth: 
Yes, like everyone else, I do go through what Abigail calls "The Crap Cycle". But most days, I feel pretty good about my writing. Perhaps this is not so much a product of over-confidence as it is common sense. I have seen a pattern. I know that my writing will need editing, rewriting, and more hard work but it always does. It always will. I have the grace to look past its current flaws and see what it can and will be. No freak-outs. Well, extremely rare freak-outs.

But this is just me. I know that I don't fit the stereotypes and I don't mean to make a new stereotype by saying all writers do not fit the "norm". What about you? Do you relate more to the status-quo or do you find yourself disagreeing and scanning for another pin?