Showing posts with label poetry. Show all posts
Showing posts with label poetry. Show all posts

Monday, March 21, 2016

you are no stranger to me


Here are some visual, verbal, and audible pieces of inspiration for the untitled short-story I mentioned last week. I hope you'll enjoy browsing what amounts to my current "mind palace." I'm working on this story as often as I can and though it's a paltry showing yet, I'm finding my way all right yet. I jokingly teased that the writing sector of my brain is like a mother hamster, eating its young when it gets startled. So I'm going to not speak an awful lot of this story for fear of saying all I have to say on the blog rather than in the word document. So apologies for being vague. This is how I'm rolling this tine around.






"upon seeing you"

I thought it unlikely to meet
a stranger and know
him for my own.
Before words
or look
or laugh
or smile;
before you I recognized it:
yours was a soul my soul
knew well and
the sweet click of the
latch behind kept us
in the thoroughfare.
Should we go
together?
Do we part here?
Home - safe home -
is gone for now
you are no stranger to me.
And so I smile
and hope
you know the way
because I'm lost already.










"Sweet Serendipity" - Lee DeWyze
"Fall in Love" - Peter Hollens
"Destino" - Walt Disney & Salvador Dali




Monday, February 8, 2016

Lyrics: Manhattan


I have recently taken to copying down lyrics to songs I love and really taking the time to relish the words and their meanings. Sometimes I come across a song I love and though I don't identify with the exact scenario laid out in the song's story, I treasure it all the same. Maybe it's the words themselves or the way they sound when combined with the music. Maybe it's just the fact that somewhere deep inside, I know I could feel this way, or that I have felt this way; the details are just different. Regardless of the real explanation, I love the power of music to sway and gentle me or rev me up. A couple weeks ago when we got #Jonas2016 and were buried under days of winter weather, “Manhattan” by Sara Bareilles kept me company as the perfect, wistful, snow-day song. Enjoy.


"Manhattan"
by Sara Bareilles


You can have Manhattan
I know it's for the best
I'll gather up the avenues
And leave them on your doorstep
And I'll tip toe away
So you won't have to say
You heard me leave

You can have Manhattan
I know it's what you want
The bustle and the buildings
The weather in the fall
And I'll bow out of place
To save you some space
For somebody new

You can have Manhattan
Cause I can't have you

Ahhhhh

You can have Manhattan
The one we used to share
The one where we were laughing
And drunk on just being there
Hang on to the reverie
Could you do that for me?
Cause I'm just too sad to

You can have Manhattan
Cause I can't have you

And so it goes
One foot after the other
Til black and white begin to color in
And I know
That holding us in place
Is simply fear of what's already changed

Ahhhhh

You can have Manhattan
I'll settle for the beach
And sunsets facing westward
With sand beneath my feet
I'll wish this away
Dismissing the days
When I was one half of two
You can have Manhattan
Cause I can't have you

Wednesday, September 10, 2014

Sir Francis Drake: A Sanctified Pirate

This is a 1577 prayer by Sir Francis Drake, a "legal" pirate and adventurer who received his knighthood after bringing home booty worth a half million pounds sterling to the Queen of England. It's beautiful, challenging, and has a darn good story behind it. Thanks to Molly Henderson for bringing it to my attention yesterday!

Disturb us, Lord, when
We are too pleased with ourselves,
When our dreams have come true
Because we dreamed too little,
When we arrived safely
Because we sailed too close to the shore.

Disturb us, Lord, when
with the abundance of things we possess
We have lost our thirst
For the waters of life;
Having fallen in love with life,
We have ceased to dream of eternity
And in our efforts to build a new earth,
We have allowed our vision
Of the new Heaven to dim.

Disturb us, Lord, to dare more boldly,
To venture on wilder seas
Where storms will show Your mastery;
Where losing sight of land,
We shall find the stars.

We ask you to push back
The horizons of our hopes;
And to push back the future
In strength, courage, hope, and love.

This we ask in the name of our Captain,
Who is Jesus Christ.

Tuesday, March 4, 2014

Reading and Metronomes


I am as guilty as the next party of pushing reading to a back-burner, feeling that if I take time to read in the middle of the day instead of at night AFTER I've finished the demands on my time as a writer, I'm a horrible author. The thing is, why do we write? So people can read. After several days of pushing hard at Anon, Sir, Anon, and finding nothing is budging, I am going to give myself the day to read, draw, write letters, whatever, and count it as a creativity-replenishment day. We can't always be pouring out without refilling. To take a comment from Jenny in one of her recent letters:
"I was feeling unmotivated to write, which was no doubt due to my lack of fiction in-take."
That is exactly how I feel. The only reading I've done recently has been crammed. Cram down the rest of Bonhoeffer so I can return it on Sunday; cram in Duty so I can review it. Cramming isn't good for the mental digestion. It gives one a stomach ache. I could sit here at the computer toiling out a thousand words that mean nothing to me, or I could read several thousand that will spark new ideas. In our music theory class, Dad was telling us how when he worked at Tanglewood for a summer, certain musicians would wear metronomes around their necks for eight to ten hours a day so they could better internalize sixty-time. Tick. Tick. Tick. Tick. Reading is the metronome for writers. The more we read, the better we subconsciously internalize the talent and creativity that went into whatever book it is we read. That is why reading poorly written books is a waste of time. If we internalize and become what we read, it doesn't pay to fill ourselves with drivel. Nor does it pay to write drivel. If we're writing drivel, we have probably been away too long from our metronome. So today I'm not going to create my own fiction...I'm going to internalize someone else's, and enjoy words for their versatility and beauty. You don't always have to harness beautiful horses...sometimes it's better to let them run and watch from a distance. If we are the let words run today, I want to leave you with this amazing snatch of poetry by Edward Shillito in WWI:

If we have never sought, we seek Thee now;
Thine eyes burn through the dark, our only stars;
We must have sight of thorn-pricks on Thy brow,
We must have thee, O Jesus of the Scars.
The heavens frighten us; they are too calm;
In all the universe we have no place.
Our wounds are hurting us; where the balm?
Lord Jesus, by Thy Scars, we claim Thy grace.
If, when the doors are shut, Thou drawest near,
Only reveal those hands, that side of Thine;
We know today what wounds are, have no fear,
Show us Thy Scars, we know the countersign.
The other gods were strong; Thou wast weak;
They rode, but Thou didst stumble to a throne;
But to our wounds only God's wounds can speak.
And not god has wound but Thou alone."

Thursday, December 19, 2013

Adventus Poetry


And sometimes you sit down to write a blog post and end up with a shard of real-homesickness that takes the form of this:

"Adventus"

Pregnant, weighted.
Breath is baited
Hope has faded
With the night
Silent, holy,
Wanting solely
To be healed from
stabbing fright.
What if all this--
love and peace-kiss--
falls in dust
of crumbled prayers;
Nothing left but
hearts that slam shut,
hands that claw
and empty stares?
Lord, deliver!
Rend the shiver
As our swollen
bodies lie
In the dark net
of the "not yet"
where we, wandering,
fear to die.
Filling tombs
And swelling wombs
And still we wait
and watch in vain;
Has Heaven, blank night,
Turned from the sight
Of our wounds
And formless pain?
Silence deepens,
Hillside steepens,
Voices roughen
Like a blow
Question pours out
stubborn, draws doubt:
Poisoned arrow
On a bow.
Waiting, clinging,
Sighing, singing
In our half-lit
chamber-tombs,
Lord, deliver!
Rend the shiver
Bring forth joy
From barren wombs.

Monday, May 13, 2013

Inkpen Poetry Day: Altar-Gleam

Wow. Haven't seen that title for a while, have you? Well. This poem is just the result of some intense work God has been doing in my personal life, and it was written in a moment of agony and hardly edited so I'm not saying it's wonderful, but it is heart-felt and true, and was my offering to God in that moment of will contending with Divine Will...



"Altar-Gleam"

Oh, Lord, it rends my soul to give
this wish--desire--full away,
Not clinging to a piece of hope;
A piece that says, 'Perhaps someday...'

For now the thing--so frightening clear--
Is to release it dark and full
and keep no sliver-thought of me,
though giving leaves a gaping hole.

Desire--oh, how sharp the spears
of joy that haunt this favorite dream.
But am I Your's enough to push
this treasure toward Your altar's gleam?

The thund'ring toss of straining mind.
The clashing knowledge: this is right.
The heart's own cry: 'Oh, please, not yet!'
The beckon of Your fire bright.

No looking back, no holding on,
I watch my treasure dance in flame.
And then I feel inside my soul
the power of Your tender Name.

I've given what was dearest mine
but just before the wound bleeds free
You staunch the flow and catch my heart
and with Your Lover's arms hold me.

What looks as ash is only just
the dust from which Your plans arise
And though I feel the burning here
I see the mercy in Your eyes.



Monday, December 24, 2012

"Heap on more wood! --the wind is chill;"



"Heap on more wood! — the wind is chill;
But let it whistle as it will,
We’ll keep our Christmas merry still.

Each age has deemed the new born year
The fittest time for festal cheer.

And well our Christian sires of old.
Loved when the year its course had rolled,
And brought blithe Christmas back again,
With all his hospitable train.
Domestic and religious rite
Gave honour to the holy night:
On Christmas eve the bells were rung;
On Christmas eve the mass was sung;
That only night, in all the year,
Saw the stoled priest the chalice rear.
The damsel donned her kirtle sheen;
The hail was dressed with holly green;
Forth to the wood did merry men go,
To gather in the mistletoe,
Then opened wide the baron’s hail
To vassal, tenant, serf, and all;
Power laid his rod of rule aside,
And ceremony doff’d his pride.
The heir, with roses in his shoes,
That night might village partner choose.
The lord, underogating, share
The vulgar game of “post and pair!”
All hailed with uncontroll’d delight
And general voice, the happy night
That to the cottage, as the crown,
Brought tidings of salvation down.
The fire with well dried logs supplied,
Went roaring up the chimney wide;
The huge hail table’s oaken face,
Scrubb’d till it shone, the day to grace,
Bore then upon: its massive board
No mark to part the squire and lord.
Then was brought in the lusty brawn,
By old, blue-coated serving-man;
Then the grim boar’s head frowned on high,
Crested with bays and rosemary.
Well can the green-garbed ranger tell,
How, when, and where, the monster fell;
What dogs before his death he tore,
And all the baiting of the boar.
The wassail round in good brown bowls,
Garnished with ribbon, blithely trowls.
There the huge sirloin reeked: hard by
Plum-porridge stood, and Christmas pie;
Nor failed old Scotland to produce
At such high tide her savoury goose.
Then came the merry masquers in,
And carols roar’d with blithesome din;
If unmelodious was the song,
It was a hearty note, and strong.
Who lists may in their mumming see
Traces of ancient mystery;
White shirts supplied the masquerade,
And smutted cheeks the visor made
But oh! what masquers, richly dight,
Can boast of bosoms half so light!
England was merry England when
Old Christmas brought his sports again.
’Twas Christmas broached the mightiest ale,
’Twas Christmas told the merriest tale;
A Christmas gambol oft would cheer
A poor man’s heart through half the year."


-from Sir Walter Scott's "Marmion"

Merry Christmas, dear friends all! Let us give "honour to the holy night" in a beautiful way. Christ is born to us! Alleluia, and may we never forget it! I shall say it again: Merry Christmas! And may your Christmas gambol oft cheer your "poor man's heart through half the year."

Monday, April 30, 2012

Tennyson's "The May Queen"

As it is almost May, I thought I'd post a bit of  poem on the subject. Get you all fired up to host a May Day party. ;) This is part one of Lord Tennyson's "May Queen." Enjoy it!


"The May Queen"
Alfred, Lord Tennyson


You must wake and call me early, call me early, mother dear;
To-morrow 'ill be the happiest time of all the glad [1] New-year;
Of all the glad New-year, mother, the maddest merriest day;
For I'm to be Queen o' the May, mother, I'm to be Queen o' the May.

There's many a black, black eye, they say, but none so bright as mine;
There's Margaret and Mary, there's Kate and Caroline:
But none so fair as little Alice in all the land they say,
So I'm to be Queen o' the May, mother, I'm to be Queen o' the May.

I sleep so sound all night, mother, that I shall never wake,
If you [2] do not call me loud when the day begins to break:
But I must gather knots of flowers, and buds and garlands gay,
For I'm to be Queen o' the May, mother, I'm to be Queen o' the May.

As I came up the valley whom think ye should I see,
But Robin [3] leaning on the bridge beneath the hazel-tree?
He thought of that sharp look, mother, I gave him yesterday,--
But I'm to be Queen o' the May, mother, I'm to be Queen o' the May.

He thought I was a ghost, mother, for I was all in white,
And I ran by him without speaking, like a flash of light.
They call me cruel-hearted, but I care not what they say,
For I'm to be Queen o' the May, mother, I'm to be Queen o' the May.

They say he's dying all for love, but that can never be:
They say his heart is breaking, mother--what is that to me?
There's many a bolder lad 'ill woo me any summer day,
And I'm to be Queen o' the May, mother, I'm to be Queen o' the May.

Little Effie shall go with me to-morrow to the green,
And you'll be there, too, mother, to see me made the Queen;
For the shepherd lads on every side 'ill come from far away,
And I'm to be Queen o' the May, mother, I'm to be Queen o' the May.

The honeysuckle round the porch has wov'n its wavy bowers,
And by the meadow-trenches blow the faint sweet cuckoo-flowers;
And the wild marsh-marigold shines like fire in swamps and hollows gray,
And I'm to be Queen o' the May, mother, I'm to be Queen o' the May.

The night-winds come and go, mother, upon the meadow-grass,
And the happy stars above them seem to brighten as they pass;
There will not be a drop of rain the whole of the live-long day,
And I'm to be Queen o' the May, mother, I'm to be Queen o' the May.

All the valley, mother, 'ill be fresh and green and still,
And the cowslip and the crowfoot are over all the hill,
And the rivulet in the flowery dale 'ill merrily glance and play,
For I'm to be Queen o' the May, mother, I'm to be Queen o' the May.

So you must wake and call me early, call me early, mother dear,
To-morrow 'ill be the happiest time of all the glad New-year:
To-morrow 'ill be of all the year the maddest merriest day,
For I'm to be Queen o' the May, mother, I'm to be Queen o' the May.

Thursday, April 19, 2012

Scott's "The Lady of the Lake"

I thought I'd share with you some pieces of another of my favorite (lengthy :P) poems: Sir Walter Scott's "The Lady of the Lake."


You can read the whole of it here--it is such gorgeous poem and full of such stirring bits. I feel as if I want to jump right into the setting...the Trossachs, Loch Katrine and Benledi...you will love the end too! :) But here is a taste of the glories to come for those who read this beautiful piece of literature:

The stag at eve had drunk his fill,
Where danced the moon on Monan's rill,
And deep his midnight lair had made
In lone Glenartney's hazel shade;
But when the sun his beacon red
Had kindled on Benvoirlich's head,
The deep-mouthed bloodhound's heavy bay
Resounded up the rocky way,
And faint, from farther distance borne,
Were heard the clanging hoof and horn.



(Canto First, I)



The western waves of ebbing day
Rolled o'er the glen their level way;
Each purple peak, each flinty spire,
Was bathed in floods of living fire.
But not a setting beam could glow
Within the dark ravines below,
Where twined the path in shadow hid,
Round many a rocky pyramid,
Shooting abruptly from the dell
Its thunder-splintered pinnacle;
Round many an insulated mass,
The native bulwarks of the pass,
Huge as the tower which builders vain
Presumptuous piled on Shinar's plain.
The rocky summits, split and rent,
Formed turret, dome, or battlement.
Or seemed fantastically set
With cupola or minaret,
Wild crests as pagod ever decked,
Or mosque of Eastern architect.
Nor were these earth-born castles bare,
Nor lacked they many a banner fair;
For, from their shivered brows displayed,
Far o'er the unfathomable glade,
All twinkling with the dewdrop sheen,
The briar-rose fell in streamers green,
kind creeping shrubs of thousand dyes
Waved in the west-wind's summer sighs.

(Canto First XI)


The shades of eve come slowly down,
The woods are wrapt in deeper brown,
The owl awakens from her dell,
The fox is heard upon the fell;
Enough remains of glimmering light
To guide the wanderer's steps aright,



(Canto Fourth XXIX)


With step and weapon forward flung,
Upon the mountain-side they hung.
The Mountaineer cast glance of pride
Along Benledi's living side,
Then fix'd his eye and sable brow
Full on Fitz-James--"How say'st thou now?
These are Clan-Alpine's warriors true;
And, Saxon,--I am Roderick Dhu!"



(Canto Five)

Tuesday, March 20, 2012

A Poem of War

Ever since I first read "Edinburgh After Flodden" in school, I have loved it. The rhythm of William E. Aytoun's poetry fascinated me and I would go about with the lines ringing through my mind all day long. It is not an overly famous poem (at least, not now) but it deserves more recognition than it has yet had. Herein I have presented my favorite bits. You can read the whole of the poem here.

NEWS of battle!—news of battle!
  Hark! ’tis ringing down the street:
And the archways and the pavement
  Bear the clang of hurrying feet.
News of battle? Who hath brought it?        5
  News of triumph? Who should bring
Tidings from our noble army,
  Greetings from our gallant King?
All last night we watched the beacons
  Blazing on the hills afar,        10
Each one bearing, as it kindled,
  Message of the opened war.
All night long the northern streamers
  Shot across the trembling sky:
Fearful lights, that never beckon        15
  Save when kings or heroes die
















If that doesn't make you want to give your hand to king and country, you have not a single spark of patriotism.

For they see in battered harness        25
  Only one hard-stricken man,
And his weary steed is wounded,
  And his cheek is pale and wan.
Spearless hangs a bloody banner
  In his weak and drooping hand—

 Such a sad, beautiful description.This poem is full of ringing, poingant sorrow and yet a certain flavor of triumph. Here is one last bit to send you on your way...

“No one failed him! He is keeping        105
  Royal state and semblance still;
Knight and noble lie around him,
  Cold on Flodden’s fatal hill.
Of the brave and gallant-hearted,
  Whom ye sent with prayers away,        110
Not a single man departed
  From his monarch yesterday.
Had you seen them, O my masters!
  When the night began to fall,
And the English spearmen gathered        115
  Round a grim and ghastly wall!



























     

Wednesday, January 25, 2012

Heigh-Ho Begins! Sonnet 116...with a twist

To kick off this rather unconventional blog-party, I hope you will excuse some liberties taken with Shakespeare's famous Sonnet 116. (You know..."Love is not love that alters when it alteration finds...") I thought it might be rather a humorous business to write a parody on it. I am not saying that it comes anything close to Shakespeare, I am not even saying that I think it very good. All I am saying is that I tried, and that's all anyone is entitled to do. :) One may imagine this to have been written by a pessimistic old woman--it certainly doesn't reflect my views on love. :D


Sonnet 116--Reprise:

Let them not to the marriage of old maids
Rain down sentiments. Love's still quite love
Which alters with the feeble minds--
It bends with the reprover to reprove:
Oh yes, it is an ever-fixed rule
That looks on singles and is ever shaken.
That views old teachers in the school
And winks at liberties half-taken. 
Love is Time's fool, when withered lips and cheeks
Within his virgin circle's compass come:
Love alters much o'er hours and weeks
And fadeth out to the edge of doom.
If this be the truth, and my mind is prov'd,
I am a wit that no man ever lov'd.

Wednesday, January 11, 2012

"The Tales that Haunt the Brocken..."

There are some poems that paint gorgeous pictures in your mind. Not all poems do that, you know. Some paint victorious, or epic, or dangerous, or sweet, or touching, or solemn pictures, but it is not every poem that gathers shreds of rainbows and scarlet-maples and brook-water and can spin it just so into your imagination that you stand in the scene. This poem does that for me. It's special. It's beautiful. And I love it. I often find myself musing over snatches of the dancing rhyme. "Woodsy and wild and lonesome..." "The tales that haunt the Brocken and whisper down the Rhine..." *happy, happy sigh*
Don't worry if it looks long--it flies by, I promise! I love this winsome, ethereal, fairy-like poem. :)

"Cobbler Keezar's Vision"
John Greenleaf Whittier

The beaver cut his timber
With patient teeth that day,
The minks were fish-wards, and the crows
Surveyors of high way,--

When Keezar sat on the hillside
Upon his cobbler's form,
With a pan of coals on either hand
To keep his waxed-ends warm.

And there, in the golden weather,
He stitched and hammered and sung;
In the brook he moistened his leather,
In the pewter mug his tongue.

Well knew the tough old Teuton
Who brewed the stoutest ale,
And he paid the good-wife's reckoning
In the coin of song and tale.

The songs they still are singing
Who dress the hills of vine,
The tales that haunt the Brocken
And whisper down the Rhine.

Woodsy and wild and lonesome,
The swift stream wound away,
Through birches and scarlet maples
Flashing in foam and spray,--

Down on the sharp-horned ledges
Plunging in steep cascade,
Tossing its white-maned waters
Against the hemlock's shade.

Woodsy and wild and lonesome,
East and west and north and south;
Only the village of fishers
Down at the river's mouth;

Only here and there a clearing,
With its farm-house rude and new,
And tree-stumps, swart as Indians,
Where the scanty harvest grew.

No shout of home-bound reapers,
No vintage-song he heard,
And on the green no dancing feet
The merry violin stirred.

"Why should folk be glum," said Keezar,
"When Nature herself is glad,
And the painted woods are laughing
At the faces so sour and sad?"

Small heed had the careless cobbler
What sorrow of heart was theirs
Who travailed in pain with the births of God
And planted a state with prayers,--

Hunting of witches and warlocks,
Smiting the heathen horde,--
One hand on the mason's trowel
And one on the soldier's sword!

But give him his ale and cider,
Give him his pipe and song,
Little he cared for Church or State,
Or the balance of right and wrong.

"'Tis work, work, work," he muttered--
"And for rest a snuffle of psalms!"
He smote on his leathern apron
With his brown and waxen palms.

"O for the purple harvests
Of the days when I was young!
For the merry grape-stained maidens,
And the pleasant songs they sung

"O for the breath of vineyards,
Of apples and nuts and wine!
For an oar to row and a breeze to blow
Down the grand old river Rhine!"

A tear in his blue eye glistened
And dropped on his beard so gray.
"Old, old am I," said Keezar,
"And the Rhine flows far away!"

But a cunning man was the cobbler;
He could call the birds from the trees,
Charm the black snake out of the ledges,
And bring back the swarming bees.

All the virtues of herbs and metals,
All the lore of the woods, he knew,
And the arts of the Old World mingled
With the marvels of the New.

Well he knew the tricks of magic,
And the lapstone on his knee
Had the gift of the Mormon's goggles
Or the stone of Doctor Dee.

For the mighty master Agrippa
Wrought it with spell and rhyme
From a fragment of mystic moonstone
In the tower of Nettesheim.

To a cobbler Minnesinger
The marvellous stone gave he,
And he gave it, in turn, to Keezar,
Who brought it over the sea.

He held up that mystic lapstone,
He held it up like a lens,
And he counted the long years coming,
By twenties and by tens.

"One hundred years," quoth Keezar.
"And fifty have I told
Now open the new before me,
And shut me out the old!"

Like a cloud of mist, the blackness
Rolled from the magic stone,
And a marvellous picture mingled
The unknown and the known.

Still ran the stream to the river,
And river and ocean joined;
And there were the bluffs and the blue sea-line.
And cold north hills behind.

But the mighty forest was broken
By many a steepled town,
By many a white-walled farm-house,
And many a garner brown.

Turning a score of mill-wheels,
The stream no more ran free;
White sails on the winding river,
White sails on the far-off sea.

Below in the noisy village
The flags were floating gay,
And shone on a thousand faces
The light of a holiday.

Swiftly the rival ploughmen
Turned the brown earth from their shares;
Here were the farmer's treasures,
There were the craftsman's wares.

Golden the good-wife's butter,
Ruby her currant-wine;
Grand were the strutting turkeys,
Fat were the beeves and swine.

Yellow and red were the apples,
And the ripe pears russet-brown,
And the peaches had stolen blushes
From the girls who shook them down.

And with blooms of hill and wildwood,
That shame the toil of art,
Mingled the gorgeous blossoms
Of the garden's tropic heart.

"What is it I see?" said Keezar:
"Am I here or am I there?
Is it a fete at Bingen?
Do I look on Frankfort fair?

"But where are the clowns and puppets,
And imps with horns and tail?
And where are the Rhenish flagons?
And where is the foaming ale?

"Strange things, I know, will happen,--
Strange things the Lord permits;
But that droughty folk should be dolly
Puzzles my poor old wits.

"Here are smiling manly faces,
And the maiden's step is gay;
Nor sad by thinking, nor mad by drinking,
Nor mopes, nor fools, are they.

"Here's pleasure without regretting,
And good without abuse,
The holiday and the bridal
Of beauty and of use.

"Here's a priest and there is a Quaker,
Do the cat and the dog agree?
Have they burned the stocks for oven-wood?
Have they cut down the gallows-tree?

"Would the old folk know their children?
Would they own the graceless town,
With never a ranter to worry
And never a witch to drown?"

Loud laughed the cobbler Keezar,
Laughed like a school-boy gay;
Tossing his arms above him,
The lapstone rolled away.

It rolled down the rugged hillside,
It spun like a wheel bewitched,
It plunged through the leaning willows,
And into the river pitched.

There, in the deep, dark water,
The magic stone lies still,
Under the leaning willows
In the shadow of the hill.

But oft the idle fisher
Sits on the shadowy bank,
And his dreams make marvellous pictures
Where the wizard's lapstone sank.

And still, in the summer twilights.
When the river seems to run
Out from the inner glory,
Warm with the melted sun,

The weary mill-girl lingers
Beside the charmed stream,
And the sky and the golden water
Shape and color her dream.

Fair wave the sunset gardens,
The rosy signals fly;
Her homestead beckons from the cloud,
And love goes sailing by!

Thursday, December 22, 2011

"Mistletoe" :)

"Mistletoe"
Walter de la Mare

Sitting under the mistletoe
(Pale-green, fairy mistletoe),
One last candle burning low,
All the sleepy dancers gone,
Just one candle burning on,
Shadows lurking everywhere:
Someone came, and kissed me there.

Tired I was; my head would go
Nodding under the mistletoe
(Pale-green, fairy mistletoe);
No footsteps came, no voice, but only,
Just as I sat there, sleepy, lonely,
Stooped in the still and shadowy air
Lips unseen--and kissed me there.

Thursday, December 15, 2011

The hour has faded, the minute is young...


"The longer they lay in the silence the sweeter it held them, a tender mother rocking her baby in arms of darkest night. Sleep pressed heavy on Charlotte's eyes as she listened to the nothingness around them...Lad grunted and laid aside his harp, leaning against his rock. Charlotte pushed away an overwhelming desire for sleep just long enough to listen to the song he started in soft, wishing tones...
'Tis past tomorrow, and almost today
And home is so close yet far away.
Past is gone, yet Now’s not come
And the heart is full while the lips are dumb.
Night has aged, fair morn is afar
And through the trees peep moon and star.
The hour has faded, the minute is young
And Mem’ry her runic song has sung."
*       *       *       *        *
~From The Scarlet-Gypsy Song by Rachel Heffington

Saturday, December 10, 2011

Gold--pure gold


"All That is Gold"
J.R.R. Tolkien

All that is gold does not glitter,
Not all those who wander are lost;
The old that is strong does not wither,
Deep roots are not reached by the frost.
From the ashes a fire shall be woken,
A light from the shadows shall spring;
Renewed shall be blade that was broken,
The crownless again shall be king.

I would be woefully amiss if I did not mention that I count Tolkien among the best of my favorite poets. His poetry does something to me. Strikes chords of passion and emotion I didn't know were there, bids me go a'gypsing, and generally makes me sigh with an echo shaking my heart that says, "This is genius, this is beauty, this is gold." And in these moments I can't even think "I wish I could write like that" because in the face of such gold, there's no room for anything but quiet wonder.

Thursday, October 6, 2011

Inkpen Poetry Day: Autumn Landscape

I know you all are bored to death with my raptures over autumn, bored to death over my autumn-inspired poetry, bored to death over it all. But bear with me this one last time and I promise I won't speak of it again....for a week at least. ;) 

"Autumn Landscape"
 By Rachel Heffington
A glimm'ring, golden, vibrant sheen
Upon the leaves once rustling green;
A quick'ning, blood-red, 'passioned glow
Where summer's verdure loved to show;
A dusky, haunting, crimson stain
Dyes every maples in the lane;
A flick'ring orange, dizzying flame
Puts all of spring-time to a shame.
 

Saturday, September 17, 2011

Inkpen Poetry Day: "Land Sea"


"Land Sea"
          By Rachel Heffington

The storm--a sea on windy wings
Crashed o'er and o'er the dark'ning wood
And breakers of a pelting rain
Beat senseless on me as I stood.
Beat senseless, yet my heart-strings throbbed
When to my soul storm-voices spoke;
Swift passions, deep, their words provoke,
And loud my heart's cry sobbed.

The rain--a wave of sheening grey
Stroked o'er and o'er my quiv'ring heart
And wind-tides with a gentle touch
Soothed dreams the storm had pulled apart.
Soothed dreams, and when the clouds had passed
With murm'ring secrets whispered close
My soul was stilled, as Heaven knows
By shimm'ring peace: a pool amassed. 

Wednesday, September 14, 2011

"What Say You, Miss Woodhouse?"

"What say you to the new blog look?" ;)
I was tired (already) of the generic raspberry, and I saw this background and knew it had me written all over it. :) I think it's rather pretty...what about you? Now I shall leave you with a Vagabond Song!


A Vagabond Song  
 Bliss Carman
THERE is something in the autumn that is native to my blood— 
Touch of manner, hint of mood; 
And my heart is like a rhyme, 
With the yellow and the purple and the crimson keeping time. 
  
The scarlet of the maples can shake me like a cry        
Of bugles going by. 
And my lonely spirit thrills 
To see the frosty asters like a smoke upon the hills. 
  
There is something in October sets the gypsy blood astir; 
We must rise and follow her, 
When from every hill of flame 
She calls and calls each vagabond by name. 
 

Wednesday, August 24, 2011

15-day Challenge Day 6 and 7: Favorite Genres and Current Project


I am agreeing with Abigail Hartman when she says that picking one genre to write in can be "damaging to the mind and doom the author's writing to tedious repetition." Like any other thing in life, you ought to use moderation in your favorites. One can not survive on one kind of food only. One cannot have a well-formed mind if the mind is only fed on one kind of book or one subject. And so it is with writing. One genre only can quickly reduce the flavor of your writing to stale crumbs of half-baked inspiration trying desperately to be an elaborate Charlotte Russe or some other stunning dessert. That being said, I will name my favorite genres to write, and what I like about them:

15-day Writing Challenge Day Six: What is your favorite genre to write in?

Light Historical Fiction: this is what I'm terming novels as that are not dealing with historical events, but are set back in time. Using history as your setting, rather than what moves your plot along. A Mother for the Seasonings fits this category well. It's set in a British settlement in East India during the Victorian Era, and while I tried my best to be historically accurate with what was going on during that time, the kids don't encounter much history.


Historical Fiction: This is researched, thought out, careful writing that has to deal closely with historical events and people. My newest idea is going to be a French Revolution historical fiction, and I am in the stages of researching and planning and loving it to death. :)

Poetry: Is this a genre? I guess it is. I love poetry. It comes to me quite often with a resounding "SMACK!" and I'll have written something passable. A phenomenon, really, as the words seem to write themselves. What moments. If only prose was as easy as poetry is for me most of the time.

Satire: I will admit, I love satire. I love Mark Twain's tongue-in-cheek, biting words. But a little of satire goes a long way, and I have to be careful in selecting who I show my bits to. I actually am quite a hand at poking fun at our conservative/homeschooling foibles and follies. :P *smiles at Marybelle*

Short Stories: Until about a month or two ago, I had never been much good at writing these. I found it hard to fit a beginning, a plot, and an end into a few short pages. But I've found that when the writing bug has bitten and my main novel isn't agreeing, it's a great way to liberate inspiration.


15-day Writing Challenge Day 7: What is your current writing project?
Aha. Puddleby Lane claims my attention at present. I am not the writer who works on two projects at a time--I can't fathom how that can make for a very cohesive novel...hopping back and forth from plot to plot as if you were playing one-man ping-pong? Strange indeed. I know most of you have heard enough about Puddleby Lane, but for any new-comers I shall do a blurb:

"In her fourteen years of life Cora Lesley hasn't met with much that she'd call adventure. Beyond The Accident, there hasn't even been anything worth writing down as her "life story". That is until the stock-market crashes on October 29, 1929 and Cora and her sister's family lose everything. They are forced to leave their cozy home in the Mid-West to move to a shabby seaside town. Does Puddleby Lane hold a promise of adventure? It seems so. The discovery in the Other House and the mystery cloaking it, the budding friendship with the three year-round inhabitants of the town, Captain Boniface and his queer home, The Bonny Addie, and even the change of scenery all point to new experiences for Cora. But when calamity touches the family and a shadow falls across Puddleby Lane, the question arises: Will Cora, Maggie, and the children be force to go through yet another storm, or
will this new set of adventures teach them to lean more than ever on the Everlasting Arms?"

There you have it. I am at 139 pages right now, and about half-way through the plot. I'm estimating it to be about 300 pages long by the end. Plenty long enough for a light historical-fiction novel, I believe. Anyway, that's all for now, folks!