Showing posts with label humor. Show all posts
Showing posts with label humor. Show all posts

Monday, February 29, 2016

Cliches I Wish I Had


Writers. We're such a strange set. We're such a cool set. I don't much like the stereotypes surrounding writers and their lives. We aren't all recluses - we can't afford to be. One has to actually socialize these days in order to have any sort of following. But there are some stereotypes that I wish I could fit in because, let's face it, the traditional writer (which I'm not) is a pretty cool creature. That being said, I wish I could...

...live in a coffee shop

Looking at my flash fiction, you might think I live at a coffee shop, but that's not true. I would love to be a regular. I would love to have a well-worn corner at the bar and a barista who knew my name and slid a fresh latte toward my laptop because he knew by the knitting of my brow and the pricking of my thumbs that I wasn't feeling the whole editing thing today.

...sit on a white bed with perfectly shaved legs effortlessly balancing a laptop

Confession: I think sitting with your laptop anywhere near your actual lap is cause for ovarian cancer or something. At any rate, I'm sure it's not good for you. Also, who really wants to sit in bed all day? Also, whose feet don't fall asleep, like, right away after sitting Indian-style for more than five minutes? But you have to admit - it looks pretty darn cosmopolitan.

...survive off coffee alone

Coffee is so low calorie, I almost wish I could be one of those writers who gets so absorbed in their work that they can't stop for food. That's how those girls keep so slim. #coffeeislife...I'm sorry, but I'm the opposite. If I'm even remotely hungry, I get the worst hankering to A) stop for a snack B) eat all the chocolate, ever, in the whole world C) browse Instagram ad infinitum. I love coffee...but I also love muffins, toast, Chex Mix, pink lady apples, tangerines, trail mix, chocolate chips, granola, and many other things it's possible to love more than coffee.

...willingly shut out social life

We've discussed before how this aspect of my personality one hundred percent shoots me in the Achille's heel. It's almost impossible for me to choose writing time over people-time and that's why I'm sitting here writing a humorous blog post instead of sharing snippets of all the work (snark) I've gotten done recently. Of any writer stereotype, this one is the one I would give my left hand for. Not my right arm...I need that for writing, when I get around to it.

...achieve the perfect messy bun + bangs

You'd think after all these years I would be able to get this one right. That perfect top-knot that every college sorority girl knows how to do. I just can't. I can coil my hair into a sort of tea-pot handle and stab a pen through it, but that's about all. Rest in peace, hopes for the iconic writer-girl hairstyle. You just weren't meant to be.

....have so much plot it's bursting from my ears

This goes right up next to willingly shutting out social life. How people are overwhelmed with plot is beyond me. I am overwhelmed with atmosphere and characters and setting and clever sentences but plot comes to me only after blood sacrifices. Sheesh. Give girl a break, Plot, for heaven's sake!

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What are some stereotypes you'd like to be afflicted with?

P.S. Good luck to those of you who entered Rooglewood Press's Five Magic Spindles contest! I can't wait to see the winners' names tomorrow. 

Monday, February 1, 2016

Weaver Birds Aren't My Area of Expertise

Just a bit of writing I did for fun. I feel like I hit my best stride when writing fiction for children, even though I've never pursued that avenue farther than "just for fun." I've been pecking away at this the past few days as the mood strikes me and I figured I would share it with you to help you, in turn, pass the time. Happy Monday, darlings!


An Untitled Story (With Birds)
by Rachel Heffington


“The world, my dear, is very full of things you shouldn't touch.” Miss Crust's voice curled back on itself, purring. She pulled her crotchety old fingers through Maribelle's hair.
“Ow!” Maribelle yowled. She didn't think Miss Crust pulled her hair on purpose, but she certainly didn't not pull it on purpose. That was the point on which Maribelle took issue with her nurse.
“Is it my fault if you got half a jar of molasses stuck in it? Your hair's more tangled than a weaver-bird's nest.”
Maribelle wouldn't know. Weaver birds weren't her area of expertise, though they were her father's and Miss Crust's. Her father and Miss Crust were very well-known ornithologists – bird people. They were the sort of important people other important people came to if they had questions about puffin migration (“Do puffins migrate?”) or parrot-speech (“Just how many words can the average parrot learn in its lifetime?”) or the habits of displaced bluebirds. How Miss Crust went from studying birds to untangling Maribelle's hair, Maribelle didn't know. She wasn't quite sure where her father had picked up Miss Crust. Miss Crust just had always been. Maribelle couldn't remember a time when Miss Crust hadn't been part of life at 34 Bleaking Street. In her earliest memories there was sunlight, plenty of dust-motes swirling glitter-like through the beams, and Miss Crust. Funny enough, there was never a memory of a mother. Just Miss Crust, Assisting. She was very good at Assistance – Assisting Father with bird-work and Maribelle with tangled hair and grammar-work and stains on the fronts of her dresses. Sometimes Maribelle thought she might like to do with a bit less Assistance. Maybe only on Tuesdays, because Tuesdays generally weren't the best day of the week. Miss Crust could be on-call the rest of the time and only Assist when Maribelle really wanted her.
“What happened to my mother?” Maribelle asked suddenly. Miss Crust's finger twitched through Maribelle's hair, not in a surprised way but in a “Dear heavens, this again?” way.
“Died,” Miss Crust answered.
“From what?” Of course she knew – galloping consumption – but it was needful to hear it again, just to remind her that there had been a mother once upon a time. It bothered Maribelle sometimes, how often she nearly forgot most kids had two parents.
Here it came -
“Galloping consumption,” Miss Crust said.
There it was.
“Now you,” she pulled Maribelle upright off the stool and smacked her bottom, “get downstairs. Your father wants to speak with you before he leaves.”

Glad to be free of the dreadful hairbrush, Maribelle skibbled out the nursery door and wandered down their great big staircase, pausing on her favorite steps as she went. Her favorite steps were as follows:
twentieth,
sixteenth,
eighth.
The reasons why were these:
The twentieth was the step at the landing with a peculiar, round window looking out onto a bit of scrappy yard and a trashcan that always had a cat of some color turned upside down, fishing for something inside it.
The sixteenth step was exactly halfway which, as anyone can tell you, is a special place.
And the eighth step was the step whereupon Maribelle's front teeth had been knocked out when she tripped on it two years ago. There had been no other six year old girls missing both their front teeth that year so though it had given her a bit of lisp, Maribelle thought the distinction quite worth the trouble of pronouncing “stork,” “sausage,” and other like words.

Maribelle tromped into Father's study without knocking. She never knocked, on principle. People seemed to stop doing interesting things when you knocked first. It was much more gratifying to throw open a door and see someone look like they'd seen a ghost. Maybe you'd see where they hid those scrumptious chocolates, or maybe you'd hear things they wouldn't otherwise have told a little girl. And Maribelle did very much like to know. Knowing was probably the thing she liked most in the world, besides maybe chocolate ice cream and splashing in puddles barefoot when she ought to have worn boots.
Father sat at his desk, balding head between his bird-claw hands. He looked up as she came in. Pale gray daylight flashed at her off the little round lenses of his glasses.
“Hi,” Maribelle offered.
“Oh. Hello, Maribelle.”
“Miss Crust said you wanted me?”
Father perked up a little and ran his fingers through his hair. Two grayish-black puffs of it stuck out on either side of his head and made him look like a ruffled owl. The top of his head was utterly bald. “Just so, my dearling.”
When he put out his hand, she walked to him and settled her little palm in his bigger one. Hot. Dry. Shaky. That was Father's hand. Not liking to keep hers there very long, Maribelle gave Father a quick smile and put her hand in her pocket where he wouldn't think to ask for it again.
“Been studyin' birds?” she inquired.
“Oh, hrm. Birds, birds. Is there anything like birds in the world?” Father's lenses flashed again and his smile was a little less hampered than usual. He did so like birds.
Maribelle wanted to help him in any way she could to not seem so picked-over and trembly. “Well, Miss Crust says there was a sort of dinosaur way back in the dinosaur-days that flew like a bird.” It mightn't help much but Father might find it interesting, and that would at least distract him from whatever it was he worried over.
“Oh, ha!” Father chortled. “Ha! Ha!”

Like a jay, Maribelle thought. Crisp and short and unaccustomed. She liked to think of Father as all sorts of birds. He laughed like a jay and looked like an owl. He walked like a heron and spoke like a wren in terse, tentative chirps. She liked to watch him and he liked to watch birds. It helped to pass the time in the few months of the year when they weren't bopping around the Congo or Peru or someplace.

Sunday, September 6, 2015

The Nameless Vanish

You would think that after all this time, I would have learned. I would have learned to name my files before saving them. That being said, I'm here to announce that I finished the pressing chapter of Cottleston Pie which pretty nearly completes the draft. I'm going to consult with my notebook tomorrow and see if there are any pieces and stories I left dangling that want to be included, but otherwise I'm only going to smooth over a few things and touch up the synopsis before beginning to send it off. Excitement! I know that it won't be accepted probably for a very long time, but you never can tell. I also feel that I have a better pulse on what makes good children's fiction than I do on how to tap into the mystery market, or the historical romance market. Not that I couldn't get into those, but I feel it might be easier (and I will probably be eating crow, presently) to get into this market of children's fiction. We'll see.

What I mean by complaining about not naming files is this: I began a (very good) story for Rooglewood Press's  Five Enchanted Spindles contest and forgot to name it. At least, if I did begin it on Google Drive as I suppose, I forgot to name it. If I began it on my laptop, that is a whole different problem because guess what? My laptop died and with it, everything on it. Children, always back up your hard drive. I am not off to open every untitled document in Google Drive (because I had planned to work on this Very Good Story next, after finishing Cottleston Pie) and if I can't find it there...watch me weep. Here's hoping! Are any of you planning a story for Five Enchanted Spindles? I would love to hear about your story. :)


Friday, July 31, 2015

"The Leopard Clause:" A Snap of Short-Story

I stand upon the brink of the eighth month of this year and think of how patient all of you are. I've not had a good schedule with my writing and I freely admit that. Work has gobbled me and since I can't write in the middle of life, the choice to write when I reach home of an evening means choosing to ignore my family, and I've just not been ready to make that choice. So my word-count has suffered miserably. It's not dead, however, and while I intend to start August with a month-long goal of 10,000 words added to Scotch'd the Snakes, I have scribbled in little things here and there in the interim. Below, I'm sharing the start of a short-story for my brother. Meet "The Leopard Clause."



“The Leopard Clause”
by Rachel Heffington


Lord of the Earth.
The category sat well with him, so Banistre Cleveland tried it aloud: “I am a Lord a’ the Earth.” Not too loudly of course, because it wasn’t quite the sort of thing a suitably grief-ravished nephew said upon coming into a sizable inheritance. But this was Middleburg. This was Eden-pure air and grass greener than envy. This was plump, pedigreed horseflesh going more per ounce than gold, and long, low stables rife with barn-swallows. No one would hear him, and if they did, no one would care.
“Lord a’ the Earth,” Banistre repeated. He spread his palms along the rail fence and collected several splinters.
“Enjoying the view?”
The intrusion of a fellow human jarred Banistre’s heady mood. He turned, nursing his injured hand to face the offender. Silhouetted like one of Satan’s finest, all angles and intelligent movement, stood the Hon. Phillip Dean Wicks, attorney at law. This Wicks, Banister’s late uncle’s solicitor, specialized in adding his presence unannounced. Banistre felt an immediate weakening of his lordliness. What was he after all but a half-baked law student with a palmful of splinters and a recently acquired estate? But there was an estate, and the positive implication of that word buoyed him. Mr. Wicks couldn’t frighten a Lord a’ the Earth. Banistre shifted to allow for Mr. Wicks’s joining him at the fence and nodded down-pasture to where a fat mare cropped turf.
“She’s ready to pop,” he offered.
Mr. Wicks squinted. “I believe ‘foaling’ is the official term.”
“Ah, yes. Foaling. It’s got to be hell, bringing one of those kick-boxers into the world.”
Mr. Wicks said nothing.
“I mean,” Banistre fumbled with a piece of fence-rail under his skin, “it’s purely marvelous, how all them arms and legs are all jumbled up so neat and quiet inside. Like a Jacob’s Ladder, I’d imagine. And then a bit of a struggle later and you’ve got a foal racing around like the Triple Crown was his natural right. Fascinating.”
Mr. Wicks turned a dark, intelligent eye to him with that smile that always made Banistre recall how bad his Latin was.
“Indeed,” the lawyer said, “Is animal husbandry an interest of yours?”
“Animal...husband...” Banistre fell into a cold sweat. “What...I mean, oh! Of course. Yes, well, I do go in for a bit of it. Just enough to feel my way around the paddock, so to speak.” When nervous, and he found Mr. Wicks particularly inspirational in this respect, Banistre got chatty. “I don’t want to be one of those heirs who can’t hold his liquor and flirts with ruin and plays the dames.”
If Mr. Wicks thought well of him for this rare bit of philosophy, he kept well away from outward applause.
Banistre pulled out the first splinter triumphantly. “I will be a wise land-owner and know what crop per acre my land is bringing, and who’s bred with whom and what a bad drought we’ve been having lately, don’t you know.”
“Just so.” Mr. Wicks put a hand into his breast pocket. If he had suddenly brought out a mother o’ pearl-handled revolver, it would have suited his elegant style of darkness, but he did not. A sheaf of papers appeared, which Mr. Wicks undid with a refined snap and put into Banistre’s hands.
“Before you begin your wise reign, O, Jehoshaphat, you might find these of interest.”
Being a law student, Banistre ought to have made sense of the legal jargon; being a simple man, he could not.
“I see,” he said, and handed the papers back with a tepid smile.
“Unusual clause, isn’t it?” Mr. Wicks had obnoxiously virtuous hair, as if it dared not defy the style in which he set it of a morning. “My client favored what I call ‘creativity’ in his dealings. Bad luck for you, though, my man.”
Under his shirt, Banistre felt his body go a startled shade of boiled crayfish. “Just to be really sure I’ve got it down, d’you mind explaining it in laymen’s terms? My people will want to know,” he hastily added.
A sharp-eyed grin from the solicitor. “In the simplest words: you’re out of an inheritance.”
Banistre choked, presumably on an inhaled may-fly. “Oh. Well....drat. Just like that, huh?” Something had gone wrong with his breathing. “And who’s the lucky fellow to take my place?”
“Uncle Sam. The Government. That is, unless you are able to defy death and answer the Leopard Clause.”
“The...?”
“Surely you noticed?” Mr. Wicks unsnapped the papers again and pointed to a section of print circled several times in red pencil. Anyone ought to have seen it. “In this clause, your romantic-minded uncle detailed the conditions of your inheritance.”
“That he die?”
“That you kill (and have attractively taxidermied) the Leopard of Harbaryaband.”
Banistred laughed a great, booming “HA!” which startled the brood mare and sent a barn-swallow kiting away.
“Are you a big-game hunter, Mr. Cleveland?”
“I’ve never shot anything larger than a woodchuck,” Banistre confessed.
The spirited eye of Philip Dean Wicks seemed to declare things about its owner: “Lions,” it cried. “Panthers.” And in the left-hand corner, if one could stand the exposure for so long, a sort of glint hinted at “Rhinoceros.”
“But I’m terrified of large animals," Banistre babbled. "And diseases like Malaria. I’m not rich and I’m not English and I’ve never been to Africa, let alone had any desire to go!”
Mr. Wicks refolded his papers. He clamped a resolute palm on Banistre’s shoulder before sauntering off. “It’s a good thing for you, then, this particular leopard hails from India.”
Banistre’s mind had gone spinny. “But...all those idols!”
“Staying?” Mr. Wicks called back, his nose, hair, chin, limbs all sharpened by the back-light. “I’d come along if I were you. You’d best get yourself outfitted.”

Monday, June 8, 2015

Confession Time: I'm Mad


(PSA: mini York peppermint patties are like little tablets of ambrosia set with the flavor imparted from being served in the Holy Grail.) 
"The British have always been madly overambitious, and from one angle it can seem like bravery, but from another it looks suspiciously like a lack of foresight." -Ben Aaronovitch Whispers Under Ground 
I know nothing about the book from which Goodreads helpfully pulled the quote which towers above your page, but I do know that according to it, I must be British. See, I suffer from a distinct madness called Leaping Before I Look. It's part of my ENFP personality type, I know. The Inspirer: we see potential everywhere, in everything and everyone. We're probably most susceptible to plot bunnies, starting stories we don't finish, and generally sitting, like Daisy March, wearing a benevolent smile and announcing,
"Me wuvs evvybody!"
Thankfully, I've managed to more or less curb that impulse to "abandon stories in favor of a fresher idea". I hope to be a good mother someday. I've got to learn to see things through, right? Just so. But the bug called Inspiration bites me frequently and sometimes I careen past Caution, Sense, Logic, and the street-corner called Informed Consumer and thoroughly embrace an opportunity. It's a loveable failing, but a definite failing.

Last November I felt in a mood to write a short story and, because I don't like to write things that won't see the light of day, I did a quick Google-search on story-writing contests. In my delvings, I found an "essay contest" for an inspirational magazine. The essays requested were something along the lines of a letter from your one-hundred year-old self to yourself now. The idea was odd, struck my fancy, and produced something written in a fit of the writing-wiggles called "The Secret To Red Lipstick". Happily, there was no entry fee for this particular contest and the only thing I had to risk was rejection. If I was accepted, there was a $2,500 prize in view. I sent the thing in and literally forgot it. In January I happened to sort through my Google Drive files and see the essay. I read it over, recalled vaguely that I had entered some contest with it and never heard back, and closed the file and the memory. A few weeks later, I received an email in my inbox from a man of whom I'd never heard. When I read the thing, I was made to understand that the man in question was the editor-in-chief from Fountain Magazine (the contest-host). He wrote to inform me that he had discussed matters with his colleagues and, though my essay had not placed in the contest, they intended to publish "The Secret To Red Lipstick" in the next issue of Fountain. Thinking this was rather an unexpected and curious turn of events (and furthermore, having been reminded of the name of the publication to which I had submitted my piece), I decided to Google the magazine and see what sort of banner my words would fly under.
In a moment I was a puddle of laughter, dismay, tears, and hilarity on my bed while my sister looked on in some small concern. Dear reader, Fountain Magazine is a primarily Islamic publication focusing on science, literature, art, and inspirational fiction. I believe I am probably the only outspokenly-Christian writer who could accidentally land herself a gig in a Muslim magazine. After my initial shock and awe, I sent a few emails back and forth with the editor, discussing whether I was the best match for the magazine's goals, the fact that when I entered, I had accepted the small-print detail (who reads those?) that I had given the magazine permission to publish my story. We also discussed the fact that since my faith was so important to me, I would be given special permission to mention my religious affiliation in my bio-blurb. The editor was fantastically courteous, understanding, easy-going, and respectful and what had initially been a "what the heck?!" moment for me became a lesson learned. I had not researched the publication to which I was submitting my work. I did not read the Terms & Conditions. I had done absolutely nothing in the way of approaching the thing as a mature adult, and yet it ended up being a good experience. Why? Because of another person who did act like a mature person.



I learned that one must always take time to research, to learn the audience, and to be certain that one's work would be a good fit. But more importantly, I learned that there are ways to solve differences without compromising ground. The day I received the package with my copies of the issue of Fountain in which my article appeared (and my check), was a proud day for me. The layout was beautiful. My words were my own. And they had appeared, professionally laid-out and paid-for in an international magazine despite my lack of foresight. Hearken to this advice, chillens: do your research. But keep in mind that sometimes the mad-man wins in spite of his own idiocy.

Wednesday, March 11, 2015

Win an Inn! (if you can handle the stress)

Today is all about research...Making sure you do it, that is.

Oh, I know you are all absolutely brimming with good intentions. Those of you who write historical fiction have stacks eight books high about the era in which you've planted your words. Those who create entirely fictional worlds have read thirteen articles about world-building this morning and created three playlists for each district in the fictional world beside. Anyone who writes non-fiction gets the entire hat-tip because people can fact-check you. People can get on your case over the smallest thing. You must be perfectly accurate. You are very well-intentioned and successful and probably a better man than I, Charlie Brown.

I know all this. I've done my research. Wasn't that the whole reason Scotch'd the Snakes has been at a stalemate? Because of (lack of time and) a glitch with the murder weapon? I want to be sure that when I write a mystery, it is accurate, plausible, and realistic. So if it can't be accurate, plausible, and realistic I sometimes pause until I have worked it out. But there's this thing about life. Sometimes you think you've learned a lesson and you really have not learned it at all. Or at least, the corner you've learned is just the start of the rind of a large slice of watermelon and you are a tiny ant at your first picnic. Research. And we thought they just meant for your books. Turns out there's a lot more than that to the subject such as...

not entering contests till you research the publication into which it will go.

OR

not sending your manuscript to an agent till you are sure what kind of books they represent.

OR

not trying to pitch your YA book to a publisher who deals almost exclusively in women's fiction.

There are about eight-hundred-and-five ways to make oneself look stupid. You don't want to look stupid. Believe me. It isn't such a big deal to the person to whom you look stupid. I mean, it's a fair guess that they have seen plenty of writers make the same mistake. But it really feels low to get a reaction from your action and think, "Wow. Could have totally avoided that collision if I'd googled the weight of worms in Paraguay." Life will hand you certain tight situations that were unavoidable. It happens and you can't sit there and beat yourself up over it. But there are plenty of cases where a little circumspection warns you in advance of awkward situations to come, allowing you to be on the offense or, gasp, discard former plans and humbly retreat.
I'm the type of writer who is extremely enthusiastic about new projects. One of the reasons I love writing flash-fiction is that it allows me to take an idea and give it a moment in the spot-light without any commitment. I promise I am not this way in relationships. I could not star on The Bachelorette or anything, tossing out this week's boyfriend for next week's because he bought me pink lilies and I like them better than yellow roses.
Back on topic: flash-fiction and contest pieces allow me a chance to win laurels over being unfocused. That's my confession. Entering contests is a lot of fun. There's usually minimal work involved, I am allowed to do my best with very few rules, and I never have to hear about it again if I do not win. A 1500-word essay is a completely different creature than a novel you've committed to and can't find an agent to take. So I enjoy entering contests. Prize money is always welcome. Publication too. Can't argue with that, and it looks good on the resume. But I'm learning. I really am slowly learning to take into account all the factors and not go sailing off entering contests I don't expect to win only to find myself left with the consequences if I do. There's a contest running around to win the 210 year old Center Lovell Inn in Maine. The only requirements are that you write a 200 word, grammatically-correct essay with the prompt, "Why I want to own and operate a country inn," and send your entry with a fee of $125 to the judges before they choose the winner on May 21st.

The inn in question...

Other conditions include keeping it painted white with green or black trim, and operating it as an inn for at least one year after inheritance. Oh, and there's a nice $20,000 thrown in there to help jump-start your ownership and all the antique furniture and equipment, plus twelve acres of land. On first glance, I'm all in. Why wouldn't I want to win an historical inn in Maine valued at $900,000? I mean, I'll never know if I'm good at innkeeping till I try, and honestly, I could actually see myself running a quaint bed and breakfast. So I was tempted to write my two-hundred word essay and see what came of the thing. My brain immediately took off with the millions of story ideas such a year would provide. And even if I didn't win, I could certainly spin a novella out of "If I had won," right? Well, yes.

Having been recently burned by a lack-of-research experience, I decided I would not enter this contest unless I'd really thought it through and done my research. I talked with friends, with my mother, and found an article written a year after the current owner (Janice Sage) won the inn in an essay contest herself. Janice, who is selling the inn after running it for twenty-two years, "inherited" the place from its former owner in a similar contest. The man had run it for nineteen years and was, quite frankly, entirely over it which is why he decided to host his contest. In this 1995 article, Janice (then, Cox) and her husband Richard had run the inn for a year...eighteen hours a day, seven days a week...and gotten a total of three days off that entire time. She's selling it now because she is sixty-eight years old and weary of 17-hour days. The inn itself is a prestigious place, featured in Martha Stewart, the Boston Globe to name but a few of its fans. Not only is it a charming B&B, but the Center Lovell Inn also operates as a restaurant open to the public. Oh. A restaurant. A gourmet restaurant. With a full and licensed bar and wine-cellar.

Janice Sage and her husband had worked in the restaurant business for years and years before winning the inn. Since her last name changed and poor Richard is no longer in the picture, he either died and she remarried, or they got a divorce. Either way, I bet stress did it. And they were trained for this business.

I'm a nanny for heaven's sake.

Though I'd love the inn to happen to me, I don't think the inn would be ready for me to happen to it. And honestly, the most tempting part of it for me is getting to live in the inn...which I could achieve with a heck of a lot less trouble by saving up and road-tripping to Maine at the end of the summer. The 1995 article also mentioned burst pipes, temperatures plummeting to forty-five below, and a 1400-pound moose visiting the front porch. I quickly came to the decision that I had better not enter this contest. I have the most beastly good luck winning things and it would be just like me to accidentally win an inn and have to scramble together a business brain I do not have and chump it up to Maine to fulfill a year-long promise to a retiring innkeeper. I mean, my MERCY. I want the adventure. I'm jealous of the person who will get the stories and the characters and the perfect plot-setting for literally anything to happen. But I'm not the right fit for the inn. The inn needs a person who can raise it to even higher heights, not waddle it through a year and hope it isn't sunk six months in.

The moral of the story is this: do your research. It is only fair to the people you are pestering, whether agent, publisher, contest-judges, or otherwise, that you are prepared to see it all the way through to the end. If you aren't aware of the thing for which you're applying, you'd sure as sugar better be ready to face the embarrassment of being stuck with an inn in Maine and no business sense. And really, who needs that kind of negativity in their life?

Monday, March 9, 2015

Born Out of the Common Cold

Who has not heard the saying, "Misery loves company?" Furthermore, who has not found it to be quite true? Last week, Elisabeth Foley gave me her cold over Twitter. It started when I innocently inquired after her health and she responded with equal innocence...


....which soon grew more sinister:


Yes, I caught her cold over Twitter. Since this was obviously her fault, I challenged the little lady to a battle of words. Length? Under 1500 words. Subject matter? The common cold. We designed a hashtag (#secondinkpen), rolled up our sleeves, and got to work. We documented this work on Twitter...and it began to attract attention:


And because my battle-piece ended up amusing and worked as an antidote to my cold by allowing me to laugh and forget my misery, I thought I would share it with all of you today. Thoroughly cured of my cold (and wishing all the best to Elisabeth), I give to you

The Sneeze-Piece.

“My dear Edwin, you cannot possibly attend the opera looking like...”
Edwin resented the bit of sentence Gwyneth left off. Did she not think him man enough to stand it? “Looking like what, exactly?”
Her eyes crinkled at him. “Like a particularly bland cat who has just been dragged through a particularly colorful alleyway.”
“I am berfectly fine,” he beeped through congestion stacked tighter than the Great Wall.
“But you aren’t, darling. You’re quite ill, really.”
“I won’t let you go by yourself.” Avoiding all “m’s” and “p’s,” Edwin found, restored his dignity. “What’ll beople think?”
Oh dear. That was short-lived.
He shifted a bit to see his beloved’s face. “Us only buried three bonths and barely hobe from the honeyboon...”
“If you mean that we’ve been married only three months and barely home from our honeymoon you ought to say so. I fear you’ll give Society the idea that we’ve died and are rotting away someplace six feet under.” Gwyneth came to him. Her violet evening dress was quite becoming as a lap blanket.
“I love you quite as much as ever, though,” she murmured.
“Even if my dose is swollen?”
Gwyneth considered that engorged appendage with her head to one side. Edwin studied the dimple in her chin and thought about kissing it. That would require lifting his head off the pillows and, quite frankly, wasn’t worth the bother.
“Your nose looks perfectly normal, darling,” she pronounced.
“It’s hideously swollen.”
“No.” Gwyneth straightened. “Quite normal.”
“Dash it all, woban! Do you bean to tell be that my dose is always this...elephantine?”
“What a bear you are when you’re ill! I do wish your mother had told me. She might at least have warned me what happens to my husband when set upon by the common cold.”
There was nothing common, Edwin felt, about this cold. Gwyneth was a delightful bride. Most delightful bride in all of New York with the profile of a Gibson Girl beside. But she hadn’t an idea about how he suffered under stodged-up nasal passages and scratchy throats. She laughed at him when all he required was a little consideration. And she wouldn’t kiss him.
“Won’t you kiss me?” he mewled, rather kitten-like.
Gwyneth peeped to the hall. “Did you hear something? I thought perhaps Nellie Grace had left fishheads on the doorstep again. Stray cats make the most terrible noises.”
Low. That’s what that was. Edwin did not want the notice of someone who was determined to make him look unreasonable. No kisses. No sympathy. What a bride. What domestic fol-de-rol this was, lying on their rented settee with his aching head on a wondrously stiff pillow that only allowed the throbbing to throb harder.
Edwin watched Gwyneth put her pretty white arms into the silken sleeves of her wrap. “And I subbose you’ll go and have a ball at the obera without me?”
One glove on, then the other. “You wouldn’t rather I stay here and be miserable too?”
Well, if he had to put paint to it, that was exactly what he’d rather. Edwin moaned and threw his right arm over his eyes. “Just go. If you cobe hobe and I’ve caught pneumonia, you’ll be sorry you ever left my side.”
Gwyneth smiled and pecked his cheek. “You can’t catch pneumonia, baby-dearest. It develops.”
If he had it to do over again, Edwin thought he oughtn’t to have married a nurse. Horrific, being ill and having the weaker sex lord her intellect over you. Like little Tin-Can Harry sending a left-hook into the heavy-weight champ after a bigger fighter had already knocked the champ down. A fellow would never do it. But he wouldn’t expect Gwyneth to know it. She was natively American after all, and a femme.
Gwyneth, who had taken up a crow’s nest position at the window-seat, brightened. “Sal’s here. I’m off.”
“Goodbye!” he fog-horned at her retreating (and very good) silhouette.
Gwyneth didn’t say goodbye. Not even out the door and she’d already forgot him. Blind the germs. Colds were obnoxious beyond compare. Some chap ought to write Congress a letter. Wasn’t that the way in this sneeze-ridden colony? Couldn’t President Wilson make a law announcing colds as acts of treason? Edwin kicked the far arm of the settee with his heels and brewed a fresh pot of mischief to drink.

* * * *

“Dellie! Dellie!”
Far from deaf--in fact, quite as sharp-eared as any New York domestic--it took Nellie Grace several moments of the frightening bellows to realize the sounds were being made by Mr. Edwin and intended to convey the idea of her name. She scuttled into the front parlor.
“Yes, Mr. Edwin?”
“To which of New York’s under-rate theatres did my wife intend to bake her way?”
“Wallack’s Theatre, I believe, Mr. Edwin.”
“An obera?”
“Yes, Mr. Edwin.”
Her employer groaned with the rattle of an underground rail system. “It could dot have been a cobedy, could it, Dellie? Obera. It had to be obera. And she sbeaks of alley-cats.”
Unsure how to respond, Nellie employed the respectful bob-and-nod drilled into her head by her mother, who had also been a servant among New York’s elite:
“When in doubt, Nellie, keep your mouth closed.”
“Dellie?”
“Yes, Mr. Edwin?”
“Fetch me my hat and greatcoat.”
“I hope I brushed them well enough last time, Mr. Edwin.”
“What the dev--oh, I’m dot here to insbect your work, Dellie. I am going out.”
“Aren’t you ill, Mr. Edwin?”
“A woban with a cold...why she looks bositively beastly. Sobething about their doses...” Mr. Edwin gestured to his beaconing nose thoughtfully. “Bakes theb look ridiculous. Dark circles under their eyes...gravel in their voices. Hideous. But the benfolk, Dellie. They have better constitutions than that. We rebain...attractive in all states ob health.”
Nellie bit her lip and tried to reconcile Mr. Edwin’s haggard appearance with his speech. Bob-and-nod. “I’ll get the hat and coat, Mr. Edwin.”

* * * *
When one does not know Italian and has dropped one’s translation somewhere beneath the seat of the sizeable woman in the row next, an opera soon grows dull.
Gwyneth beat upon her knee with the stem of her opera-glass. Wouldn’t Edwin roast her if she admitted her unspeakable boredom? Their seats were cheap and so far away that only the fat soprano showed up to any effect against the Far-Eastern backdrops. The lead male was quite swallowed up and of no more notice than a stage-curtain tassel. If Edwin were here they could whisper behind his translation. He would never do something as unforgivable as dropping his booklet.
“Sal,” she whispered, hoping for a clandestine answer such as, “Oh gracious, how dull. Let’s bail and get ices instead.” But Sal had disappeared on one of her frequent trips to the powder room to perfect her gauzy reflection.
Gwyneth sank a little deeper into her chair. It would have been kinder to stay back for Edwin’s sake. She hadn’t been married so long that the needs of her husband were topmost in her mind. On nights like this it was shockingly easy to forget that she was married to a man who yowled over trifling colds and wanted petting for it. She tried to forget it’d been her cold first.
“Poor Ed.”
Someone down the row made a faint disturbance which crawled up the dark length of seats until Gwyneth made out a man clad in evening dress. He cast about for a moment, clamped eyes on Sal’s seat, and beelined it.
Gwyneth might have bothered to warn him the seat was in use but if Sal wanted to play Jack-in-the-box she could jolly well afford to lose her seat. Besides--the new man must be amusing if he thought himself free to uproot an entire row mid-opera. She’d hazard her chances.
The fat soprano rent the theatre with a note not unlike that of a canary with a cat’s claw upon its trachea. Gwyneth winced. She recalled the translation mentioning “The Death of Ariadne.” Was this it? Sounded deadly enough
The newcomer shuffled his feet, sniffed twice, took out a rumpled pocket-square and applied it to his nose.
There was some fumbling onstage. The soprano staggered forward. Her curtain-tassel opposite dutifully stumbled after her. Someone (a lump whom Gwyneth had formerly taken for a sort of chair) held up a sultan’s knife. Following this touching display of familial drama and a last semi-musical shriek, the house fell silent.
So ridiculous silent as if they’d all been struck to the heart.

Gwyneth wondered if she had got by accident into a comic opera and turned to Sal to say so before realizing her companion was not Sal at all but that gentleman who had not stopped making garrulous noises in his throat and nose since his admission.
“Bless me, what a row,” the man croaked. And in the darkness that was no longer silent, he gave a petulant sneeze undeniably Edwin’s.
“Got a translation?” Edwin asked when his arm had got comfortably around both Gwendolyn’s astonishment and her waist.
She nestled into his rackety-sounding chest. “Dropped it.”
“Crikey,” he remarked. “Rather have ices?”


Hope that gave you a laugh, my readers, and may you soon recover from this (admittedly helpful) daylight-saving drama. I think I managed all right, though a full day out in the sun soaking up loads of Vitamin D certainly helped the matter. Here's to Spring arriving. I am ready for its full embrace.

Saturday, June 28, 2014

A Thousand Baby Lobster For The Salad

In the wake of the Five Glass Slippers blog tour, I have been laughing to myself over some of the songs from Rodgers and Hammerstein's Cinderella that were edited out for the current Broadway edition. In fact, I love their Cinderella musical so much that I wanted the soundtrack to be my contribution for the giveaway but it was a bit too expensive for that. Sorry, people! Instead, today I'm posting the lyrics and video to one of the funniest. (Sorry in advance to Mirriam Neal who will find this just as addicting as "The Stepsisters' Lament")
Servant: I have the chef and steward waiting outside to report their plans for the dinner.

King: Come in, gentlemen.

Steward: Your majesties
Your majesties,
A list of the bare necessities

King: a list of the bare necessities for what?

Queen: For seventeen-hundred guests.

King: That seems a lot.
Oh. Don't have any Chicken King.
I hate to see that on a menu ... "Chicken King". Seems like a criticism of my courage!

Queen: A thousand baby lobster for the salad

King: Wow!

Queen: And five-hundred pheasant for the pie

King: Aye-Yi!

Queen: A thousand pounds of caviar ...

King: A thousand?!

Queen: Hush.

King: That's more than the sturgeon can supply.

Chef: I told the steward to get us forty acres of lettuce and six-hundred suckling pigs for roasting.

King: But what about the marshmallows?

Queen: Who wants marshmallows?

King: I do.

Queen: Why?

King: For toasting.

Steward: Now would it please your majesties I have a list of wines.
The best of all the vintages from every nation's vines.

King: I want the wine of my country.

Queen: Hush, my dear.

King: I want the wine of my country, I want the wine of my country, I want the wine of my country! The wine of my country is beer.

Queen: Obviously.




Also, because I think laughing at oneself frequently is the best way to insure a healthy opinion of oneself ... I'm sharing this lip-syncing video my sisters and I did for our (quite single) Valentine's Day. Go ahead and laugh ... it was meant to be funny and the song is just terribly wonderful for letting off steam. :D

Well. Now I suppose you know how I got The Windy Side of Care ... I always do favor the whirligig varieties of things!