Saturday, August 22, 2015

Snippets of Story: Cottleston Pie


My August word-count goal of 10,000 words is coming along. Not terribly quickly, but it is mounding up, what with nearly 3,000 words in "Swing It" and another 2,000 in Cottleston Pie, not counting bits of it I am rewriting. For instance, I am switching the setting of Cottleston Pie from England (which wasn't necessary) to America, which means changing some terminology, holidays, etc. Still, after thinking on Cottleston Pie and deciding I wanted to add a couple of chapters from other points of view, I am focusing on wrapping that up and sending it to a final reader or two. I also read back through what I have in Scotch'd the Snakes and decided I need to find my notes and read up on who these important-sounding "strangers" are supposed to be up to, because I stopped writing mid-scene and quite forgot why or if they are important. Isn't that terrible? Should teach me not to suspend action for so long again. So today you get scraps of Cottleston Pie. Enjoy!

He thought he might say a few Clever and Weighty things, but the wren flew off across the purple morning and the King started his exercises: skipping thrice around the Cottleston Pie hill followed by jumping-jacks while humming “The Star Spangled Banner,” which was fantastic for getting your heart pumping if you didn’t suffocate first. When this was finished, the King did push-ups till his arms ached (after four-and-a-try, usually), and then he rolled around in the grass for a while to get the crackers out of his spine. At last, His Majeshty felt up for a stroll to clear his lungs so he’d be able to orate per usual, come breakfast.
-Cottleston Pie


"...if you’ve never taken a walk early in the morning by yourself, you can’t possibly imagine how new the world seems, how scrubbed up and polished, as with a chamois leather. Probably just for you, just this once. And yet every morning you wake up early, the world might look a little different – does look a little different – and so you form a habit of waking with it to see what clothes it puts on today because the one time you miss its wake-up face will probably be the freshest morning of all.
-Cottleston Pie


“An owlet.”
“What?”
“Is what you look like,” the King said. “Or a quail. A small one. Such as might be fixed for my birthday. If you were a quail,” he said, feeling a breakfast-less cavity gape inside him, “I would not eat you. I am magnanimous like that. Kind to my friends. Gentle-hearted. Tender, I have been called now and then.
-Cottleston Pie


Privately, the King felt ready as a buffalo, but it wouldn’t do to lord such feelings over those of the weaker type.
-Cottleston Pie


"...The quickest way to get clean is to take a bath, and wanting to be clean, I took one this morning. But while I bathed – though half the trouble is getting back into them – I took off my clothes and my crown. I put my clothes on, thank heavens!” (And here the King scrabbled his robes around himself and looked severely down on Simpian for having even suggested he might do such a thing as forget) “But I left my crown at some point between scrubbing up and playing bear.”
-Cottleston Pie


About twenty-thirty-six hours later – it had taken the King quite a while to find his crown and even longer to find anything to eat – the King once again made his way down to the field where he’d left the orphaned cloud. It was still there, which it shouldn’t have been.“Good beans,” the King muttered. “I wonder what happened to the boy."
-Cottleston Pie

Friday, August 14, 2015

Flash Fiction: Swing It

As promised, some very-semi-autobiographical flash fiction which I hope you enjoy with your Friday morning! And I do mean "I hope you enjoy it" because I am late to work for its sake. Hurray and all that. P.S. If you ever get the chance, PLEASE learn East Coast Swing. It's the bee's knees. That's all.

\

"Swing It"
By Rachel Heffington

In response to its infernal ringing, Willoughby lifted the receiver of his desk-telephone and grunted into it: H’lo? Willoughby Colbert’s office.”
“Take me dancing and make me forget there was ever a man named Christopher Markham.” The person on the other end of the phone-line drew a few reedy breaths, then laughed a little off-center.
Willoughby rocked back in his chair and peered at the yellowing calendar on the wall. Yep, still 1944. “Sal, that you?”
“And who the deuce else would it be?”
Then it was Salamanca Deathridge, calling him up at nine PM on a Tuesday night after two and a half years of friendly silence. Already, Willoughby felt the buzzing warmth speed into his blood. Sal’s voice, homelike, smoothed glossy paint over all the cracks worn into his soul by the last thirty-two months.
“Rizzio’s?” he drawled.
“9:25. I’m taking a taxi. And I won’t pray before I get in.”
The sharp click on the other end of the line told Willoughby that Sal considered the appointment made: he’d show up, because he always did.  This eternal availability might’ve been because he was one of the only single men not kicking Hitler’s butt in France right now, but Willoughby preferred to think she favored his friendship over those  tributaries which ran dry. He knew exactly which troublesome grey umbrella Sal walked under tonight: the daring, wild, implacable mood of a woman who’d been spurned by someone or another. And he knew exactly how to sooth her, as he had so many times. Sal might go two years without speaking  to him, might not even remember there was such a guy as Willoughby Colbert in New York City, but get her in a pinch and she’d remember soon enough. Adorably predictable in that way. Kinda kid-like. She knew where to come for the real stuff.
Willoughby took his feet off the desk, spun his hat in an uncharacteristically flamboyant gesture, and walked, whistling, out the door, taking care to lock it behind him.

I don’t know why I care. Why do I care? I don’t. I don’t care.
“You got troubles, lady?”
Sal, too depressed to bother with activity, answered the cabby’s question with a non-committal “Mmmfh.”
“It’s just, you’re not looking quite yourself.”
This comment coming from a cab-driver she’d never met in her life caused Sal a momentary flicker of interest. She took her chin out of her hand and moved glazy eyes to the cabby’s potato-shaped face. “What’s that?”
He jerked his head over one shoulder, switched lanes, and jutted his chin. “Your lipstick’s coming off.”
Sal whipped out a compact mirror and saw, to her concern, the man had made an accurate observation. A vibrant red ring around her lips, a non-committal pink between.
“You know, I don’t know why I care.”
“About the lipstick?”
“People.”
“So don’t,” the cabby advised helpfully.
Sal fished deeper in the little net clutch and extracted a tube of lipstick which she proceeded to apply. “Drama!” She flourished the tube. “ Everyone has to have their little pouch of drama, which wouldn’t be so bad if it could be rationed out or something. They ration everything else, you know. Why not drama?”
“Hear, hear!” the cabby pounded the edge of his steering wheel and pulled alongside the curb in front of a small dance-club. “Hey, lady.”
“Yeah?”
“I don’t know what you’re trying not to care about, but get this: it probably won’t matter tomorrow morning.”
Actually, it probably would matter tomorrow morning. Especially because he’d said that just now, in that absurdly cheerful manner of his. Sal manipulated a sulky smile onto her newly-rouged lips and handed in a fifty-cent coin. “Keep the change.”
“It won’t matter!” the cabby yowled after her as Sal slipped past a group of businessmen headed uptown. “Tomorrow, it won’t matter.”
Sal waved her net bag without turning around and barged through the door into Rizzio’s. A well-groomed attendant took her light wrap and asked if she waited for a companion.
“Seen a long-legged loser come in recently?”
The waiter answered that, if she referred, perhaps, to the gentleman sitting at the bar just there, then perhaps miss would like him to go apprise him of her arrival?
“Thanks.”
The attendant glistened off and Sal watched the old play of familiar figures: the immaculate waiter clearing his throat at Willoughby’s side, Willoughby, thoroughly absorbed in a cup of coffee, not hearing him. The waiter trying again, Willoughby coming-to with a jolt, the soft lights of the bar gleaming on his head of unabashedly good hair. The crinkle-eyed smile was followed up, as always, by the whole six foot-five of Willoughby Colbert extending itself to full running-trim as he found her and came forward.
“Salamanca Deathridge. Two years have done you no harm.”
“And if I’m allowed to hope that you’ve done no harm to anyone in two years, I think we must render ourselves satisfied.”
Willoughby’s eyes ran over her face again and again and she knew he saw straight through the confident lipstick. That was why she came.
“Let’s dance.”
Sal proffered her small, manicured hand and let it rest in Willoughby’s big, empty one. He put his other hand firmly in the small of her back and steered her to the floor where a black jazz band played one of her favorite songs. She couldn’t remember the name of it right now, or any of the words, but let her body sway to the rhythm. She’d missed this. Why had it been two and a half years? No wonder she felt thin and frail and half-starved.
“So who’s Christopher Markham and when can I do the honor of punching him for you?”
They’d gone away for a few minutes, and now all of Sal’s troubles came galloping back to stampede across her mind and leave her exhausted again. She wilted a little against Willoughby’s supporting arm and shook her head. “He’s Dorcas’ sweetheart.”
“Dorcas Bowman?”
“Yep.”
“I thought she was with Donny.”
“She broke that off eighteen months ago.”
“Oh, I wouldn’t have known.”
Was it just her, or did Willoughby sound a little defensive right there? She thought she’d better wake him up a bit. “I was thinking, I ought to throw a little party for all of the old set: Dorcas, Annie, Ben, Frankie, Martin, Priscilla. Wouldn’t that be fun?”
“If any of the old set is still this side of the Atlantic.”
Definitely defensive this time. Sal wilted a little further as she realized, barring she and Dorcas and Priscilla, who were nurses in a hospital here, all the old set had signed up for the war in their different capacities. All except Willoughby, who’d been excluded on the ridiculous grounds of asthma or something and now worked in the ad business.
“It’s okay, Sal,” Willoughby was saying now. “Somebody’s gotta stick around to paint Uncle Sam’s picture. ‘We Want You.’ It’s only those he doesn’t want who get the honor of making him look welcoming. I know his best angle. He says I’m his favorite portrait-painter.”
“I didn’t mean to pinch a sore spot, Wills.”
“Aw, I know, kiddo.”
He spun her gently out and brought her back, but it was an empty gesture, she felt. No pizazz in it. And this music was too slow. How was a girl supposed to cheer up if the band kept playing sentimental ballads?
“So what has Dorcas’s boyfriend done to peeve you?”
Christopher Markham of the excellent nose and devastating profile  stalked into Sal’s mind. She gave him a mental kick in the pants as the band wrapped up one piece and started into “Swinging on a Star.” Willoughby’s hands gripped hers a little tighter and she leaned back into his tension.
“Christopher Markham,” she said, “Is a great big bad egg. He’s ridiculously handsome and Dorcas is absolutely ga-ga over him. She’s never home. We make all these plans to meet for dinner and she always forgets.” Maybe it was childish of her to feel cut out, but it wasn’t like Dorcas ever made any effort to keep things up. And they were roommates for heaven’s sake. “Chris is eternally taking her to the theatre, or the USO show, or out dancing. And when she is home, it’s nothing but, ‘Christopher this,’ or ‘Christopher that.’ I swear, Wills, I could tear that man’s eyes out with my fingernails.”
Willoughby cut off Sal’s bad humor by snapping her into a spin and dip. She came up laughing and not half as angry at Dorcas as she ought to be.
“A mule is an animal with long funny ears, kicks up at anything he hears.” Willoughby sang in his shameless way, a little oblivious as to tempo, but thoroughly good-natured. “His back is brawny but his brain is weak, he’s just plain stupid with a stubborn streak.” He wiggled his eyebrows at her to make her laugh, and tossed her to one side, then the other, gripping her close and flinging her away.
The joy of dancing – of being dragged through a musical kaleidoscope and making trails in the notes with their feet –began to intoxicate Sal. The new-fangled Latin dances were all dandy if you wanted something romantic, but for forgetting your woes, for forgetting everything but the easy presence of a good friend, there was nothing like swing. Willoughby was an excellent dancer – one of the best, in fact. Besides, she could always wear high-heels around him – the highest she wanted – without ever being taller than him. And this was a useful thing when you’re over-the-average tall for a girl.
“Still stewing over this Christopher Markham fiend?”
“Who’s Christopher Markham?”
“Atta girl. Any other men bothering you?”
“Men? A bother?”
“It’s been over two years. Can’t imagine a pretty, spunky thing like you’s been spending her time alone. You’re a nurse in a big hospital. Bet every soldier comes through your ward and leaves lovesick.”
“You’re a big tease.”
“I’m being one-hundred-percent honest, kiddo.”
Sal shrugged. “Maybe there’ve been a couple disturbances.”
“Major infractions?” Willoughby wrinkled his nose and laughed. “Anyone need a fist in the face?”
“That’s a little cruel when most of them have  Kraut metal in there already. No, no one needs your charming fist, but thanks.”
Willoughby quieted a little and shook his head seriously. “God knows I wish I had a chance.”
“To fight?”
“All these other fellas.” He spun her again. “And I don’t have even a fraction of a chance.”
She thought he meant a chance to fight. He probably did. Of course he could have meant something tenderer, but Sal was a sensible girl. She knew better than to ruin a perfect friendship by asking it if it wanted more. They danced closer to the band and, Sal imagined, made all the other couples jealous with their unaffected happiness.
“And you, Wills?”
He tilted his head down to look her in the eye. “What about me?”
“Girls?”
The gaze lifted. “Nah. Too busy.”
Sal could translate: “I can’t fight so I’m not worthy of any woman.” That’s what that meant. She backed them off the dance floor as the song finished and rested her hand with purpose on Willoughby’s arm. He flinched a little as if even that was too good for him but Sal stayed with him and felt his pulse under her touch.
“Wills, you are valuable.” She gave him one of her best, most encouraging smiles.
He laughed, as he always had, like it couldn’t be true but that he was glad she’d said something. “Hey, Sal?”
Another whole-hearted smile. “Yeah?”
“I think you’ve got some lipstick on your tooth.”
It didn’t bother Sal how she looked in Willoughby’s presence.  He was too familiar for that. All the same, blood shot to her face and shame – though she was unsure why – flooded to her fingertips. She growled savagely and swiped at her teeth.
“It’s probably because,” she protested, “I put it on in a dark cab with an impertinent driver looking on.”
Willoughby tossed his head, laughing the old laugh that forgot itself. “C’mon, goober. Let’s dance.”
He tugged her out to the floor and she followed, slipping past a young woman in evening dress who had stepped to the front of the band to sing. Willoughby looked back to smile at the girl appreciatively. Sal laughed in his face.
“What about her, Wills?”
His eyebrows shot up. “You’re not suggesting I pick up a chorus girl?”
“She’s an entertainer, and a looker to boot.”
“You’re horrible, Sal.”
She shrugged, pleased with herself. “I know.”
The band played a slow, bluesy tune and Willoughby’s arm fit easily around her waist. She was pleased for a slower pace and glad it wasn’t a waltz – her left arm always ached from reaching up over his Alpine shoulder. The room darkened and what lights there were focused on the singer, who smiled a little sadly and slipped into the first lines of a bittersweet, familiar tune.
“I can see no matter how near you’ll be you’ll never belong to me,” the girl sang. “But I can dream, can’t I?”
Her voice was devastating. Tears pinched the bridge of Sal’s nose, unreasonably she felt. Why the heck was she crying? What about? Nothing. Besides, Willoughby always hated that sort of thing.
He continued to lead well. Hadn’t seemed to notice her sudden depression. Bless the man’s obliviousness. Sal sorted through a stack of conversation-starters she might use to distract from this unwanted emotion. She could tease Willoughby again about the entertainer, or suggest he cut his hair differently, or admit to being as tired as she suddenly felt. If she employed the latter excuse, he’d take her gently to one of the cocktail tables lining the walls. He was that sort. A good sort.
“Can’t I pretend that I’m locked in the bend of your embrace?” the woman sang. “For dreams are just like wine and I am drunk with mine.”
Sal’s breath caught like a half-sob in her throat. Good heavens, woman. Collect yourself. Willoughby was humming along now. She felt his deep voice thrum against her palm which rested on his back, and at the next line he broke softly into song, keeping company with the entertainer:
His smile reached deep into his eyes, deprecating even the moment, apologizing for things that could not have been his fault.  “I’m aware my heart is a sad affair. There’s much delusion there but I can dream, can’t I?”
Smile. Say something flippant, but Willoughby spun three times and the opportunity dropped someplace on the floor between them. The bridge of Sal’s nose hurt worse than ever and now her throat was tangled up in the trouble, asking to air-drop an embarrassing cargo of tears.
“Can’t I adore you although we are oceans apart?” Willoughby would sing. “I can’t make you open your heart but I can dream, can’t I? Dream on, dream on…”
The song finished on a sorrowful note. People were applauding for the songstress and Sal joined blindly in. She wasn’t so far gone as to forget what a beautiful moment the silk-clad, sparkling girl had given her.  Then, before she’d had a chance to shirk the memory and let it fade, the band-leader grinned and jerked into “Boogie Woogie Bugle Boy.”
It jarred against her emotions like fingernails on old stone. Great. The Moment was now cemented in her heart forever by an incongruous set-list. No laughing it off now. As suddenly as Willoughby’s rich mood had dropped upon him it wisped away and he was his old, half-contrary self: a boy’s face and a man’s loyalty draped over six and a half feet of clumsy, good intentions.
“He’s in the army now blowin’ reveille, he’s the boogie-woogie bugle boy of Company B,” they sang together.
Willoughby bobbed his shoulders up and down like a simpleton. “They made him blow a bugle for his Uncle Sam. It really brought him down because he couldn’t jam…and now the company jumps when he plays reveille, he’s the boogie-woogie bugle boy of Company B.”
They finished with a deep dip and Willoughby half-dropped Sal. She squeaked and clung to his arms.
“Don’t drop me!”
Cackling, he lifted her back on her feet. “Just trying to shake that glum look off you. Shoot straight with me now, little Sal.” He tucked his chin and looked stern. “There’s a fella overseas, isn’t there?”
“Now what makes you think –”
They sauntered toward the bar. Willoughby motioned for two glasses of water. “Your face a minute ago. I can read faces.”
“Mmm.” She leaned against the counter. “You’d be a lot smarter if you learned to read books.”
“Ouch. What’s his name?”
“Whose?”
“The fellow.”
“Which fellow?”
“The one overseas.”
She sighed heavily. “Would it surprise you very much if I told you there isn’t one?”
“I’d be confused about your pouty-face.”
“Confusion is yours.”
Willoughby downed his water and viewed her a moment through the bottom of the glass. He set it down on the counter with a careless clack.
“Tell Dorcas I said hello.”
Sal jumped a little, then laughed. Dorcas with her sudden inability to remember any commitment, her protests when teased, her piled-on apologies, assurances of how sorry she was she’d left Sal – again – to her own company. Dorcas with her hideously perfect boyfriend.
“I hate this,” Sal admitted.
Willoughby flung an eyebrow upward. “What?”
“This annoying realization.”
“Which one?”
“That the cabby was right. It already doesn’t matter.”
And because Willoughby understood her so well, he didn’t immediately inquire what cabby. The twenty-piece band, the soundtrack of their incongruent lives, struck up another tune.
“You know what, Sal?” The wry brother-smile.
“What?”
“I say swing it.”

And really, put that way, his was the best logic in the world.

Tuesday, August 11, 2015

"Win a swanky prize? Why not?"

Just popping in to let you know A) that a new short-story will be coming to the blog soon, and that for now, my brand new lifestyle blog, Lipstick & Gelato, is live and receiving entries for the pretty swanky giveaway! Follow the link to hear more, and please feel free to spread the news. :)


Friday, July 31, 2015

"The Leopard Clause:" A Snap of Short-Story

I stand upon the brink of the eighth month of this year and think of how patient all of you are. I've not had a good schedule with my writing and I freely admit that. Work has gobbled me and since I can't write in the middle of life, the choice to write when I reach home of an evening means choosing to ignore my family, and I've just not been ready to make that choice. So my word-count has suffered miserably. It's not dead, however, and while I intend to start August with a month-long goal of 10,000 words added to Scotch'd the Snakes, I have scribbled in little things here and there in the interim. Below, I'm sharing the start of a short-story for my brother. Meet "The Leopard Clause."



“The Leopard Clause”
by Rachel Heffington


Lord of the Earth.
The category sat well with him, so Banistre Cleveland tried it aloud: “I am a Lord a’ the Earth.” Not too loudly of course, because it wasn’t quite the sort of thing a suitably grief-ravished nephew said upon coming into a sizable inheritance. But this was Middleburg. This was Eden-pure air and grass greener than envy. This was plump, pedigreed horseflesh going more per ounce than gold, and long, low stables rife with barn-swallows. No one would hear him, and if they did, no one would care.
“Lord a’ the Earth,” Banistre repeated. He spread his palms along the rail fence and collected several splinters.
“Enjoying the view?”
The intrusion of a fellow human jarred Banistre’s heady mood. He turned, nursing his injured hand to face the offender. Silhouetted like one of Satan’s finest, all angles and intelligent movement, stood the Hon. Phillip Dean Wicks, attorney at law. This Wicks, Banister’s late uncle’s solicitor, specialized in adding his presence unannounced. Banistre felt an immediate weakening of his lordliness. What was he after all but a half-baked law student with a palmful of splinters and a recently acquired estate? But there was an estate, and the positive implication of that word buoyed him. Mr. Wicks couldn’t frighten a Lord a’ the Earth. Banistre shifted to allow for Mr. Wicks’s joining him at the fence and nodded down-pasture to where a fat mare cropped turf.
“She’s ready to pop,” he offered.
Mr. Wicks squinted. “I believe ‘foaling’ is the official term.”
“Ah, yes. Foaling. It’s got to be hell, bringing one of those kick-boxers into the world.”
Mr. Wicks said nothing.
“I mean,” Banistre fumbled with a piece of fence-rail under his skin, “it’s purely marvelous, how all them arms and legs are all jumbled up so neat and quiet inside. Like a Jacob’s Ladder, I’d imagine. And then a bit of a struggle later and you’ve got a foal racing around like the Triple Crown was his natural right. Fascinating.”
Mr. Wicks turned a dark, intelligent eye to him with that smile that always made Banistre recall how bad his Latin was.
“Indeed,” the lawyer said, “Is animal husbandry an interest of yours?”
“Animal...husband...” Banistre fell into a cold sweat. “What...I mean, oh! Of course. Yes, well, I do go in for a bit of it. Just enough to feel my way around the paddock, so to speak.” When nervous, and he found Mr. Wicks particularly inspirational in this respect, Banistre got chatty. “I don’t want to be one of those heirs who can’t hold his liquor and flirts with ruin and plays the dames.”
If Mr. Wicks thought well of him for this rare bit of philosophy, he kept well away from outward applause.
Banistre pulled out the first splinter triumphantly. “I will be a wise land-owner and know what crop per acre my land is bringing, and who’s bred with whom and what a bad drought we’ve been having lately, don’t you know.”
“Just so.” Mr. Wicks put a hand into his breast pocket. If he had suddenly brought out a mother o’ pearl-handled revolver, it would have suited his elegant style of darkness, but he did not. A sheaf of papers appeared, which Mr. Wicks undid with a refined snap and put into Banistre’s hands.
“Before you begin your wise reign, O, Jehoshaphat, you might find these of interest.”
Being a law student, Banistre ought to have made sense of the legal jargon; being a simple man, he could not.
“I see,” he said, and handed the papers back with a tepid smile.
“Unusual clause, isn’t it?” Mr. Wicks had obnoxiously virtuous hair, as if it dared not defy the style in which he set it of a morning. “My client favored what I call ‘creativity’ in his dealings. Bad luck for you, though, my man.”
Under his shirt, Banistre felt his body go a startled shade of boiled crayfish. “Just to be really sure I’ve got it down, d’you mind explaining it in laymen’s terms? My people will want to know,” he hastily added.
A sharp-eyed grin from the solicitor. “In the simplest words: you’re out of an inheritance.”
Banistre choked, presumably on an inhaled may-fly. “Oh. Well....drat. Just like that, huh?” Something had gone wrong with his breathing. “And who’s the lucky fellow to take my place?”
“Uncle Sam. The Government. That is, unless you are able to defy death and answer the Leopard Clause.”
“The...?”
“Surely you noticed?” Mr. Wicks unsnapped the papers again and pointed to a section of print circled several times in red pencil. Anyone ought to have seen it. “In this clause, your romantic-minded uncle detailed the conditions of your inheritance.”
“That he die?”
“That you kill (and have attractively taxidermied) the Leopard of Harbaryaband.”
Banistred laughed a great, booming “HA!” which startled the brood mare and sent a barn-swallow kiting away.
“Are you a big-game hunter, Mr. Cleveland?”
“I’ve never shot anything larger than a woodchuck,” Banistre confessed.
The spirited eye of Philip Dean Wicks seemed to declare things about its owner: “Lions,” it cried. “Panthers.” And in the left-hand corner, if one could stand the exposure for so long, a sort of glint hinted at “Rhinoceros.”
“But I’m terrified of large animals," Banistre babbled. "And diseases like Malaria. I’m not rich and I’m not English and I’ve never been to Africa, let alone had any desire to go!”
Mr. Wicks refolded his papers. He clamped a resolute palm on Banistre’s shoulder before sauntering off. “It’s a good thing for you, then, this particular leopard hails from India.”
Banistre’s mind had gone spinny. “But...all those idols!”
“Staying?” Mr. Wicks called back, his nose, hair, chin, limbs all sharpened by the back-light. “I’d come along if I were you. You’d best get yourself outfitted.”

Tuesday, July 28, 2015

I Promise I HAVE Been Writing...

Dear Folksies:
     Contrary to popular belief, I've been doing a LOT of writing recently. Why the secrecy? Well, this is actually non-fiction writing. For the past three or four months, actually, I've been hard at work on developing a new bit of blogspace to further and officially explore my triplet of other passions:

Food, Fashion, Art.

Lipstick & Gelato will give me a happy, organized outlet for all three while I people can still keep tabs on my reading and writing here on The Inkpen Authoress! I love a fresh start, a new focus, and a place to show my pretty things. Lipstick & Gelato will take the place of A Butcher, A Baker, A Candlestick-Maker  as my "other blog," and will focus on these three main things:

Recipes: In the Kitchen, on the Gelato side of the house I share all things edible: recipes new and old, hole-in-the-wall spots for a fine meal, foodie friendships, cooking challenges and more.

Fashion: In the Closet (or Lipstick gallery) I talk about style, beauty, dressing my ‘curvy’ body gracefully, and all things related to looking your best. Some of my inspirations style-wise are Audrey Hepburn, Amy Adams, Tanesha Awasthi, Kate Spade, Zooey Deschanel, classic and vintage silhouettes, and rich colors.

Art: My art is...all around! From fashion-sketches to food illustration, to quick sketches done on the sly under the nose of a snobby Starbucks barista, I throw my art into this blog the way I fit it into daily life: here and there, in all the nooks and crannies.

Think you're interested? Bookmark the blog (www.lipstickandgelato.com) so that when it goes public on August 11th, you'll be prepared! Spread the word with the image below on all your preferred venues of social media, and until the day you can actually get into the blog (which is, again, August 11th), follow Lipstick & Gelato on Instagram



Cheers to all of you! Thanks for being such ducks and putting up with my random silences!

Tuesday, July 7, 2015

C'est la LIFE


Writing-Wise

My MERCY, life flies by. It's July and I have the most baffing feeling that I've been some sort of hideous fake this whole spring, calling myself a writer. The truth is, what I've written this spring wouldn't fill a wide-ruled, spiral-bound notebook. I have not logged into my publishing account in four months. My Twitter is a ghost-house. I'm doing horribly with self-promotion. I'm not sure I should even be telling you this, but PR has never been my strong suit. Actually, scratch-that. Public Relations are where I am GOOD. Selling books is where I don't give a horse-fly, even when I ought, which is why I still work as a nanny rather than a full-time writer. Life has been giving me a workout and in a fist-fight between my family and my books, family wins out. That is not to say I haven't wished to write and even written a (very) little. I've started a secret thing that I can't whisper about yet because I don't want to announce my lipstick-taser before firing. I've worked a (very) little bit on Scotch'd the Snakes. I've worked on a few pieces of worthless flash fiction to keep my mind limber, and have plans to write a very quick piece of humorous fiction in honor of something I misheard a couple of weeks ago while in church. Cottleston Pie is marinating. I am not sure what to do with it yet, but murmurings of a rewrite are in the nearest corners of my mind when I stop to think about it. Historically, just about forty or fifty percent of the reading populace, after reading one of my novels, suggest I write a children's book. I have never quite decided how I feel about this reaction. Did they not enjoy my novel, but find my tone amusing and therefore feel I should tackle something of less import? Or did they like my story and/or tone so much they want it in short-order form? Or do they think I am entirely on the wrong tack and ought to pin my sails and try for something that will harm no one if it flops miserably? I cannot tell. But I love Cottleston Pie and I think I'm on the right track with it and when I take it out, it is always so much a better project that I remember it being. This is my update on personal writing. I was vicariously thrilled with my friends, like Mirriam Neal, who managed to do JuNoWriMo. Brava!

Reading-Wise
I've had a little more success. Suzannah Rowntree's Pendragon's Heir is marvelously well-written but a little too brocade for summer wear. I find it slow but pleasant going. I picked up Schindler's List by Thomas Keneally after going on a blitzkreig-speed tour through DC's Holocaust Museum. I want to go back and spend more than fifteen minutes on each floor, but what I saw was enough to convict, impress, and sober me. So far, Keneally's book is thoughtfully researched and reads much more like an interesting history than a novel, which is rather the point. Lurking behind-hand in the book-wings are a book about the children of the Holocaust (also a Museum purchase), The Nine Tailors by Dorothy Sayers, two cookbooks, and a book about the history of maps. No, it's not The Island of Lost Maps which I read earlier this year...I just have a strange fascination with cartography since the day I first watched National Treasure. The influx of reading material happened when I made the trip to our dinky library which is hardly ever open to renew my card which had expired at least a year ago. What do you know? They have books at libraries. And I'm terrible at resisting a book.

Listening-Wise
I don't listen to music while writing, generally, but I do have a list of songs that have been in my heart and head recently and here is as good a place as any to share them! :)
  1. "Geronimo" - The Sheppherds
  2. "Bright" - Echosmith
  3. "You Belong With Me" - Taylor Swift (Come on, it isn't summer till you've had some T-Swizzle)
  4. "Almost Like Being In Love" - Nat King Cole
  5. "Out of an Orange-Colored Sky" - Nat King Cole
  6. "Shut Up And Dance With Me" - Walk The Moon (unashamed)
  7. "Budapest" - George Ezra (heard the most beautiful female-vocals version of this done by two sisters I know.)
  8. "Take Your Time" - Sam Hunt
  9. "Lay Me Down" - Chris Tomlin
  10. "I'm a Believer" - The Monkees
  11. "Christ Be All Around Me" - Leeland (my prayer, always)
My taste is eclectic, as you can see and ranges up and down the scale from standard pop to country, to big-band, to Christian contemporary. I love having varied tastes. Keeps things interesting.

Eating-Wise
Lavender Soda. It's a beautiful thing. Like drinking a vase of flowers steeped in Sprite...only less perfume-y. Also, anything boysenberry. After three years, our patch is doing prolifically well and my hands and lips are stained with the sun-soaked gems. York Peppermint Patties. I bought a bag to share around my wing at a camp...and ended up taking the whole thing home. Now I really, really want to try making s'mores with York instead of normal chocolate. Parmesan from the block. MmmHMMMM. You heard that right. Cheese is bae. If I talked that way. And I don't. Moving onnnnnn. Cherries. Dark, sweet cherries. Divinity right there. And whenever I eat cherries I am reminded of an anecdote about Oswald Chambers which you probably don't have time to hear, so I will refrain from sharing it.

I'm off to bury my nose in one of my neglected writing projects. Ciao, darlings!

Saturday, June 20, 2015

When Your Editor Turns Author

It isn't every single day you get the opportunity to return favors for people. It isn't every day your favorite editor's debut novel is released by Whitefire Publishing. And it is for this happy reason that I gather all of you together to throw a little birthday-party interview for my friend and editor, Rachelle Rea. 




ABOUT The Sound of Diamonds


Her only chance of getting home is trusting the man she hates.With the protestant Elizabeth on the throne of England and her family in shambles, Catholic maiden Gwyneth seeks refuge in the Low Countries of Holland, hoping to soothe her aching soul. But when the Iconoclastic Fury descends and bloodshed overtakes her haven, she has no choice but to trust the rogue who arrives, promising to see her safely home to her uncle's castle. She doesn't dare to trust him...and yet doesn't dare to refuse her one chance to preserve her own life and those of the nuns she rescues from the burning convent.Dirk Godfrey is determined to restore his honor at whatever cost. Running from a tortured past, Dirk knows he has only one chance at redemption, and it lies with the lovely Gwyneth, who hates him for the crimes she thinks he committed. He must see her to safety, prove to the world that he is innocent, prove that her poor eyesight is not the only thing that has blinded her but what is he to do when those goals clash?The home Gwyneth knew is not what she once thought. When a dark secret and a twisted plot for power collide in a castle masquerading as a haven, the saint and the sinner must either dare to hold to hope...or be overcome.


ABOUT THE AUTHOR

Rachelle Rea plots her novels while driving around the little town she's lived in all her life in her dream car, a pick-up truck. An Oreo addict, she is also a homeschool graduate and retired gymnast. She wrote the Sound of Diamonds the summer after her sophomore year of college.

LINKS

Instagram: @RachelleDianeRea

So, loves. Though I missed the official Release Week due to my laptop unexpectedly coming to a heated death (truly, it burned), I have the privilege of interviewing this Southern Dynamo here on The Inkpen Authoress and questioning her all about the first book in her Steadfast Love series, published by Whitefire Publishing. Welcome, Rachelle! Readers: if you want to know how her boyfriend views her career as a romance novelist, what she thought when her dream publisher said yes, and which book Rachelle cannot live without, read on! 



RH: I had the privilege of beta-reading The Sound of Diamonds years ago. How much would you say the story has changed in the interim?

RR: A little. A lot. LOL. Much of the plot has stayed the same; much growth has gone into the details and characters. For example, Gwyneth wears glasses. At one point in the story (no spoilers here!), she loses her glasses. In an early draft (maybe the one you read, Rachel), she conveniently has another pair--so not plausible. Needless to say, she goes without her glasses for a bit in the now-finished novel. ;)


RH: You say this contract was dropped in your lap; how did it feel to know that your dream publisher had said YES?


RR: It felt like sitting at my desk at 10pm and wondering why I had watched that second episode of Arrow that had prevented me from checking my email and discovering the news earlier. A few hours had passed between that lovely bit of news arriving in my inbox and my actually discovering it! It felt like nearly crying, nearly screaming, waking up my parents to tell them, calling my best friends, and sleeping with a smile on my face. :)


RH: What makes the Steadfast Love Series (of which TSD is Book 1) different from other historical romance series?


RR: My series follows the same two main characters throughout all three books--in other series, the trend seems to be to follow a family or set of friend-ish characters.


RH: What would say is your trademark as an author?


RR: My favorite word. Daring. I want to write stories of people who have the choice to be brave--and choose rightly, if not for the first time, then just in time. :)


RH: How do your personal acquaintances view your authorship?


RR: What a fun question! I'll never forget the face a friend made in the kitchen when I told her I had signed a contract. And my boyfriend has mentioned he found it slightly intimidating at first that I'm a romance novelist. :) All in all, though, I'm thrilled and blessed by the support of all those around me--in real life and online. :)


RH: What is the biggest thing you have learned between drafts #1 and the final version of your trilogy?


RR: I'll never think it's finished. I've heard authors mention that before but never had it seemed truer than when I was rereading the final galleys and wanting to make tweaks and changes that were trivial to say the least. But the truth is, this novel is the best book I've ever written. And the next book will be even better. ;)


RH: Mind sharing a favorite quote from The Sound of Diamonds?


What did it matter if I perished here in the convent at the hands of my enraged countrymen? Better that than breathing my last at his hands.
– Gwyn, The Sound of Diamonds
RR: This captures her attitude so well. She would rather die than let Dirk save her in this first chapter--but that soon changes... ;)

RH: One book you cannot live without?

RR: One Thousand Gifts by Ann Voskamp. I love that book. I lend that book out regularly, so I guess I do live without it somewhat, but still. It speaks to my soul. ;)

We at The Inkpen Authoress wish you all the best of luck and happiness with The Sound of Diamonds. Thanks for dropping by for the afternoon and sharing the scoop! :)