Showing posts with label contests. Show all posts
Showing posts with label contests. Show all posts

Wednesday, March 11, 2015

Win an Inn! (if you can handle the stress)

Today is all about research...Making sure you do it, that is.

Oh, I know you are all absolutely brimming with good intentions. Those of you who write historical fiction have stacks eight books high about the era in which you've planted your words. Those who create entirely fictional worlds have read thirteen articles about world-building this morning and created three playlists for each district in the fictional world beside. Anyone who writes non-fiction gets the entire hat-tip because people can fact-check you. People can get on your case over the smallest thing. You must be perfectly accurate. You are very well-intentioned and successful and probably a better man than I, Charlie Brown.

I know all this. I've done my research. Wasn't that the whole reason Scotch'd the Snakes has been at a stalemate? Because of (lack of time and) a glitch with the murder weapon? I want to be sure that when I write a mystery, it is accurate, plausible, and realistic. So if it can't be accurate, plausible, and realistic I sometimes pause until I have worked it out. But there's this thing about life. Sometimes you think you've learned a lesson and you really have not learned it at all. Or at least, the corner you've learned is just the start of the rind of a large slice of watermelon and you are a tiny ant at your first picnic. Research. And we thought they just meant for your books. Turns out there's a lot more than that to the subject such as...

not entering contests till you research the publication into which it will go.

OR

not sending your manuscript to an agent till you are sure what kind of books they represent.

OR

not trying to pitch your YA book to a publisher who deals almost exclusively in women's fiction.

There are about eight-hundred-and-five ways to make oneself look stupid. You don't want to look stupid. Believe me. It isn't such a big deal to the person to whom you look stupid. I mean, it's a fair guess that they have seen plenty of writers make the same mistake. But it really feels low to get a reaction from your action and think, "Wow. Could have totally avoided that collision if I'd googled the weight of worms in Paraguay." Life will hand you certain tight situations that were unavoidable. It happens and you can't sit there and beat yourself up over it. But there are plenty of cases where a little circumspection warns you in advance of awkward situations to come, allowing you to be on the offense or, gasp, discard former plans and humbly retreat.
I'm the type of writer who is extremely enthusiastic about new projects. One of the reasons I love writing flash-fiction is that it allows me to take an idea and give it a moment in the spot-light without any commitment. I promise I am not this way in relationships. I could not star on The Bachelorette or anything, tossing out this week's boyfriend for next week's because he bought me pink lilies and I like them better than yellow roses.
Back on topic: flash-fiction and contest pieces allow me a chance to win laurels over being unfocused. That's my confession. Entering contests is a lot of fun. There's usually minimal work involved, I am allowed to do my best with very few rules, and I never have to hear about it again if I do not win. A 1500-word essay is a completely different creature than a novel you've committed to and can't find an agent to take. So I enjoy entering contests. Prize money is always welcome. Publication too. Can't argue with that, and it looks good on the resume. But I'm learning. I really am slowly learning to take into account all the factors and not go sailing off entering contests I don't expect to win only to find myself left with the consequences if I do. There's a contest running around to win the 210 year old Center Lovell Inn in Maine. The only requirements are that you write a 200 word, grammatically-correct essay with the prompt, "Why I want to own and operate a country inn," and send your entry with a fee of $125 to the judges before they choose the winner on May 21st.

The inn in question...

Other conditions include keeping it painted white with green or black trim, and operating it as an inn for at least one year after inheritance. Oh, and there's a nice $20,000 thrown in there to help jump-start your ownership and all the antique furniture and equipment, plus twelve acres of land. On first glance, I'm all in. Why wouldn't I want to win an historical inn in Maine valued at $900,000? I mean, I'll never know if I'm good at innkeeping till I try, and honestly, I could actually see myself running a quaint bed and breakfast. So I was tempted to write my two-hundred word essay and see what came of the thing. My brain immediately took off with the millions of story ideas such a year would provide. And even if I didn't win, I could certainly spin a novella out of "If I had won," right? Well, yes.

Having been recently burned by a lack-of-research experience, I decided I would not enter this contest unless I'd really thought it through and done my research. I talked with friends, with my mother, and found an article written a year after the current owner (Janice Sage) won the inn in an essay contest herself. Janice, who is selling the inn after running it for twenty-two years, "inherited" the place from its former owner in a similar contest. The man had run it for nineteen years and was, quite frankly, entirely over it which is why he decided to host his contest. In this 1995 article, Janice (then, Cox) and her husband Richard had run the inn for a year...eighteen hours a day, seven days a week...and gotten a total of three days off that entire time. She's selling it now because she is sixty-eight years old and weary of 17-hour days. The inn itself is a prestigious place, featured in Martha Stewart, the Boston Globe to name but a few of its fans. Not only is it a charming B&B, but the Center Lovell Inn also operates as a restaurant open to the public. Oh. A restaurant. A gourmet restaurant. With a full and licensed bar and wine-cellar.

Janice Sage and her husband had worked in the restaurant business for years and years before winning the inn. Since her last name changed and poor Richard is no longer in the picture, he either died and she remarried, or they got a divorce. Either way, I bet stress did it. And they were trained for this business.

I'm a nanny for heaven's sake.

Though I'd love the inn to happen to me, I don't think the inn would be ready for me to happen to it. And honestly, the most tempting part of it for me is getting to live in the inn...which I could achieve with a heck of a lot less trouble by saving up and road-tripping to Maine at the end of the summer. The 1995 article also mentioned burst pipes, temperatures plummeting to forty-five below, and a 1400-pound moose visiting the front porch. I quickly came to the decision that I had better not enter this contest. I have the most beastly good luck winning things and it would be just like me to accidentally win an inn and have to scramble together a business brain I do not have and chump it up to Maine to fulfill a year-long promise to a retiring innkeeper. I mean, my MERCY. I want the adventure. I'm jealous of the person who will get the stories and the characters and the perfect plot-setting for literally anything to happen. But I'm not the right fit for the inn. The inn needs a person who can raise it to even higher heights, not waddle it through a year and hope it isn't sunk six months in.

The moral of the story is this: do your research. It is only fair to the people you are pestering, whether agent, publisher, contest-judges, or otherwise, that you are prepared to see it all the way through to the end. If you aren't aware of the thing for which you're applying, you'd sure as sugar better be ready to face the embarrassment of being stuck with an inn in Maine and no business sense. And really, who needs that kind of negativity in their life?

Sunday, June 1, 2014

Dose up the Enchantment

Speculation has been running high ever since Anne Elisabeth Stengl announced that Rooglewood Press is hosting another fairy tale collection contest. With the advent of the Five Glass Slippers collection very soon to come out from the Press, speculation was still deep. What fairy tale would be chosen next? What will the cover look like? Well, I'm here today to spill all the beans.

Much to the delight of most everybody, it seems, Anne Elisabeth and the editors at Rooglewood have chosen ...

Beauty & The Beast. 

Rooglewood Press is delighted to introduce their second fairy tale novella contest—
Five Enchanted Roses
a collection of “Beauty and the Beast” stories
The challenge is to write a retelling of the beloved fairy tale in any genre or setting you like. Make certain your story is recognizably “Beauty and the Beast,” but have fun with it as well. Make it yours!
Rooglewood Press will be selecting five winners to be published in theFive Enchanted Roses collection, which will be packaged up with the gorgeous cover you see displayed here. Perhaps your name will be one of the five displayed on this cover?
All the contest rules and information (how to enter, story details, deadline etc.) may be found on the Rooglewood Press website. Just click HEREand you will go right to the page.
Rooglewood Press’s first collection, Five Glass Slippers, is available for pre-order now and will be released on June 14. Do grab yourself a copy and see what these talented writers have done with the timeless “Cinderella” tale!
  
Blog Button:
Please post the blog button on your sidebars so that others will learn about this contest! Invite your readers to share it as well. Here is the link to include: http://www.rooglewoodpress.com/fairy-tale-collections
This link will take readers directly to the contest information.

Cover Illustration Credit:

This cover illustration was rendered by Julia Popova, “ForestGirl.” You can find out more about this gifted artist on her website: www.forestgirl.ru

I (Rachel) was so thrilled to hear that this is the theme for the new collection from Rooglewood entitled, Five Enchanted Roses. I cannot wait to see the ways people twist my favorite fairy tale. I haven't decided if I will enter again this year--we'll wait and see! But one thing is certain: I'm even more excited about this book than I am about Five Glass Slippers ... and my own story is in the latter! Speaking of, it is only a very very short while until you may purchase Five Glass Slippers for your own collection and enjoy The Windy Side of Care and the other stories to your heart's delight. But good heavens. You want to see the cover for the new fairy tale collection, don't you? Ahhh, she's a beauty:




Well, have at it! I want to see Beauty & the Beast in every style before the new year. ;)

Tuesday, November 12, 2013

"Hi, I'm a traveling bard."

There is nothing more terrifying to me as a writer than saying something is finished. Because just as soon as I say that, I keep thinking of ways I can improve the draft, changes I could have made, things I should have done. I finished editing The Windy Side of Care today and even now (literally right now) I can't help opening the document back up and scrolling through with a cagey eye, wondering if it's really good enough. I dislike word-count limits and I struggled to keep the story within the wraps of only 20,000 words. I did it, but when I got the feedback from my beta-readers, I had to go back and fix pacing. Do you know how hard that is when you have a word-limit? It was like the finest stitchery, easing paragraphs off the start of the story to allow for breathing-space at the back of it. Now I'm much more satisfied with the pacing, but it was hard there for a while, cutting scenes of masterful dialog. (Yes, I caved and saved a complete draft of the first take so that all those conversations can exist in their own dimension forever an' ever amen.) 19,989 words. That's what the current count is, and though I will probably permit myself one more scroll-through before actually sending the manuscript into Anne Elisabeth Stengl, I really am finished.
It's terrifying.
I shared this sentiment on Facebook and a wise acquaintance of mine said she had felt similarly recently until she stopped to ask herself, "Am I doing this to win or am I doing it for the joy of writing?" And just as soon as I read Emma's words, I realized that I wrote The Windy Side of Care out of the sheer fun of it. Personally, I think it's a lovely, rollicking retelling of Cinderella, full of unexpected twists and allusions. Even though Anne Elisabeth mentioned in one of her recent blog posts that she has had dozens of stories pouring in and can even tote up a pretty good list of who she thinks the winners will be (and my story hasn't even been sent in so that's a little disheartening), even though she might not even like my story or give it a second glance...why did I write it? I wrote it because I love Alis.


 I wrote it because I love Auguste. 


I wrote it because I adored the hijinks, the tongue-in-cheek, the sparring of this retelling. I wrote it strictly to please myself, and really this is where your professional platform starts to be defined:
Who do you write to please? How far are you willing to go to please them?
I have come to terms with the fact that I'm probably not the best choice for next World-Wide Best-Selling Author. Why? Because I write what it is on my heart to write. I'm not the girl who a publisher can label as "Our Next Beverly Lewis" and depend upon to write historical romance for the rest of my career. I am very comfortable in my style, voice, books and I know that Rachel Heffington probably isn't going to appeal to everyone. I don't hope for widespread fame, but for respectable recognition. Am I writing for everyone or am I okay to sing my tales to a heroic and devoted few? Some people would call my admission professional suicide. Doesn't EVERYONE aspire to be the next Novelist Everyone Loves? Well of course that'd be nice, but for me it is a clear case of exchanging the natural for the unnatural or, in simple terms, writing in my true voice or posing as someone else. I can ghost-write in pretty nearly any style--Dickens, Wodehouse, Austen, Freitag--and maybe I could spend my whole career doing that and being successful. But for me it isn't about winning, about being the best, about becoming the author everyone aspires to be like. For me it's mostly about the pleasure of creating a thing and watching other people delight in it, however few they might be. I have always felt a connection to how the Lord felt in Genesis:
"Then God said, 'Let the waters under the heavens be gathered together into one place, and let the dry land appear'; and it was so. And God called the dry land Earth and the gathering together of the waters He called Seas. And God saw that is was good." -Genesis 1:9-10
I can relate to that quiet sense of "I like this" and the satisfaction and joy that floods the soul over having made a good thing - a thing that points back to you as its creator and stayed true to your nature after you called it into being. Of course God's joy over His creation is far greater than mine in my stories could ever be, but it's a shade of the same thing. And if I decided to worry about Winning and Being the Best, I'd lose all joy in my creations because they'd go contrary to my nature. Some people were made for writing what's popular. The strength of some is the fact that they entrench themselves in one spot and build fortifications and ramparts and seize the playing field. Me? I'm a bit of a wandering soul. I like to ply my trade in many places in many times in many ways. So maybe I won't go down in legends, but I know I'll bring joy to anyone who sits by my fire to hear a merry tale.

I'm going to send The Windy Side of Care into the Five Glass Slippers Contest and from there, que sera, sera. If she doesn't like it I might just do something with it myself. Lengthen that word-count, expand the plot, give you a mind-boggling Cinderella-twist and publish it myself. Either way I'll be pleased. What about you? Are you a traveling bard or an established baron?

Monday, October 28, 2013

Write Your Own Christie Contest!

//source//
I happened to pop over to agathachristie.com to look up a few facts to another Utterly Baffled post when I saw this contest advertised on the site: Write Your Own Christie
Essentially, springing from the opening scenes from A Murder is Announced, there is going to be a chance every single month to collaborate on a "new" Christie murder; each month a chapter will be chosen by the panel of judges as the next installment in this new novel. The funny thing is, this novel will end up being a pieced-together affair with chapters written by different people all over the world, yet because of how to contest is set up, it will be cohesive and brilliant! For the successive chapters, you will need to read all the chapters written and "published" so far on the site to keep up with the proper clues and mystery. One winner (one chapter) will be chosen each month, and the winners will be invited to a special dinner at the end of the ten-month contest with the judges, among whom is Agatha Christie's grandson! 
The deadline for the first chapter is tonight at midnight.

Ha.

Rum thing...I might actually try out. Remember there's a chance every month to win! :D

If you are interested in this fascinating little contest, you may check out the rules and registration here. If you want to read the opening scenes on which Chapter One must be based, please head here

And if you're stuck there thinking, "Well heavens, THIS is a stupid idea," then I will just inform you different with this little paragraph:
      In 1931, in a literary game of Consequences, Agatha Christie and thirteen other members of the 
Detection Club contributed a chapter (and a proposed solution) to a collaborative detective novel 
ultimately called The Floating Admiral. 

So there and humph. 

Entry costs nothing, so will you dare and take the chance with me by midnight? ;)

Thursday, March 14, 2013

Two Contest Opportunities (with awesome prizes)

I am sorry, I am sorry. But it's technically still Wednesday SO. I didn't get too far off my post schedule. Oh wait. It's Thursday. Where the BLAZES is my head?

In preparing to set up a makeshift Coffee Shop in my house, actually, to raise further funds for Romania. Thanks so much to each of you whom bought my custom stationery! And if you haven't bought any yet and would like to, I'm still taking orders. :) I know it's really short-notice, but I wanted to let you know about two contests that have awesome prizes!

First off is kind of a strange kind of contest to enter for writers like us, but then again, our craft might give us an edge when it comes to entering. Girls, the contest is for eShakti, a clothing company, and the writing prompt is What Do Women Want? You have 45 words or less to answer this question. Three winners will each receive a $150.00 gift card to eShakti! I thought, why not go for it? So I did. The only catch (and I wish I'd figured this out earlier) is that your entries have to be in by tomorrow, March 15th. But really, it's only 45 words so why not give it a go? You might end up with $150.00 worth of free clothes.

The SECOND contest is over at Go Teen Writers to celebrate the publication and release of Jill's and Stephanie's newest book, Go Teen Writers: How to Turn Your First Draft Into a Published Novel. The contest gives you an opportunity to pitch your story in 25 words or less to Jill and Stephanie!  The top three winners from this contest will each receive a copy of the new book for their winning entries! Same thing with the eShakti contest, however: you only have till 1 PM (Kansas City time) to enter the contest, so hurry!

I entered the Go Teen Writers contest with one of the scraps of stories that has been floating around my head these past few months, and that I hope might come out to be something pretty neat. It's a novel idea! (no pun intended, please) :) Anyway, sorry I didn't warn you guys sooner about these contests, but I hope those of you reading this post tonight or tomorrow will try your luck for either or both the prizes! The worst you can do is not make it to the top three. I mean, really. :)

Tuesday, March 12, 2013

Winners of the First Impressions Contest!

This morning I sat down at my laptop, brought up all the entries from my First Impressions contest, laughed, blushed, laughed and blushed some more, and tried to decide on only two winners. In the end, it came down, not to a question of how well the entries were written (for all the entries were well written), but simply for the unique twist the author of the pieces put on the them.

First off, the winner of the Non-Fiction Category is:

Josie Boyer!
This chick and myself are relatively "new friends", and now love each other to pieces, but the beginning of our acquaintance was inauspicious in the extreme. Not only had I not wrapped my head around what the blazes modest fashion was supposed to look like, but I find it hilarious to see how I came across to Josie at first! I received two entries into the non-fiction category, and they were both from people I love dearly dearly so it was a tough choice. But I chose Josie's because of the fact that, judging from our first year together, you would hardly have thought we were destined to be awesome friends.... :D I also chose it because in this piece Josie is Josie. She teases me, she's sarcastic, and she's spot-on. Enjoy.

Meeting Miss Rachel Heffington the romantic rose sniffer.

      If my memory serves me correctly, it was the month of October, in year of our Lord 2009. In the Cabin of the first most number. I was 16 years old, with a bit of a jaded and cynical outlook on life.

     I arrived customarily early in the day with the leadership. Hours ahead of the time most everyone else would arrive.  All present comrades deserting in the pursuance of their most beloved octagonal pit and game of bloody knuckles. I have never to this day liked Gaga, and could not be drawn in. I loitered about all by my lonesome waiting to find out which cabin to move my things into and sitting on a rock, staring off into space, kicking pebbles and large sprouted acorns in complete and utter boredom. Thus I sat, until the long awaited moment was upon me and they (the leadership) revealed the cabin to which I was assigned. I forthwith entered and assessed said cabin with a mischievous grin  and a glint in my eye at being the first one in there, and thusly having first pick. I selected the bunk of my choice with the very best lighting, (because bad lighting is a pet peeve of mine) and moved my junk in there! It was a bottom bunk, along side of the bunk in the very most back corner. Which would soon be Rachel's.

      The initial moment we met is regrettably cloudy... I believe it was in the same time frame that I was being questioned by curious people as to my thoughts behind the numerous safety pins displayed "creatively" on my blue jeans. I remember her standing there. A very sweet round face... innocent, dear and naive. Undamaged by the harshness of life, and by the way she talked...maybe a little ditsy? Taking me in through wide, searching, and somewhat squinty blue eyes and very round spectacles. She was wearing an ankle length purple (corduroy?) jumper and fall themed turtle neck. She explained with eloquent finesse to match my own, and a lop sided grin, that she had recently acquired the outfit as part of a new fall wardrobe. Listening intently as I endeavored to simultaneously entertain and explain that the reason for the safety pins... was simply because I had holes in my pants! Nervously calming my embarrassment and convincing everyone of my "cool as a cucumber confidence" as a smooth talking "creative type" Haaaa! It seems I was unsure if I liked her as I sized her up. She was a bit of a pansy.  But then... I was unsure if I liked anybody in that season of my life. I had not yet taken down the barricade that was around my heart.

      Every night I was subjected by the main body of my cabin to hear with contempt the conversations of these lame things...
•Scotsmen
•Fainting
•Flowers
•Brothers
•Sweethearts (the lack there of)
•Letter writing
•Scotsmen
•Musicals
•Dance cards
• Little woman
•Nancy Drew
•Tea Party's
•Musicals
•Tea cups
•Scotsman
•Baking pies
•musicals
•Scotsmen
•Sewing

       Massive annoyance... Massive!
       I wouldn't say at the time because all that sissy talk hurt my image as a tough chick... But it sparked my curiosity. My earlier question of "is she really a pansy?" Uh... Yep. That's for sure! Buuuuut... She was beginning to grow on me. You just can't dislike someone THAT endearing and genuine. Even if she wouldn't shut up about Scotsmen and musicals! But I didn't let her know that... I was as unfriendly I could get away with, holding her very much at bay while I analyzed her further from my very close perch. I envied her joyful and peaceful heart. And secretly admired her adeptness  at womanhood. She was like a healthy happy sunflower... While I was a angry little dandy lion. I did like her. Greatly wary though I was.

      At one point she handed me her note book and asked for my information... I had made a habit of being an impudent prankster and taking everything extremely literal. I returned to her a full sheet of paper with ALL of my information right down to eye color and hat size(and then some)! She just looked at me in shock and disbelief. :)

     I did not get to know her well and embrace our friendship until about two years later. So incredibly blessed am I to have her in my life!  Rachel Heffington: One of few who was among the earliest to win my trust. Instrumental in proving to me that there are friends worth having, loving, and dying for. She holds a lead role in my testimony.

      Meeting Rachel Heffington is one of the greatest gifts my Lord has given me. A most precious friendship. And it just keeps getting better with age!

    Four years later, now spiritually whole and restored by the blood and Mercy of Christ,
        Joyfully,
            Josie Boyer

Ah. I love ya', Joz. We are definitely an unlikely pair. :)

 Now for the winner of the Non-Fiction Category:

Katie Sebelko

What I loved about Katie's entry was the fact that she has never met me, and yet she pegged me, pretty much, down to the detail of my somewhat saucy replies in a conversation. I only hope I get to meet Katie in real life someday. :)

How I Met Rachel Heffington 
A Not-So Fictional Story in Three Part

By Katelyn Sabelko

Part I: The Empty Chair 

“March is fantastically cold, darling, don’t you think?”

“Fantastic,” I mumbled, “Is not at all how I’d begin to describe it.” 

“Oh, you’re a bore, Katie. A complete bore. There is much to said about March! The sun shines bright--like Mother’s jewel collection! Even you’ll have to admit to that.”

“I’ll admit to nothing.” 

Laughter filled my ears, lilting and free and full of indecorous snorts. I closed my eyes.

“Knock it off.”

“Um, pardon me?” 

I blinked. A waiter stared down at me through his smudged spectacles. 

“No! No, not you. Not you. It’s just... it’s just Eudora. You know.” I gestured to the chair beside me. The chair that was empty. “Yeah. Nevermind.” 

He set a mug of tea on my table and fled to the kitchen. 

“Thanks!” I called after him weakly. 

When they say writers are insane, they mean it. I can see them now, all covered in ink spots or riddled with carpal tunnel, chuckling softly. ‘Is it only now that she has come to realize this?’ That’s what they’re thinking. You know it is. The writers of the past, the future authors, the struggling-to-become-writers. They’re having a good ol’ laugh. 

And I took a sip of my tea.

“Katie!” A single word danced a thousand jigs into my melancholy thoughts. A single word, my name, uttered with all the warmth and joy of the sun itself. 

“Good heavens!” It couldn’t be her. But it was. “Good heavens! Rachel!”



Part II: The Chair is Empty No Longer 

“Rachel! Rachel Heffington!”

She beamed. “In the flesh!” 

“Rachel!”

She grinned. “We’ve established that.” 

“But... but... Rachel!” 

Now she bubbled into laughter. “Katie! Katie, Katie, Katie!” 

“You’re sitting in Eudora’s seat!”

“Oh, am I? I can move.” 

“No, no. I’ve had quite enough of her antics for one day. Quite enough.”

Rachel nodded. “I see.” And somehow I knew that she did.

With a smile that could melt even a Wisconsin winter, Rachel Heffington was sitting in Eudora’s chair, drinking tea. Rachel. Rachel Heffington. In the flesh.   

“I suppose you’re wondering how I came to be here,” she said. 

I was. 

“I’m here because you need me. I’m here because you’re not writing. I’m here because you’re sitting in a cafe, talking to an empty chair.” 

“Oh.” I could feel my cheeks burning. “You know about that?”

“Please,” she looked up at me over the top of her glasses. “Katie, you never blog. When you do you, you complain about not writing. This is hardly the way to run a writing blog, dear girl. Hardly.” 

I groaned, and slumped back into my chair. “I know.” 

“So, I have come to help you.” 

“You have?”

“Yes,” she chuckled, then cleared her throat. “Miss Katelyn Sabelko, I have come to help you out of your writing-slump.”

I sprang upright, “My fairy god...friend?” 

“You may call me whatever you wish, but we must get down to business. I don’t have much time.” 

I suppressed a cry of “... and defeat the huns!” and nodded soberly. 

She began right away. “How long have you been not-writing Lara’s Story?” 

“ARROW,” I breathed, “Arrow to the heart.”  

“Exactly: far too long. How long have you been only haltingly focused on Essie’s Adventures, your script?” 

I mumbled something that could have been “over six months” but let’s hope it wasn’t. 

“What about that Arthurian legend story you started? The one that betrayed your obsession for freckles?” 

“I gave up on that.”

Rachel took a sip of tea. When she spoke again, I believe she was trying to sound firm, but her adorable face quite reversed the effect. “Why aren’t you writing?”

A million excuses were on the tip of my tongue, and not a single one of them valid. “I don’t know.” 

“Are you afraid.”

I looked her squarely in the eyes. “Yes.”

“Dash your fears. You’ve absolutely nothing to be afraid of.”

She took another sip of tea, a rather long one. “Do you believe in your stories?”

I nodded.

“Believe in them more.”

I nodded again.

“Take the time to think, to plan. You know you can find time.” 

“We make time for the things most important to us,” I mused. “No matter how full our schedules, we make time.

Rachel smiled, her eyes small and bright. “Now you’re talking. However, merely conversing about dedication is one thing, applying it to your daily life is quite another.”

I groaned again. “Rachel, I’m doomed to be a failure.” 

She laughed gently, kindly. “No.” 

The March sun beamed through the window and settled on Rachel’s hair, brightening her entire countenance. She was radiant. She was confident. She was poised. She was kind. She was Rachel Heffington. 

Before I could stop myself, I demanded the secret to her success.

“That is why I’ve come, to tell you the secret.”

“Your secret?” 

“My secret, every aspiring writer’s secret, every published author’s secret.” 

She leaned forward, and I caught a glimmer of mischievous energy in her bright eyes. “Ready?”

She told me the secret. In unison we blinked, smiled, and filled the cafe with our laughter. 



Part III: Empty Again 

Rachel had gone. Eudora’s chair was empty once more. 

“Where will you go now?” I’d asked. 

“There are scores of struggling young writers that I’ve yet to visit this afternoon. And I’ve scheduled tea with Abigail Hartman and a long walk with Jenny Freitag. Mirriam Neal and I haven’t had an honest-to-goodness laugh in far too long...” She paused, “Or perhaps I’ll have a good chat with my characters in public.” 

I looked at her in surprise.

“Oh, Katie. We’re all mad here.” 

Her smile, her mischievous little eyes, lit up the room. Then she was gone. 

Now I stared at the chair, vacant as ever, and a smile pulled at the edges of my lips. Not a trace of morose emotion could I detect in my heart. Rachel had burst into the cafe on wisps of sunshine and left a warm glow in her wake. 

How in the world had she done that?

“Who cares how?” I whispered, running my fingers over the rim of my tea-mug. “She just did it. Why? Because she’s Rachel Heffington, that’s why.”

As I left the cafe, grinning from ear-to-ear, Rachel’s secret to writerly success rang through my mind: 

You must write. 

***

Both Katie and Josie will receive as their prizes a small, commissioned water-color painting from me! Girls, contact me about what you would like me to paint, and we can discuss the details.

Thanks to everyone who entered! Your entries were marvelous, and I enjoyed reading every one. :)

Monday, February 6, 2012

Heigh-Ho update!

Hello Everyone! This is a reminder that the "'Heigh-Ho' for a Husband" Blog party and Contest is still open and accepting entries until February 14th! (The Giveaway closes on Feb. 13) Please don't wait to send your entries--I don't want you to forget, and as I know that several people are working up simply splendid entries, I'd hate for anyone to miss out. 

Click Here for the Contest information!


Tally-ho! Have fun, everyone. :)

Friday, December 30, 2011

Help me decide!

All right, guys. I need help deciding something. I'm entering the New Year's Contest hosted by The Penslayer, and Scribbles and Inkstains. The theme is First Impressions--whether of another character, a place, an object...and the story isn't supposed to be complete--it ought to have some coherency to it, but I'm not supposed to tell an entire story because I have to keep each entry to 200 words or less. :) That's kinda hard for me... :D Anyway, here are four of the ones I've written so far [I can only enter two] and I need help deciding which ones to enter. I have my own favorites, but I want to hear from "my public". ;) So without further ado here they are! Please tell me your two favorites!

"They Called her Queen"
By Rachel Heffington
             Frost on an autumn-fired maple—that was the picture emblazoned on my heart as I lifted her from the carriage and the early snow kissed the gleaming coils of her hair.
She was fairy-light in my arms, and the shine from the other footmen’s torches illuminated the emerald hue of her gown, echoing the same color in her eyes. Her tiny, slippered feet touched the cobbles and all at once she was vast leagues above me. Regal, proud, unattainable.  But I couldn’t tear my eyes from her—crimson lips parted in a quick, excited breath, eyes dancing with green stars and dark magic.
She pulled her velvet, cloak around her shoulders—it could have been made of rose petals it was so light—and shivered against the cold. It was such a pretty, confiding gesture, and bespoke her perfect knowledge of her power.
            “You’re…beautiful.” I hadn’t meant to say that aloud.
She laughed, and I joined her cold, silver trill with my own laughter. But somewhere in myself a mouse-thought nibbled and warned that my pride would be footing the bill for this present glory. But what did that matter? She laughed!
No wonder they called her Queen.


"At the Very Doorstep"
By Rachel Heffington 


They dangled above Hell’s gates. Or so it seemed to the young Welsh boy as the coal-elevator jerked downward, ever downward one agonizing shaft at a time. The sheer weight of the leagues of earth above him pressed the breath from his lungs. Raven-toothed shadows fought for precedence against the pale torches, the weak circles of light fighting to keep alive in the fag-ends of life they possessed.
He tried to envision the green fields of his village, his widowed mother, the reason he was here, but he could not breathe—all the remorse and sorrow of the world sunk to these depths and festered in the perpetual night.
That crash of rubble and the stifled cry behind it could belong to a miner, but he thought it far more likely it was a soul in torment, pleading for pardon. He and the smirched, vacant-eyed foreman with him were the fallen on their way to the utter depths. The clink and crash of iron against stone was not the picks of the workers—it was the devil’s own whip.
Lower, ever lower the elevator wobbled, and hotter the shadows smothered about him. They were at the very doorstep now.


"Goody Briarbeck"
By Rachel Heffington

Goody Briarbeck lippity-lipped to the stove and poured water into a chipped teapot. If an elderly rabbit from the grassy warren had put on a homespun petticoat and muslin apron it could not look more like this Oldest Inhabitant. Anna Cooley tapped her pencil against her journalist’s notebook and tried not to smile at the quaint ears of Goody Briarbeck’s kerchief, sticking up at pert angles atop her head.
 Anna had driven eight miles off the beaten track in her pony cart to cover this story. It wasn’t everyday one met a centenarian—but she was unprepared for the quaint figure that met her on the porch, and hustled her inside with a hopping, cheerful gait.
“Noo, why daid ye coom?” Goody asked, coming lippity-lippity back to the table with a tray of scones piled with cream.
 “To ask your secret for longevity, ma’am.”
Goody Briarbeck cuddled into her chair and twitched her nose, suddenly shy. Her bright black eyes peeped at the city-woman before her with a weighing expression. “It’s aisy enough. I raid m’Bible, I eat butter by th’tub, and I tak a coold bath ivvery mawnin’.”
Anna scrawled the answers into her notebook, a trifle disappointed. She had hoped for a more rabbit-like answer. Clover, perhaps, or carrots


"Writing Crumbs"
By Rachel Heffington

Camille Perkins checked her watch again. Thirty-three minutes late and counting. Where was Mr. Botetourt? For an editor interviewing a new client he was most unpunctual. And it was not helping her nerves.
She wandered to the bell and touched the rope, preparing to ring for the secretary, but a faint harrumph chased her back to her chair. When her cheeks cooled enough that she hoped she was no longer showing through her powder, Miss Perkins glanced upward into the face of an asthmatic-looking gentleman who squinted apologetically and breathed crumbs as if he’d just been dining off of spelling errors and rules of grammar.
“Where were you hiding, sir?” she asked, being so startled, she hadn’t time to think of proper manners.
“The garden, Miss Perkins, the garden.” Botetourt gestured to the raised window-sash and a half-eaten cookie tottering on the sill in a paragraph of crumbs. He bowed, coughed, and squinted. “I before ye until after tea. You know, Miss Perkins.” And he eyed her bulging portfolio with an expression suggestive of an after-dinner snack.
Miss Perkins hugged her precious novel tighter and wondered if she wanted to surrender it to this sort of creature after all.

Saturday, September 24, 2011

Winners Revealed!!!

I (quite accidentally) scheduled the ending of the Merry Auld England Writing Challenge to be on the very first day of Autumn! It doesn't signify anything much, but it made me happy all the same. :) Around here it was not cold at all. It was wet and humid and sticky. The outside world was rainy it was...sweaty. [Blech] But enough of me! I had a monumental task in choosing the winner of this contest! I printed off all the entries, agonized over them, got opinions from my family, agonized over them some more, and finally chose the winners. Are you ready? Are you sure? First off I wanted to let everyone know that you did a great job! Every one of your entries was intriguing, amusing, or inspiring. I had as much fun hosting this contest as you all had entering it! Unfortunately though, I can only choose one winner from each category.
And that honor and glory in the Prose category goes to: Miss Katie Sabelko of Whisperings of the Pen for her short story: Mary Cass! Miss Sabelko will win this beautiful set of Jane Austen Stationary for her efforts. :) (Full story will be printed below, following other winning announcements.) I chose Katie's story for the lovely characters and glimpses of human nature it contained, besides the fact that it made me laugh, and I've a weak spot for amusing things.


The winner of the Poetry category is Miss Maria Elisabeth for her poem entitled "Bath". This young lady will receive the lovely prize of this hand decorated/covered box!
 I had the most terrible time over choosing the poetry winner, for poetry is a subject that is near and dear to my heart. There were three poems I kept revolving round as if I were a whirligig, but it was as hopeless being stuck in a revolving door, so I took the liberty of asking my beautiful mother's opinion and getting her thoughts. I chose Maria Elisabeth's poem for three reasons:
1. Because it was set in Bath, of which I have many fond literary memories. :)
2. She did her research, as you will see in a moment
3. And it was a fun read on an original topic that could have been made very dull indeed.

And last but not least we come to the winner of the Drama category! Now, I will admit I hadn't thought anyone would actually enter this category. I am not an aficionado of the theater myself and would hardly know how to begin! In fact, there was only one entry in the category, but I have chosen it as the winner not for that reason, nor for the fact that anyone who actually goes through with writing a play deserves a prize (though that's true) but because this young lady managed to present us with a story, play it out, and finish it up in the space of a few pages. That young lady is Miss Mercedes Brink with her play, "In Her Mother's Shawl." Miss Brink will win Miss Egglantine Benedict--the impudent, loveable, opinionated paperweight doll! :) 
Are you ready to read the entries? Hmmmm? Without further ado, I present Mary Cass by Katie Sabelko:


Mary Cass
Written by: Katie S.

“She fancies herself a writer, you know,” Miss Meredith Ashburn said, taking a tea cake delicately from the tray. “It is the most scandalous thing.”

“Oh! And she wanders the countryside after dusk! Or—or so I have heard, of course. So I have been told.” Miss Esther Hurst replied, dropping her biscuit into her tea.  

“Her man is an insipid fool. A farmer.” Mrs. Helen Farrell chimed in, delicately turning her tea cup around on its saucer to inspect the painted design on its side. “A farmer—a ‘child of the moors’, they say—of all things.”

The three nodded in unison. They were seated on the veranda of Miss Ashburn’s family home, a rather old and handsome estate, sharing the daily gossip. It was their weekly custom to gather together in such form, to spill over with the latest news as they tittered away over afternoon tea. Seldom a week went by when the three did not meet, and woe be to the one who interrupted their proceedings!

“Indeed. When was it, exactly, that she married?” Molly feigned nonchalance, as she watched Esther gaze sadly after her pastry. “Take another, dear, they are so slippery with the butter-glaze. No, do, dear.”

“Oh, well, thank you very much.” Esther’s plump, white cheeks colored up to her ears. “I am just a bit clumsy, I’m afraid.”

Molly and Helen exchanged looks, guardedly, over their tea.  

“It hasn’t been more than half a year, Meredith. It was only a month before I myself became Mrs. Farrell, you remember.” Helen replied.

“Yours was a much more suitable marriage, Helen, dear. It quite wipes away one’s memory of little Mary’s foolishness!” Molly said.

“Indeed!” Esther offered with cautious vivacity after a few moments had passed and she deemed it safe enough to speak, or at least to offer forth this neutral, noncommittal word of agreement.   

The three paused in their talk. Esther nibbled on her biscuit, dunking it absentmindedly in her tea, and suppressed the tune that would come to her lips at the mention of the northern moors. Helen watched the ritual dunking and nibbling and, consequently, the dripping of the honey-colored liquid upon the frill of Miss Esther’s bodice, with an ill disguised contempt. Molly, who had only recently had her coming out, sat straight and tall as she attempted to look sophisticated and genteel and see everything and nothing at the same time—she only succeeded in looking dreadfully bored, but her effort did her great credit nonetheless.

“And how is Mr. Farrell? Is his cough mending?” It was Molly who broke the silence, feeling very keenly her duty as hostess to keep the conversation flowing. “Chills and coughs are so very common this time of year. Doctor Dawson advised us all to take great and immediate precautions against them when he last visited.” 
  
“Charles is well.” Helen replied, and sipped her tea languidly.

Another pause ensued, in which Esther had to pin her foot to the ground rather abruptly to keep it from tapping all on its own, and young Molly’s color heightened with embarrassment as she grew more and more unsettled by the lack of conversation. 

“Oh, indeed! I am so glad.” Molly said a bit desperately. It was all she could do to keep from biting her lip. “The weather is fine today.”

“It is.” Esther agreed.

Helen sighed, her gaze coming up off her tea and unto her young hostess. “We spoke earlier of Mary Cass.” She paused, slowly moving her head from its upright position to a more sideways one. Her chin she stuck out very straight in front of her and her gaze she transferred very importantly into the distance. “It was mentioned that her marriage was badly arranged, for though she did not come from money, her father’s status could have carried her much further. And so I would tell you, Molly, to steer clear of all influence of the woman. Do not even speak of her, nor think of her actions. It will do your mind no end of harm, impressionable as it now is. You’ve reached a very gentle age. Mind how you occupy your thoughts. Mind whose company you seek to cultivate. Mind whose example you strive to follow.”

Molly nodded slightly, her little grey eyes now but timidly shining in their sockets. “I would never—”

“You must strive for perfection in everything you do, my dear Molly. It is expected of you. Be the perfect example of a lady to these sorts of women, be always—”    

“I’ve heard she writes under the name of a man! For a newspaper!” Molly could not contain herself; at the mention of ‘those sorts of women’ she quite lost her head. Desperate as she was, her social graces failing as they had most appalling through the course of the interview, her mind would grasp at any comment that came into her head. Immediate regret followed. 

“Sir Eugene Eldestone the Third, if I do recall. I rather fancy—well, people, you know, they fancy her stuff really rather witty.” Esther added, fumbling a bit of her biscuit over her teacup.

“Lack of taste, decorum, and refinement.” Helen pronounced each word as a death sentence, her head snapping back into its proper position and her tranquil gaze growing sharp. She was always out of temperament when interrupted, or when her superior advice was thus ignored as it so often was by young Molly. 

“It’s quite honestly the most vulgar thing!” Molly cried.

One would think this a rather strange occurrence amongst so familiar, so docile, so sophisticated a group: but the truth was that most of their afternoon visits took exactly this turn. They would start with hearty conversation that waned as the tea did, then Molly would speak whatever was in her mind and consequently loose all sense of her newly found and cherished propriety, Helen would be rendered out of temper by such foolishness and lack of social grace, Esther would be flustered by it all and drop anything that came to be in her grasp, and they would all part, each one out of temper in their own way. Molly ashamed of herself and determined to play her part better next time, Helen out of temper with the whole of the countryside and its lack of civilized company, and Esther wondering why she even opened her mouth to speak at meetings of this kind.

Helen was about to pronounce that ‘vulgar’ was a very unbecoming term for a young lady’s vocabulary, when Molly straightened once again.

“There she is! Mary Cass!” she said in a hoarse whisper.

And there indeed she was, Mrs. Mary Cass herself, walking through the country with her husband. Though they were not at all within earshot, and would not come close enough to speak to in the course of their walk, Mary’s figure was quite viewable from Molly’s angle; one could see her long dress and thick shawl very plainly against the backdrop of gold and brown the countryside afforded. Mary was a rather pretty young woman in a simple way, short and rosy with a plethora of yellow hair pulled loosely back into a bun. It was always peeping out of its confinements, rebelling against all things used to bind it. Molly reached up to stroke her own hair, smooth and tightly pulled back and braided in the latest fashion, and quieted slightly.

“Does she walk this way often at this hour?” Helen inquired, pulling her teacup closer to her body.

“I do not know,” Molly answered. 

The ladies watched at the couple drew nearer. That the two were deep in animated conversation was easily seen by all, and Helen clucked her tongue with annoyance when a newspaper and book came into view under Gil Cass’ arm.

“How they dare to walk about with the evidence of such inappropriate frivolity, I cannot fathom.”

“She does look happy though, doesn’t she?” Esther spoke up, and smiled complacently, setting the last of the biscuit in her empty teacup. “And he is happy, too. His eyes will tell you that.” She had been watching the two young people with a quiet and decided sort of air, and her eyes did not leave them now—no. Those orbs that mirrored so innocently the secret thoughts of Esther’s heart had begun to dance. Perhaps it was to the very tune that seemed still to burn an impatient line upon her lips. 

“Why, Esther, I do not comprehend you! What foolishness!” Helen gasped, her teacup now perilously close to her bosom. “How can she be happy?”

Molly was quiet. 

“In fact I—well. I think I will join them. It is high time I should be off. Mother will be expecting me.” Esther placed her teacup gently down upon the tray, took another biscuit in hand, thanked both Molly and Helen dearly, and placed a rather busy-looking bonnet upon her dark locks.  
 
It took some time for Esther to reach the two, and once they saw her they stopped in their course and waited. Then Esther walked off, arm in arm with little Mary. Molly and Helen watched her disappear behind the hills in silence, willing contempt and disdain to scar their youthful faces as they looked down upon their fellow kinsman. In response to this, laughter filled the waning afternoon air and teemed thickly around the two; the fields and grounds around them seemed to swell and dance with life of a surreal and strange, ethereal nature. One of the group turned their face to talk to another, and then, then Molly and Helen saw upon that face a smile that seemed to grow out of the laughter itself. Not a beautiful one, not a perfectly rehearsed and charming smile, but a real one. A smile that held worlds of good in it, a smile that reached to the very eyes and back into the soul.

As she watched, there flickered  in Molly’s eye a light of childish longing. In Helen’s eyes there was nothing. In Esther’s there appeared a strange sort of belonging. In Mary’s, contentment. There was nothing but a sense of easy cheer in Gil’s eyes, and he threw back his merry head and laughed.


*Happy sigh*. Wasn't that a perfect ending? :) I love it. Now for the poem "Bath" by Maria Elisabeth:
Bath

I’m not very special now, but I think I was something then,
Before people started writing with pencils and when authors used a quill-pen.
Before doctors had treatment that worked and when people came here for their health.
All people – the old and the young and the poor, and especially the rich with their wealth.

I’m not very special now, but I think I was something then,
When I was called Aquae Sulis and the Britons came in from the fens
And Romans and soldiers and farmers delighted to come to my waters.
Romans and soldiers and farmers, with their wives and their sons and their daughters.

I’m not very special now, but I think I was something then,
When high society came to stay here, in groups of hundreds and tens
To sit in my steaming waters, and meet all their friends and talk
Or to read horrid novels, or just to go out for a walk.

I’m not very special now, but I think I was something then,
In the south of western England, on the banks of the River Avon.  
When anyone who could came (and those who couldn’t did not.)
And everyone who saw me declared that it was the loveliest spot.

I’m not very special now, but I think I was something then,
It was a long time ago, and I hope you will not ask, “When?”
The long time ago that was then, as you read it in books
Curled up in a couch by the fire, or somewhere in your own private nooks.

I’m not very special now, but I think I was something then,
Before people started writing with pencils and when authors used a quill-pen.
Before doctors had treatment that worked and when people came here for their health.
All people – the old and the young and the poor, and especially the rich with their wealth.

And then we come to the play written by Mercedes Brink: "In Her Mother's Shawl."

In her Mothers Shawl
Mercedes Brink

Characters in: In Her Mothers Shawl [in order of appearance]

BETTY KIETH: a young orphan girl

MARY KIETH: the mother of Betty

MRS. PHIPS: Rich lady who runs the household.

MRS. BELL: the old orphanage care taker

COOK: a rough lady who is in charge of the kitchen.

MAID ONE: works in kitchen

MAID TWO: works in kitchen

MR. WHITE: a old man who runs his own vegetable stand in the market.

JIM BAKER: runs the baker shop.

RUFFIANS: [four boys]

Act ONE:

Setting
: A wet cold and dark evening in the streets of London near a orphanage.

MARY KEITH: [Holding the hands from a little seven years old girl] There you go precious. Now wait here. [Reaching the front door she lets go of her. It begins to rain and she slips off her shawl, and puts it on Betty. Knocks on door and runs away. She awaits by a corner in the dark]

MRS. BELL: [Opens door] Hello? [looks down ] Oh you poor child! Where is your father or mother?

BETTY: She told me to wait here.

MRS. BELL: Poor child going to catch your death out here. [Picks girl up then shuts door]

MARY KIETH: Walks out and peaks through the orphanage window. Sees Betty being well taken care of] It’s for the best [walks away]

Close curtain.

Act TWO:

ANNOUNCER: Three years later [walks off stage]

Setting
: In a living room of a large house in the mid afternoon.

MRS. PHIPS: [sternly] Betty! Betty Keith get over here!

BETTY: Yes Ma’m? [ten year old girl appears with a dirty smudged face and a tired look]

MRS. PHIPS: Betty where have you been?

BETTY: Dusting Ma’m like you to’l me.

MRS. PHIPS: Hurry up. Guests are coming for dinner, and our cook has some errands for you. [stares at Betty a moment] Don’t just stand there!

BETTY: Yes, Ma‘am [ leaves and finishes dusting. Enters the kitchen]

Setting
: Kitchen. One Cook and a maid busy cooking.

COOK: [seeing Betty says roughly] Here I have got this list of things I need at the market. Mind you no dilly dallying. I must have those tomatoes. [Hands Betty basket]

BETTY: [heads for door]

MAID ONE: [Enters in just as Betty goes to door. rudely] Out of my way.

BETTY: Sorry. [goes to coat rack] Where is my shawl?

COOK: Being washed. It was filthy. [busy rolling dough]

BETTY: But it is cold out and I am afraid I won’t keep warm without it.

COOK: [not turning around answers] Wear the coat. You will live.

BETTY: [Puts on a big coat that is huge. leaves]

Act THREE

Setting
: On a busy street in town. Carriage goes by with a father and two children.

BETTY: [looks longingly as carriage disappear] Oh, I wish I could be one of those in a grand carriage. [ Sighs. Goes to a vegetable stand]

MR. WHITE: Why hello there Betty, what brings you here on this wet day?

BETTY: Hello Mr. White. I need some tomatoes. [smiles]

MR. WHITE: Well, we just got some fresh ones today. [shows basket.]

BETTY: [ Betty chooses four and hands coins] Thank you. [leaves]

MR. WHITE: [mutters] Poor girl. She deserves better than the life she has. That Mrs. Phips treats her like dirt.

BETTY: [making her way across the street when a carriage comes towards her]

JIM BAKER: Look out! [pulls her to the side]

BETTY: [screams]

JIM BAKER: Are you okay?!

BETTY: Yes, thank you. [watches carriage goes by. Shudders]

JIM BAKER: What is your name?

BETTY: Betty Sir.

JIM BAKER: My name is Jim Baker. I am glad you’re safe.

BETTY: Thank you Mr. Baker. [Looks down at her basket. Cries out] I lost my tomatoes and I have no more money!

JIM BAKER: Here now, don’t fret. I’ll give you some coins, and you can buy some more. [Digs in pocket]

BETTY: Than you sir, but I cant take it ..I must go now I am already late. [runs off]

JIM BAKER: Good bye. [Goes in his baker shop]

MARY KEITH: Dressed in a beautiful dress and hat. [Was watching out bakers window] Who is she? I have never seen her before?

JIM BETTY: She said her name’s Betty. I see her every so often. That was a close one with the carriage.

MARY KEITH: Yes it was. I had a girl once named Betty. [Looks into the distance as if deep in thought. Abruptly] But I must be going now. [leaves in a carriage]

Act THREE

Setting
: At Mrs. Phips house in kitchen.

BETTY: [Enters kitchen breathless and wet]

COOK: [Sternly looking at Betty] What took you so long?

BETTY: Sorry, I was nearly run over! [Takes off jacket and puts basket down] The tomatoes got ruined I am afraid.

COOK: What! You foolish girl! You shall have no supper now.

BETTY: [Pleadingly] I can go back ma’am.

COOK: [Serving steamed soup into nice bowls] Too late now. Guests have arrived and I want you to help after you clean yourself up. Quick!

BETTY: Yes Ma’am. [As she is cleaning herself up she mumbles] I wish I had my mama back.

Setting:
In kitchen. Betty eating hot oatmeal and only maid is there.

MAID TWO: Cook wants you to get some more tomatoes. Hurry with breakfast.

BETTY: [Nods her head then after bringing her bowl to the sink she slips on grey shawl and basket]

Setting
: Near market. It’s not raining, but it’s wet and muddy.

BETTY: [Walking past a group of boys a little nervous]

RUFFIAN: [One pushes Betty into a big puddle. All the boys laugh]

BETTY: [Picks herself up]

MARY KIETH: [Saw what had happened near by and rushes to Betty’s side] That’ll be enough! [Looks at boys angrily]

RUFFIANS: [Seeing the lady is upset they quickly leave]

MARY KEITH: [Asks gently] Are you all right?

BETTY: Yes ma’am thankye kindly. [Smiles at lady to show she is okay]

MARY KEITH: [Sees shawl. Stares at it a moment then looks at Betty’s face. After a moment she puts her hand to her mouth] Why bless my soul. Betty is that you?

BETTY: [Confused] Ma‘am?

MARY KEITH: [Points to shawl] That was mine three year ago! Don’t you remember? I brought you to the orphanage, and gave that shawl to you. And can see your fathers face in you! God be praised. He has answered my prayer at last. I have found you!

BETTY: [Slowly she recognizes Mary Keith and begins to remember and smiles] Oh Mama! It is you!

Betty and Mary hug.


Curtains close


There you have it! That was rather an exhausting task to choose just one winner from each category! A big thank you to everyone who entered, and everyone give a round of applause to the winners! Girls who won, you can email me at theinkpenauthoress@gmail.com and we'll discuss how to get your prizes to you! ~Rachel