Showing posts with label fantasy. Show all posts
Showing posts with label fantasy. Show all posts

Wednesday, August 21, 2013

Book Review: Dragonwitch

Buy it here
When fantasy-author Anne Elisabeth Stengl asked for a group of people to read advance-copies of her book, Dragonwitch, I signed up. I was a little leery of what this book might be, as dragons are frightful enough without being witches. But as soon as I read the prologue of the fifth book in The Tales of Goldstone Wood series, I knew I was in for something quite different than I'd pictured:
    Generations had passed in the mortal world above as the brothers battled and then lay still. At last Etanun roused himself and turned to Akilun. "Brother, I have sinned," he began, but the words vanished from his lips.
     Akilun was dead.
Brother-plots have always been a favorite of mine, so knowing that Dragonwitch started with a few pages that almost made me cry definitely set the tone for the rest of the novel.

The description from the back of the book:
     Submissive to her father's will, Lady Leta of Aiven travels far to meet a prospective husband she neither knows nor loves - Lord Alistair, future king of the North Country.
     But within the walls of his castle, all is not right. Vicious night terrors plague Lord Alistair. Whispers rise from the family crypt. The reclusive castle Chronicler, Leta's tutor and friend, possesses a secret so dangerous it could cost his life and topple the entire nation.
     And far away in a hidden kingdom, a flame burns atop the Citadel of the Living fire. Acolytes and priestesses serve their goddess to the limits of their lives and deaths. No one is safe while the Dragonwitch searches for the sword that slew her twice...and for the hero who can wield it.
It is a rare book that I actually like more than I hoped, for too often I have a higher expectation of a book than it actually merits. But with Anne Elisabeth Stengl's Dragonwitch, I found wrenching, beautiful allegories thrown in amongst the characters in an effortless way, and though I had never read a Goldstone Wood tale before, I hope to have the chance to visit the Wood Between the Worlds again soon.

What I liked about Dragonwitch:

Etanun's story, and the portrayal of Hri Sora, the Dragonwitch herself. I don't think there is a finer portrayal of goodness-gone-sour and though I despised the Hri Sora, my heart broke for her. I also have a fondness for The Chronicler, and Mouse. Funny, because they don't end up together, but they were my two favorites. And of course Eanrin, the Cat-Man; how can you not love him? Does anyone else picture him as played by Kenneth Branagh? :D
I also loved the way the author wove Truth all through the pages; like I said: sometimes I felt like I was reading a beautiful allegory which is a mark of fine writing, in my opinion.

What I didn't like about Dragonwitch:

At the beginning I didn't know Alistair well enough to care about his night-terrors, so I was more impatient than sympathetic when he would wander about in a clammy daze; however, afterward I grew to love Alistair, so I don't think the sudden introduction of his dream-problem had an adverse effect in the end.
Also, for the first third of the book I felt confused over which world was which, who was who, and had difficulty remembering names (i.e. to the new reader, "Etanun" and "Eanrin" are easily confused). But I believe this has far more to do with the fact that I'm jumping in on the series with Book 5 and would not have that confusion had I started where one is supposed to start.

Final words:

Read Dragonwitch. Read it twice. And then pass it on to your friends so they can read it. While not quite a challenging read for an adult in terms of dialog and theme, it is a beautiful book to pass a week of rainy evenings with, and you will find therein much to love, admire, and ponder. I give Dragonwitch 4 out of 5 stars. (I rarely {if ever?} give any book 5 stars if that gives you an idea of how good I think it is.)

Quotables:

   "The little man swallowed, his jaw clenching. 'This...this is the Haven of the Lumil Eliasul. The Haven of the Prince of the Farthest Shore. Built by the brothers Ashiun.'
    'Well done, Chronicler,' said Eanrin. 'You've done your research.'
    'I don't believe in this place.'
    'I don't see what your lack of belief has to do with anything.'
    'And you're Bard Eanrin.'
    'That I am.'
    'I don't believe in you either.'"

***
    "'Love is a terrible thing,' Mouse whispered.
     'Only love gone astray,' said the prisoner. 'the time has come you should be frightened. If fear will awaken you, be afraid! and then be courageous in your fear and act.'"

*** 

Don't forget to enter your questions about The Baby in the post below!! 

Thursday, May 16, 2013

And the fanfare of trumpets: TUM TA TA!

After over-much hemming and hawing and not-really-knowing what I'm doing and how to do it, I have settled onto two writing projects. One is Top Secret, and the other is entitled, The Baby (Thrice Removed). On this blog I may refer to it alternately as "The Baby" and as "Thrice Removed". Either one is correct. This story is best defined as "whimsy". It's not quite fantasy, besides occurring in another world, because so far I haven't come across anything that couldn't occur here. If it is fantasy, it's of the Alice in Wonderland  variety. But the thing remains, the book starts in London when The Baby goes missing, and involves a tumble down a puddle, and a surge out of a pool of water, and suddenly you're in Crissendumm trying to convince the Royal Family that The Royal Baby is actually your Baby and you'd very much like to take it home now. It's rather a mess, and I love Jamsie and Richmond and The Baby already, and here is a gobble of Chapter Three for you to forage through and judge.


From The Baby (Thrice Removed) by Rachel Heffington, Chapter Three

Richmond had finished retching up the horrid puddle-water, and pulled his wits together enough to sit up and realize—with a profound sense of relief—that Jamsie was beside him. “You still alive?” he whispered through the dark.
Barely,” Jamsie said. Her voice had in it the offended dignity of a cat that has fallen off a garden wall.
What was that?”
A puddle, stupid.”
It wasn’t a puddle.”
Was too.”
Jamsie! A puddle is a shallow bit of water.”
Says who?”
Richmond hugged himself, feeling the cold now that he was mostly alive. “Do you realize what bosh it is to sit here arguing about what that thing was?”
Do you realize you began it?”
Richmond sat in the dark and shivered alone. It would have been much more comfortable to scoot over a bit and shiver with Jamsie, but knowing women, she’d take it to mean he was apologizing—which he most distinctly was not. A dark wind whished along the banks of the whatever-it-was they’d come through, and it seemed to Richmond that it was what most books liked to call an “ominous” breeze. He wished he someone had thought to put a streetlamp somewhere about. Had they fallen straight out of London-town proper into the country surrounding? They certainly had to have come a long way for that to happen—the nearest farm was a thirty minute drive in a cab. What a shoddy business—one moment a fellow is walking along in the park looking for The Baby, the next he’s down a puddle-hole, the next he’s throwing up the water (and lunch besides) and for toppers, the night’s as black as…shoe polish. “Jamsie?” A trickle of terror—or could it be water?—crawled down Richmond’s back. “It’s dark.”
I know that.”
It wasn’t dark a minute ago when we fell.”
Richmond listened to Jamsie catch her breath, hold it, and let it out. “We were falling for a long time. It could have got dark,” she finally said.
Richmond shook his head. “Not that long—we’d have drowned. We tested last summer at the Pools, if you recall, and neither of us could hold our breath longer than forty-five seconds. Jamsie—where are we?” He needed to know. His head was upside down and backward without geography in its proper place. He even felt an odd, urgent desire to panic. Nonsense. A Balder—especially a male one—never panicked. It was against the Code.
Richmond was still making up his mind whether to panic or not when a form stepped away from the blackness of the night around them and became a blackness of its own. Richmond stood at the same time Jamsie did, and they stumbled into each other. Jamsie’s hand clamped around his own, and Richmond felt a centimeter taller and a smidgen braver. The black form was still and midnight-silent.
It neither moved nor spoke, and yet Richmond was certain it wasn’t a…what was that word? Ah yes—a figment of the imagination. A figment of the imagination wouldn’t make Richmond’s stomach wrench like it was doing presently.
The wind muttered again, and tattered pieces of black flung out on either side of the Thing’s body. A cloak, Richmond thought. He must be an assassin. He was more curious than frightened at that thought. An assassin was at least human—not a banshee. He’d rather die at knife-point than be…digested by a creature.
Jamsie’s hand tightened over his and Richmond cleared his throat.
He took a step forward. “Excuse me.” Richmond didn’t want the Thing to think him impolite, but he wasn’t certain if it was a “sir” or a “madam” so he thought it better to leave that part off. “Excuse me, who are you and are you up to any mischief?”
“Mischief?” The form’s voice was black as crows. “What is mischief but a dashed good joke tried on the bally wrong person?”
Richmond eased his weight from one foot to the other and licked his lips. Jamsie’s face was twisted into a sailor’s knot of confusion. This wasn’t how Assassins acted--really, now. “Excuse me, but who are you, and would you mind stepping into the light so we can get a good look at you?”
The Thing moved a step closer and Richmond and Jamsie stumbled back. “There is no light, which is how I like it.”
Jamsie elbowed Richmond and he realized what a blunder he’d just made. The Thing--whatever it was--now knew that they couldn’t see well in the dark and it apparently could. That put them on all sorts of wrong footings. “But what are you?”
“I am Admiral of The Fleet,” it said.
“You mean like ships?” Jamsie had popped up on the other side of Richmond now, and he could see her face, still quizzical.
“No,” The Thing said. “Like birds.”
“Oh, I see,” Richmond said--only he didn’t, quite. “Er, listen.”
The Thing stepped forward with a rustling like taffeta, and before he could help himself, Richmond put his hand out and grabbed hold of a cold, slick arm; he shivered. The Thing glanced down at Richmond’s hand which was just a pale, white-looking blob outside of his jumper-sleeve, and then back at Richmond’s face.
“Don’t touch me,” it seethed, and seemed to grow larger.
“Sorry.” Richmond patted the arm. It felt like--why, it felt like feathers! “What sort of an Admiral did you say you were again?”
“Admiral of the Fleet.”
“But you can’t have a fleet unless you’re speaking of ships.”
The Thing raised one side of its cloak. “Can’t you?”
“I can’t,” Richmond said in a voice that hung just barely above a whisper.
The Thing raised the other side of its cloak, and Jamsie’s fingers tightened around Richmond’s shoulder.
“Then again, maybe you  can have a fleet made up of something else. If you want it,” Richmond hastened to add, stepping backward at the same time.
He tripped. Over what--a root, or Jamsie’s foot--there was little certainty. But what was certain was that in an instant Richmond was on his backside, having landed hard on something tubular and metal. “Ow!” Then he ripped the thing out from under him with a frisson of excitement wriggling up his backbone. “Jamsie--my torch! I’d forgot!”
One flick of the thumb later, and The Thing’s precious darkness was spoiled. In fact, the gleeful beam of Richmond’s battery-powered torch showed that mysterious, inky form to be the most curious conglomeration of things he’d ever seen: There were a dozen crows--wings outstretched--clinging to the shoulders of a frail, peeved-looking old man as if trying to cover him. There was a long top-hat of the Abraham Lincoln variety, and a blanket of the Wild-Indian Variety which looked a deal smudged with soot as if the old man had been busy attempting to dye it black.
“You’re a...a...”
“A what?” The man’s croak was so sudden, his crows flapped off and away, leaving him even frailer-looking than before.
“Well, you’re a person!” Jamsie finished off.
Richmond went up and touched the man’s arm again. It was still cold and slick, but Richmond now saw it was because his shirt was made of crow’s feathers like some people were accustomed to wearing chainmail. He shone his torch in the man’s eyes to see if he would squint--he did.
“Ey, whaddyer doin’ that for?” the man complained, stumbling back a step. “If you want to talk, come where it’s dark.”
“We like the light,” Richmond retorted. “We’ll stay here, thank you.”
“Have it your way, you bally kid.” The man eased himself to the ground and stretched two spindly legs before him. He wore bright green garters and striped stockings which lessened his generally dismal appearance.
Richmond tossed Jamsie his torch and settled on the banks of the pool in a pile of last year’s dandelions. A pinch of fluff went sailing away into the darkness on  a sudden wind. “Can we start by saying our names?”
“Have it your way,” he repeated, only this time the man sniffed at the end with a great deal of Suffering.
“I’m Richmond Balder and this--this is Jamsie.”
The man held up his palm against the brilliant stream of light Jamsie directed at his face. “I like jam. With toast especially. I don’t get much toast these days.”
Richmond chuckled. “Her name isn’t Jam. It’s Jamsie, which is just what we call her. Her real name is--”
“Richmond, you wouldn’t dare.”
“Oh come on, Jamsie. It’s not awful.”
“It is.”
She sniffed and adjusted the torch so it shone in his eyes.
He threw his arms across his face. “Ow--get off it, would you?” She was being such a girl.
“Only if you stop trying to tell people my real name.”
“Fair enough, your Highness.”
The Admiral of the Fleet shifted and cocked one eye at the pair of them. Richmond felt as if he’d said something he shouldn’t have, and it bothered him to not know what he’d said that was so interesting.
“Is she--” the man stuttered, “I mean, are you...”
“Yes?”
“Are you part of Them?”
“Of whom?” Jamsie asked in a very confused voice.
“Of the Highnesses?” He hissed the last part and looked around in visible apprehension. “Please don’t tell me you’re truly a Highness.”
“What the blazes do you mean?”
“I think he’s cracked, Richmond.”
“Do you, now?” Richmond rolled his eyes and yanked the torch from Jamsie’s hand, flicking it off. Darkness enveloped them again, and he could almost feel the Admiral relax till he was just a form in the darkness again.
“Ay, that’s better by heaps,” the Admiral croaked.
Richmond assembled all his thoughts in martial order before speaking next: “Am I right in thinking we aren’t in England?”
The Admiral twitched his shoulders in clear dismissal of the idea. “You, my young friend, are most certainly not in England. England is out t’other end of the Puddle.”
Richmond rose and stretched, keeping his back to the puddle so he wouldn’t have to see the cold, reptilian glint of the moon-sliver on its surface. “Then would you mind very much telling me where we are?”

I hope you enjoyed this bit of Thrice Removed, and please stay tuned for an exclusive Inkpen Authoress interview with British author Penelope Wilcock! It is a really neat one, so please come back and check in tomorrow to hear about how Ms. Wilcock's real life experiences have prepared her to write about a medieval monastery! :)  

Tuesday, February 28, 2012

When the dawn opened.


Gladly the dreads I felt, too dire to tell,
The hopeless, pathless, lightless hours forgot,
I turn my tale to that which next befell,
When the dawn opened, and the night was not.  
-Dante's Inferno

Every person has a religion. Generally I avoid that term like the plague--it carries such a horrid feeling of dry-bones and long tradition and deadness with it. But I use the term in lieu of the fact that I haven't found a better one that is so all-encompassing.
 That explained, it's a fact, despite the myriads of human beings who deny their allegiance to any sort of "religion" in the general sense. I would boldly declare [again] that everyone has a religion. Your religion may be the Religion of No-Religion. But Man was created to worship and whether it is worshiping Jesus Christ, as it should be, or whether it is worshiping your own ideas of no-worship, it happens. It's built into the very fiber of our being. We need to understand that in order to live in this world--it's a fundamental truth that is often overlooked. And this is issue no less important than in literature. I know that many authors have done far better and more thorough jobs of the topic in longer posts, but I thought I'd just tell you a bit about where my Scarlettania and Gildnoir lies in this plethora of rabbit-trails.

Gildnoir worships neither God, nor any other sort of material idols. They reverence battle, warriors, skill with the sword, and allegiance to one's country and clan. That is the long and short of the doctrine of Gildnoir. Most obey it and bend knee to this god of War but others, namely a certain Diccon Quarry--are not content with this life and they almost unconsciously refute this War-god by forsaking their clan and breaking allegiance with their country. Diccon cautions Fitz-Hughes not to swear by the Hand that made him, for he will find the Hand's punishment far worse than that Diccon proffers. It's a primitive scheme, but rather powerful--even the Greeks and Romans had bouts with such a god in their day.

Scarlettania is a bit different--as it is essentially a fairy-tale world, it mirrors closely our own. There are church-men, there is truth, there is light. The Light is not exactly clearly named, for it filters into that world from our own and a little something is lost in the translation, but they are, like the places in Pilgrim's Progress, beautiful and just and noble. They crave light and live in the light and, did they live in our world, they would be God-followers. There is no definitive mention of Christianity in Scarlettania and Gildnoir, and yet I have made certain to keep Darkness and Light separate, meaning for the light to be from the one True Light: Jesus.

Diccon Quarry comes out of Darkness craving...he knows not what...and yet he is drawn to Scarlettania as if by an invisible hand and he finds Light. He finds purity and honor and love and truth. It's a beautiful paradox that I never grow tired of.

You see, I am not finished thrashing out all the details yet, but Christianity gets to this world shadow-like. Enough to cause one of the characters to wistfully remark to one of the Macefield bunch that at least earth-folk have an unerring Hand working in their lives. Thus it is that the Macefields learn to turn to the Author who is perfect.

And this is where things get muddled-er, if that's a word. Because you see, since Scarlettania is a make-believe country full of make-believe people who are all dictated to by Mr. Adoniram Woolcott Macefield, he is, in essence, their god. Not that they worship him--oh no. But he is writing their story just as God has written ours. Everything, truly, revolves around the Pen of Macefield. They swear by it and their oath is concrete after having that mighty name before it. They wait for his inky decrees as pilgrims wait for a sign on high. So you can imagine their delight, slight trepidation, and awe when a whole covey of sons and daughters of Macefield drop into their laps. The Scarlettanians frequently mention the fact that they are celebrities:

"Never let it be said that I let a daughter of Macefield wear rags when there are gossamine gowns at hand..."

Charlotte says she finds it uncomfortable to be in the position of a sort of demigod and looked upon with such reverence and awe.

Comments like that pepper the book and provide amusement on one hand and a slight bitter-sweet flavor on the other...I am not sure I am making much sense, but I was trying to extract from the annals of my mind just what was going on with religion and my Gypsy-Song.
But one thing is certain: as I write this book and realize how erring the hand of an authoress really is, I am ever more thankful that Jesus has written my story with perfect precision. There will be no rewriting and no editing is required. I've got the real deal in my Savior. He is Author, Editor, and Publisher all rolled into one....yes. We earth-folk have a blessed existence indeed.