Showing posts with label shakespeare. Show all posts
Showing posts with label shakespeare. Show all posts

Wednesday, April 23, 2014

Art thou the Bard? Happy Birthday, Knave.


Today is William Shakespeare's 450th birthday!

Or ... you know ... would have been if he hadn't died way back then. I feel a deeper connection than ever to Shakespeare, having just finished first-round edits for Anon, Sir, Anon. This story, as most of you know, centers around a murder mystery (or a "murdery" for short) and the detective, Orville Farnham, is a well-known Shakespearean actor. I spent much time in my Shakespeare Quotes section of my Bartlett Book during the writing of Anon, Sir, and I have found his quotes springing to mind in day-to-day conversation which, quite frankly, delights me. So far, my favorite Shakespeare plays are Much Ado About Nothing and Henry V , both for quite different reasons. I just thought I'd throw that rather random and useless bit of information to my public and let you do what you will with it.  I did not think Shakespeare's birthday (especially a 450th!) ought to go by without a bit of notice on The Inkpen Authoress, so I am going to take this time to list the things I love about The Bard:

How ever-loving quotable was the man:


The things we say today to which we owe William Shakespeare thanks (or scorn):


The reach and comprehensiveness of his characters, like King Henry V:


(i.e. a blooming good excuse to post an obnoxious amount of Hiddleston pictures)

The Double-Meanings and/or humor of which he was capable, using Elizabethan language:


It was Shakespeare who gave us some of the sweetest marriage proposals ever. 



Basically, he deserves quite a lot of cake.


Saturday, October 19, 2013

"We're glad the Dauphine is so pleasant with us."


"Letters of business...how odious I should think them."
-Caroline Bingley

But letters of business sometimes do fall our way, and in its own fashion, this post is halfway a letter of business.
-Ransomed Giveaway
I want to remind all of you that you still have a few days left in which to enter the giveaway from Elizabeth Ender's book Ransomed. If you *have* entered, remember that the mandatory entry is to leave your name and email address in a comment below. Spread the word! You all love free books, I know. I mean, who *doesn't* love a free book? Also, Ransomed appears to be an exceptionally good book and you will not regret taking the time to enter. Thirdly, I made this giveaway disgustingly easy which means that if you don't enter, you're a wee bit lazy.

-Chatterbox-
You are all wonderful; Chatterbox (in its very first week of its very first month) already has 10 entries! If you missed out on what exactly Chatterbox is, do go to the post and give it a read!

-Writing-
 I hope to be able to dig down deep this next week and get quite a lot of writing done. Most of my feedback for The Windy Side of Care is home and the expected changes must be made before I can polish it up for the final time and send it off to Anne Elisabeth Stengl. The Baby is going through mental agonies. Like Jenny with her Gingerune, Baby is requiring a feat of mental strength that I have not quite found yet. I may shelf The Baby for a few months and work on the other projects that are rendering me ineffectual.We shall see. As far as those "other projects" go, all I can say right now is, "Anon, sir, Anon".
A regular bachelor’s pad, Whistlecreig was, and though Farnham prided himself on feeling little but physical pain, a faint, resentful twinge cropped up toward this unknown female barreling toward him on the 12:55 out of Darlington.
 You will get an explanation sooner than later because certain people (Meghan. Ahem.) have been smiling knowingly and if there's one thing I can't stand it's the be patted on the head paternally. Though I don't mind so much when it comes to people excited about my Projects. :)

-Listening To-
Andrew Peterson. A close family friend died very unexpectedly this Monday. Thank God he knew Jesus and loved Him dearly, but that doesn't make it hurt much the less for the wife and seven children he leaves behind. There are so many of Peterson's songs that fit the situation...truly a blessed man.
The Scarlet Pimpernel Musical. This is something I am purposely exploring because you know how much I love TSP, and how much I bet I'll love the musical. When getting into new shows, there is always that awkward moment of "I don't know ANY of these songs!" but then you sit long enough and are suddenly singing along - I'm in that stage.

-Discovering-
Charity Klicka's blog. This is a gal that works in the same building as my brother and I've met her once or twice. For a long time I've followed her on Pinterest and loved the things she pinned, and today I found her blog. She is having an autumn reading challenge as well as giveaways of various books & book-lover packages each week; this week is The Wind in The Willows. Check it out - it is well worth your time! :)

And now for the un-business part of this post: favorite quotes from everywhere. I am a sucker for beautifully-worded things and I've come across many in recent days. I thought I'd dump them here for you to enjoy alongside me. :) 
“We shall creep out quietly into the butler's pantry--" cried the Mole.
"--with out pistols and swords and sticks--" shouted ther Rat.
"--and rush in upon them," said Badger.
"--and whack 'em, and whack 'em, and whack 'em!" cried the Toad in ecstasy, running round and round the room, and jupming over the chairs.”  
-The Wind in the Willows by Kenneth Grahame
“Secrets had an immense attraction to him, because he never could keep one, and he enjoyed the sort of unhallowed thrill he experienced when he went and told another animal, after having faithfully promised not to.”-The Wind in the Willows by Kenneth Grahame
“It'll be all right, my fine fellow," said the Otter. "I'm coming along with you, and I know every path blindfold; and if there's a head that needs to be punched, you can confidently rely upon me to punch it.” 
-The Wind in the Willows by Kenneth Grahame
"Then suddenly the Mole felt a great Awe fall upon him, an awe that turned his muscles to water, bowed his head, and rooted his feet to the ground. It was no panic terror - indeed he felt wonderfully at peace and happy - but it was an awe that smote and held him and, without seeing, he knew it could only mean that some august presence was very, very near.”
-The Wind in the Willows by Kenneth Grahame
 “If God made everything, did He make the Devil?' This is the kind of embarrassing question which any child can ask before breakfast, and for which no neat and handy formula is provided in the Parents' Manual…Later in life, however, the problem of time and the problem of evil become desperately urgent, and it is useless to tell us to run away and play and that we shall understand when we are older. The world has grown hoary, and the questions are still unanswered.” 
-The Mind of the Maker by Dorothy Sayers
“To complain that man measures God by his own experience is a waste of time; man measures everything by his own experience; he has no other yardstick.”  
-The Mind of the Maker by Dorothy Sayers
“The adult must seem to mislead the child, and the Master the dog. They misread the signs. Their ignorance and their wishes twist everything. You are so sure you know what the promise promised! And the danger is that when what He means by ‘wind’ appears you will ignore it because it is not what you thought it would be—as He Himself was rejected because He was not like the Messiah the Jews had in mind.” 
-A Severe Mercy by Sheldon Vanauken
“Between the probable and proved there yawns
A gap. Afraid to jump, we stand absurd,
Then see behind us sink the ground and, worse,
Our very standpoint crumbling. Desperate dawns
Our only hope: to leap into the Word
That opens up the shuttered universe.” 
-A Severe Mercy by Sheldon Vanauken
“His jest shall savour but a shallow wit, when thousands more weep than did laugh it.”
-William Shakespeare's Henry V
“Cheerily to sea; the signs of war advance:
No king of England, if not king of France” 
-William Shakespeare's Henry V 
“We are glad the Dauphin is so pleasant with us;
His present and your pains we thank you for:
When we have match'd our rackets to these balls,
We will, in France, by God's grace, play a set
Shall strike his father's crown into the hazard."
-William Shakespeare's Henry V  
I am in love with Henry V right now. Honestly. Have you ever read such rousing words? The play is full of them and by golly it's marvelous. In the past month I have watched both the Kenneth Branagh version and the Tom Hiddleston version. Both are beautiful productions and I love it. Which have you seen? Which do you prefer?
“Oh, it has all the modern conveniences: mice, mold, damp, draughts. You name it, Farnham has sent off for the latest patented model.”

Thursday, June 13, 2013

Pay Up, Globe-Trotter

"Where HAVE you been?" Their voices were cold, accusing, and I knew I was in for it.
"I've been....I've been..."
"Don't say busy," the Larger One warned, his breath coming in chilly-looking puffs from his over-red nostrils.
"I was about to say gone," I corrected. "I've been gone, that's what."
"Ohhhh. Gone." Their eyes commiserated with one another as if to say, 'That's no excuse at all, but I suppose we must take it.' "Well, next time at least tell us."
I nodded, relieved that All and Sundry hadn't booted me off the blogosphere and blotted me out of their minds. "Next time I'll tell you."
"Is that a promise?" the Larger One inquired.
"It is."
"And your word is good?"
"It is good."
"Then," he said, "I suppose we must forgive you."

-Pay Up, Globe-Trotter (an unofficial series of reprimands to Myself from Me)



I have been globe-trotting once again and instructing 130-some students in the mysteries of Political Involvement as Youth in America, and shepherding their hearts toward Christ, and buying more Wodehouse and Machiavelli and a bit of Shakespeare to balance it out. I did forget to tell you I was leaving, but you see, I didn't think there was much purpose in posting about writing when I hadn't been doing it in practice because that is called Deception in most nations and is generally frowned upon. I have, however, been doing a lot of Conversation and much Converting. I have found a mutual Wodehouse-Lover quite by accident when we were lolling about my brother's apartment and said Lover of Wodehouse made fun of me for adoring Scotch accents and then promptly remembered The Coming of Gowf, which he then proceeded to read amidst much chuckling from me and the rest of the assembled company. Then, after having taught kids how to be a lobbyist (or, rather, how to discern whether you ought to take money from a particular lobbyist or not) I lobbied feverishly to convince the very wise and learned minds of Jeremiah Lorrig & Co. of the worth of Winnie-The-Pooh. I could hardly believe that anyone of so broad and genteel a mind could have managed to grow up and entirely escape an acquaintance with A.A. Milne. I remedied that by having another unacquainted friend read us a bit. They laughed even harder than they did over Gowf. I think I have converted them. This pleases me.

As far as the production of Writing, it has been very slow in practice, but productive in the fact that I've been thinking and reading a great deal, and my store of expendable-matter is now finally filling back up. I'd quite drained it a month or two back. I failed to mention to you that beyond my novel-writing, I am also going all-tackle into a non-fiction book that you can read about in this post. I am excited about this very different way to use my talents that will, hopefully, be fruitful. It is a project I need to read myself, and thus I sort of have fallen into having to write it as well.

In addition, I have been rummaging up all sorts of peachy ideas for Fly Away Home-themed this-and-that which you might be able to buy someday. I will keep you updated on all things pertaining to that. I am in the process, actually, of making some rather large decisions. (Don't get too excited, I haven't been offered any contracts.) In other news, I would like to do a plug for two friends. First off, Mirriam Neal:
She is releasing her pro-life, gripping, threatening, victory-claiming novel, Monster. I was so excited to hear that this novel was finally coming out because by Jove! I read the first edition and cried. It is such a good story. Dark and terrible at moments, but so full of light in the end! It's a book I think every American needs to read since we are facing large decisions about the preciousness of Life. Please buy a copy when it comes out. You can read more about it here.

Also, my details-loving friend Rachelle Rea (whose work I totally recommend, as I've experienced its healing scourge) has started in as a freelance editor!  I may or may not have mentioned her already, but of all the beginning-editors I know, Rachelle has the credentials. She's done unofficial editing (but professional quality) for several years, and if you're needing an extra brain to coincide with your own when it comes to judging your book, please give her a chance! In closing, (because Alfredo-sauce-making calls) I will leave you with this Cleverness of Wodehouse which I happened upon on the drive home. It says it's about portrait-painters, but I swear he meant Aspiring Novelists:
"A portrait-painter, he called himself, but as a matter of fact his score up to date had been nil. You see, the catch about portrait-painting--I've looked into the thing a bit--is that you can't started painting portraits till people come along and ask you to, and they won't come and ask you to until you've painted a lot first. This makes it kind of difficult , not to say tough, for the ambitious youngster."
-Carry On, Jeeves by P.G. Wodehouse

P.S. How would you feel about another contest?

Thursday, August 30, 2012

Insults and Banter

Perhaps I possess a cruel and unusual nature that delights in giving insults. Or maybe I just appreciate a sharp, knife-edged thrust of wit now and then as many people do. I don't like giving the insults, but I have loads of fun reading and writing them.
Shakespeare had quite a few good ones:

"I would challenge you to a battle of wits but I saw you were unarmed."

"More of your conversation would infect my brain."

Hey! I even found a nifty, online Shakespearean insult kit! (do keep in mind not to use some of these in modern conversation...you'd have your tongue washed out. :P) These could be really helpful in a medieval-era novel.

Another man who was almost on par with Shakespeare in this category was Winston Churchill...you should hear some of his tiffs with Lady Astor! Phew! Among the lengthy list I found were some of these gems:

"A modest man who had much to be modest about..."

"He occasionally stumbled over the truth, but hastily picked himself up and hurried on as if nothing had happened."

"...a riddle wrapped in a mystery inside an enigma..."

I will be the first to admit that even if these men where a bit cruel at times, they were undoubtedly witty. I also love witty banter...a friendly sparring now and then that pokes at the opponent with no real malice, but certainly elicits a laugh or two. The one thing I love to come across in a book is a bit of wit or some first-rate insults. Not the common run of insults, mind you, because what fun are those? But I try to write in a sparring-match or two in much of my writing, and am having especial fun with it in Fly Away Home because Calida Harper and Wade Barnett are both clever, sharp-witted, and capable. And sometimes they cross swords with other characters as well. Here are some of my favorite moments:

(between Callie and her former co-worker, Jules)

“I want you to rescue my career.” {he said}
“Your career.”
“Mine…yes.”
“Oh…I hadn’t noticed it had grown big enough to get into trouble. My, how time flies.”

*     *    * 

I raised my glass of tonic-water and smiled at Mr. Barnett. “To independence, to Ladybird Snippets, and to the fashion sense of a journalist,” I teased.
Mr. Barnett raised his glass in reply. “And to Miss Harper, who views the world from all angles and never tells a man where she’ll lash out next.”

*     *     *

“I agree to go dancing under one condition….”
“What are the conditions, Mr. Barnett?”
“You simply cannot wear black.”
“Provoking toad.”
“Nefarious chit.”

*     *     *

So he was going to make me speak? So be it. “You were taunting and clever and made me look a fool.”
“It was not my intention to make you look a fool, Miss Harper.”
“Well you certainly did a heck of a job not intending.”
“You can never make a person out to be something they aren’t,” he answered with that cool causality that was so maddening. 



*     *     *

The bella signora sipped her champagne and sighed. “I would think having Mr. Barnett for a partner a fortunate situation.”
“Oh, now, Miss Nalia,” Mr. Barnett protested, but his new humility irked me.
“As a partner in business, I confess I find him exacting,” I laid my napkin in my lap and smiled with uncanny sweetness. “But I’ve had it from his own lips that as a dance-partner he is unrivalled. I look forward to seeing if he represents himself aright, for he seemed so determined on that point...It would be a great pleasure to prove him wrong.”


Monday, January 30, 2012

The Unveiling of my "Play"!

In the spirit of the "'Heigh-Ho for a Husband' Blog Party" I knew I just had to pretend to be the tiniest bit Shakespearean as a nod to the inspiration for this whole event. I am not sure I succeeded, but I was content and rather pleased than otherwise with what came out of it all. Therefore I give you my one-act play, "Thus Goes Everyone in the World" and I hope you enjoy it. The dialog is actually the both sides of Rachel counseling one another. It amused me quite a bit, and another friend quite a bit, and I hope you share some of our sentiments. :)


Thus Goes Everyone in the World
A humorous dialog by Rachel Heffington

Scene: Two cousins, ages nineteen and twenty-two stand alone in a garden as a friend who has just announced her engagement waves goodbye and walks off arm and arm with her fiancé.

Amelia: “And now I may truly say with Beatrice, ‘Thus goes everyone in the world but I…and I may sit in a corner and cry ‘heigh-ho’ for a husband’!”

Sophia: “It does seem so, does it not?”

Amelia: “In truth, it does. But do not despair, my dear cousin—we are by no means out of the running yet.”

Sophia: (sighing) “My mind tells me so, but my heart—oh Amelia, does your heart not contradict your mind?”

Amelia: “Indeed, constantly. And may I be struck down were it not so. My mind and heart are as alike as a kitten is to a raging bull.”

Sophia: “Mine as well.”

Amelia: “Were my heart to dictate the pace of my life I would have been married at eighteen—and yet I can see it would have been in no way the best sort of thing. No, dreams work rather in the way of wines—they only grow better and dearer with the passage of time.”

Sophia: “And what are your dreams?”

Amelia: “They bear little resemblance when voiced to how they appeared in my heart. However I will publish abroad that a tall, rather handsome, somewhat dark man figures strongly in them” (laughs) “But my tongue can say little of his demeanor, his carriage, and all the thousand things that make him mine.”

Sophia: “How easily you speak of your dreams. I prefer to keep mine locked away in my heart—at least they will not be pulled to shreds there.”

Amelia: “Why this sad countenance, cousin? In faith, you look as if the last man on earth had died in fearful agonies on your dainty slippers. I let my dreams out of their gilded cage that they may see the daylight while they may. True, I could coddle them and keep them close and young forever in my secret heart, but I have a dim hope that some of them may come homing back to me, at a distant day, not entirely empty-handed.”

Sophia: “A fair prospect, Amelia. But I have learned my heart well—it is not likely to change from now until forever.”

Amelia: “And that is something I have never been able to accomplish.”

Sophia: “Is your heart so complex?”

Amelia: “It is a perfect Chinese puzzle-box full of all a manner of secret drawers and springs. No sooner have I set my mind on contentment one day, then the next I am dreary and sad. I laugh in the face of the most toothed gale, and weep when the whole world is smiling.”

Sophia: “Well for my part I can easily comprehend why men do not love me—I am young and quiet and not very clever, but I do think it queer that you are not married yet.”

Amelia: “Do you? And would who among my acquaintance would you choose as my husband?” (winks at Sophia) “Ah, indeed you are right—there is no one that would have me.”

Sophia: “I do wonder they have not discovered your charms. There are other virtues beyond a fair face and figure.”

Amelia: “Well said, my dear Sophia. You speak the truth in saying so—beauty is not the only currency love accepts as payment.”

Sophia: “A beautiful heart and ladylike manners are more precious than a comely face.”

Amelia: “A truth again, darling, but until men look upon women with their hearts instead of their eyes, I fear we could all be perfect saints and it would make little difference.”

Sophia: “I wonder that you can speak so lightly on the subject, and smile over it too! Your admissions are full of horrid sentiments. Do you despair so over your singleness?”

Amelia: “Do not worry about me, Sophia. If I have learned one thing in my two years seniority over you, it is to laugh at myself. Only when I begin to take my ‘plight’ seriously do I succumb to vague sensations of melancholia. You may have my hand upon it—when I am laughing, I am well. Besides—I have found it excellent practice to poke fun at myself—it takes some of the sting away to laugh instead of cry.”

Sophia: “A Job’s comfort, Amelia.”

Amelia: “Were it anyone else’s comfort besides, I would not care. I am determined to be a cheerful single woman at eighty, if that is my lot.”

Sophia: “Again! These horrid premonitions!”

Amelia: “A premonition and a jest are two vastly different things, my dear Sophia, as you would learn if you listened a bit less with that wayward heart and a bit more with your ear. I admit that we women are partly to blame for the gentleman-populace’s demand of perfect Dianas. For though beauty is not the only coinage that has value, we have demanded payment in kind.”

Sophia: “What do you mean, pray tell?”

Amelia: “In those secret dreams of yours do you sigh over a man who more resembles a gorilla than any other piece of creation?”

Sophia: (horrified) “Indeed not!”

Amelia: “Then neither do the men spin daydreams of wart-spackled hags.”

Sophia: “You speak in terrible extremes.”

Amelia: “Do I?”

Sophia: “Ah. You do sometimes worry over getting a husband—I know that wistful look.”

Amelia: “It is less a problem of my getting a husband—I am rather more worried about a husband getting me, for the man must be the forward partner in all such cases.”

Sophia: “And they are so slow about it while we are both wasting away and bound to be old maids forever!”

Amelia: “How direly you put it, Sophia-dear. If that were to be my destiny, I would subscribe as a mail-order bride on Tuesday. However, an old maid is a condition of the heart, not the circumstance.”

Sophia: “If the men would only come we’d have nothing to worry about.”

Amelia: “Methinks you speak rather too hurriedly, Sophia.”

Sophia: “Probably. But oh, Amelia, is it not maddening to you that you have the respect of every young man you know?”

Amelia: “I cannot understand what you mean. Why should it be maddening?”

Sophia: “Do not affect denseness, cousin, you know what I mean. That you should be respected by all but loved by none!”

Amelia: “You’ve put a different paint to the idea and it begins to sound a woeful case. However, I would rather be respected by all than loved by a handful. ‘Twould be a slight upon my character otherwise.”

Sophia: “How so?”

Amelia: “Look upon it in the light of my heart: Were I held in contempt by all my acquaintance save a single man who was fond of me, how would that vouch for my character and his?”

Sophia: “Must you be so clever always?”

Amelia: “Must you be so bent on dismal ends for us all?”

Sophia: “There is not a single man who could turn your head, is there, Amelia?”

Amelia: “I should hope he was single.”

Sophia: “Ridiculous girl.”

Amelia: “Is this fair? One moment I am too clever for the world, the next a ridiculous girl? I troth your mind runs the gamut from one end to the other far too fast for me to keep up with it.”

Sophia: “Is there any man that has ever captured your fancy?”

Amelia: “I am a woman, Sophia. Does the question merit an answer?”

Sophia: “It does, and I demand one.”

Amelia: “Then I will tell you, there has been such a man in my past and there will be one, I am sure, in my future.”

Sophia: “And still you smile!”

Amelia: “Would you have me weep? There are but two choices in the case and I prefer the one that the gentlemen find more attractive.”

Sophia: “What a queer girl you are, Amelia. Sober one moment and merry the next.”

Amelia: “As is the very world you live in, Sophia. Look about you, darling. What is the largest cross you bear? Ah, you blush because it is that which we have spent half an hour talking of. You weep and sigh and walk about in moroseness because you haven’t a man to complete you. Is life not more than marriage, and is a woman not more than the man that she is joined to?”

Sophia: “It sounds wrong for you to say so.”

Amelia: “The only Man that can ever complete me has done so already.”

Sophia: “You speak aright, dear cousin.”

Amelia: “So then, why are you sad? Let us be merry while we have our youth. We are not entirely obsolete as we are.”

Sophia: “And if we are never married?”

Amelia: “Then it let it be said that we died in the pursuit of fine, noble things.”

Sophia: “Such as?”

Amelia: “Oh, such things as we ought—in seeking out charity, contentment, and devotion. Or, as we would have it: life, liberty, and the pursuit of a husband.”

The End

Wednesday, January 25, 2012

Heigh-Ho Begins! Sonnet 116...with a twist

To kick off this rather unconventional blog-party, I hope you will excuse some liberties taken with Shakespeare's famous Sonnet 116. (You know..."Love is not love that alters when it alteration finds...") I thought it might be rather a humorous business to write a parody on it. I am not saying that it comes anything close to Shakespeare, I am not even saying that I think it very good. All I am saying is that I tried, and that's all anyone is entitled to do. :) One may imagine this to have been written by a pessimistic old woman--it certainly doesn't reflect my views on love. :D


Sonnet 116--Reprise:

Let them not to the marriage of old maids
Rain down sentiments. Love's still quite love
Which alters with the feeble minds--
It bends with the reprover to reprove:
Oh yes, it is an ever-fixed rule
That looks on singles and is ever shaken.
That views old teachers in the school
And winks at liberties half-taken. 
Love is Time's fool, when withered lips and cheeks
Within his virgin circle's compass come:
Love alters much o'er hours and weeks
And fadeth out to the edge of doom.
If this be the truth, and my mind is prov'd,
I am a wit that no man ever lov'd.

Monday, January 9, 2012

Thus Goes Everyone in the World

It is a well-known fact that "mind over matter" really  can work. One can forget where one is in the beauty of imaginings. I am sitting here at the computer desk hoary-headed, covered in plaster-dust from cleaning a construction zone today, and yet I held the most fascinating conversation with the two sides of myself that is resulting in a little bit of a play. I have never written a play, and this is not to be a full play, but it is a dialog, which is rather what plays are made of. And it all came from me scraping plaster, paint, and who-knows-what off of windows. Who knows but some of the dust I swept up could be Brilliancy Dust? Would that I could bottle it up and sell it to the rest of you. ;) Anyway, here's to imaginings! :)
"Why this sad countenance, cousin? In faith, you look as if the last man on earth had died in fearful agonies upon your dainty slippers! I let my dreams out of their gilded cage that they may see the daylight while they may. True, I could coddle them and keep them close and young forever in my secret heart, but I have a dim hope that some of them may come homing back to me, at some distant day, not altogether empty-handed."
~Thus Goes Everyone in the World by Rachel Heffington

Tuesday, August 9, 2011

A New Contest Here At the Inkpen Authoress!!!


(Not my picture. All photos in this post courtesy of Google images. :)
I am very pleased to announce the newest contest here on the Inkpen Authoress! :) Everyone, meet The Merry Auld England Writing Challenge! :)
As you all know, I am a great lover of English literature: everything Dickens, everything Austen, everything Tolkien and C.S. Lewis, everything Gaskell, everything Bronte! And my list goes on. :) England itself is a country full of magnificent literary potential. From deep forests for sunny countryside, from the coasts of Devon to the wild moors of the North, there are so many wonderful settings! So I thought, my darling readers, why not concoct a brilliant contest to celebrate this amazing country and it's legion of priceless books?! And so I did. :)
Here are the rules:

1.) Be clever, beautiful, and accomplished with your words. One of the great charms of English literature is its careful wordcrafting. :) So open up your mind and pen to the ornate thoughts and interesting words lying stale in the corners. This is a time to shine and show your love for truly great writing! :)
2.) Choose a subject that has to do with England! You could spin a tale about Bath, or a romance set in the wild of the Northlands. You could write a new story about Robin Hood and his merry men, or compose your own ending for Mrs. Gaskell's unfinished Wives and Daughters. (NOT if you've seen the BBC movie, though! ;D) You could scribble an amusing tale in the style of Dickens, or a witty story about Society people in the manner of Jane Austen. You could write a Tolkien-ish poem, or take after Tennyson and do a dramatic romance. For pity's sake, you could even astonish the world and try your hand as Shakespearing! :D The possibilities are endless!
3.) You may write your entry as a poem, a short story, or a play. Please refrain from using any bad language, crude humor, or improper views of God in your submission, as these will immediately be disqualified, however lovely the writing.
Send all submissions to inkpencontestsubmissions@gmail.com. Each participant may enter one submission into each category. :)

4.) The Prizes? (Yes, I said prizes :) I will choose one winner from each category: Poetry, Prose, and Drama. (as in a play, if I even get any entries there :) The prizes are yet to be announced, but each winner will get their work of literature published on my blog in addition to the prize. Glory! Glory! ;) After the contest all rights will revert to the author, and I promise not to change anything in the wording of the entries, scalp them of their titles, or in any other way pirate your work. :D
5.) In order to be eligible for this contest you must:
Follow this blog (I would love new followers! *sweet hopeful smile* :)
Love literature with a passion
Post about this contest on your blog or on Facebook, Twitter, or anywhere else you haunt. (Excepting, of course, those girls of you who do none of the above, in which case you're Scot-free)
And, of course, get your entry to me by September 9th, 2011! :) (That gives you girls a month to enter. I'll write up a little reminder gadget and put it up near the top of the blog in case your forget. :P)
*****THE CONTEST CLOSING DATE HAS BEEN MOVED FORWARD TO SEPTEMBER 23, 2011******
So pens ready? On your mark, get set, be brilliant!!! My pen salutes your own. I hope many many writers enter this contest! It'll be great! I will make a button for the contest at some point, so stay tuned for that. :) Thanks so much for entering! ~Rachel