Monday, April 11, 2016

Celebrating Book Drunkenness

Reading widely obvious has advantages. Your vocabulary will grow. You might win games of Scrabble, or at least take home laurels for scoring the most points per word. You'll be familiar with reams of cultural references which is something I especially enjoy. It will give you something to talk about with strangers or to think about on road trips. Reading's great. We all acknowledge that. But I'm always thrilled when I find even more ways reading is fantastic. Want to know what some of those are?

When dead authors and current wordsmiths express matching sentiments about a subject:


"They dress a man up in peacock feathers and insist on looking at him that way. Up to the very last moment they hope for the best. They have a kind of foreboding as to what's on the other side of the coin, all right, but they wouldn't breathe a word of it, perish the thought! They keep pushing the truth away with both hands. Until such a time as the peacock man steps out of his feathers and personally crowns them fools."
-Crime & Punishment by Fyodor Dostoevsky

"And so it goes one foot after the other till black and white begin to color in. And I know that holding us in place is simply fear of what's already changed."
-Sara Bareilles "Manhattan"

When other people cherish the books that have grown to be a part of your heart: 

A photo posted by Washington Post (@washingtonpost) on


When you check out a book from the library and it still has the sign-out sheet in the back. All those people. All their stories. All the thoughts they thought while reading it.



When you read a line and it feels so perfect that you have to reach for a scrap of paper, the back of a receipt, or even your phone's notes section and write it down.



When you're traveling and notice someone is reading a book you've enjoyed.



On the airplane when everyone else has to put down their device but you smile and continue reading.



When you know the topography of a book so well that  you can remember events just by looking at a stain or a crumpled page.



Now 'scuse me while I reply to a letter and elbow room for Crime & Punishment.



Sunday, April 3, 2016

"Eu de Lil" - A Partially True Telling Of Things

Hello, Friends!
    Many of you saw the April Fool's prank I played on social media the other day. To pull that off, I walked up to a random stranger in a coffee shop and asked him to take an engagement selfie with me so I could prank some of my friends on April Fool's Day. He obliged, and I spent all of April Fool's in the highest of good humors. This event collided with having finished another J.D. Salinger book and begun yet another. I returned this evening to that coffee shop and sat down to write a short story. The piece of fiction which came out of that writing session is this: my partially-autobiographical thank-you to J.D. Salinger and that coffee-shop stranger. Enjoy!

"Eau de Lil"
by Rachel Heffington

I knew something was adrift when she changed her perfume. Her scent had always been an interesting and none-too-common Pandora's box affair of verbena, rose, lily-of-the-valley, and sandalwood. No chemist had every compounded that scent. Lillian had made it herself out of the ends of castaway bottles of more respectable perfumes, in my opinion. I had always been able to tell when my sister was home, though I never called for her. It was quite enough of a certainty to force the unyielding lock of our front door to open, to shove in the heavy wooden doors, and smell that eau de Lil.
I tossed my keys into the ugly pottery bowl on the credenza. “What's the deal?” There was a new smell of citrus and spice. It was complex. It was seductive. For a crazed moment I panicked that I had somehow entered the wrong flat in our brownstone and a half-clothed French woman would come sauntering out of her bathroom to behold me, the intruder. What a Frenchwoman would be up to in our neighborhood of Ghent was beyond me.
But no other family would suffer that hideous hand-thrown pottery crater to remain in the public line of vision. It possessed, according to family legend, the indentation of a famous potters thumb – a sometime friend of our father's before he'd quite the artistic circle for academics – and therefore the horrible thing was left quite out of the reach of those of us less discerning. I had often wished Abe, our oldest brother, would smash it in one of his drunken brawls, but did he? He hadn't the decency, I suspected. Scar the furniture, beat the stuffing out of mother's sofa. Crash half the heirloom china under one of your weighty fists but don't, by heaven, do anything merciful to the Benini Bowl. You will likely understand my position. It is a firmly held belief of mine that every family possesses its variety of Benini Bowl.
“Lil? Lillian, where the deuces are you, you overgrown kitty-cat?”
Not even the use of her familiar and much-despised nickname brought a response from my sister. I wandered down the hall to the doorway of Lillian's room and here paused. In our childhood we used to have sort of Company Meetings, so to speak, in Lil's room. We would sprawl on her queen bed which, at that time, seemed massive, and discuss the world at large. Abe and I enjoyed relatively unusual welcome from our sister; but for all these memories, I had yet to ever enter the Abode of Lillian without the strict permission and approval of its inhabitant. Today was no different.
“Lil?” My adolescent vocal changes had never thoroughly come to and end and at nineteen, I was quite the same sort of graceful parrot-throated boy I had been five years ago. I knocked two knuckles against the door-frame and leaned halfway in.
There was Lillian, not crying her eyes out as you might expect, or asleep, but sprawled across the width of her bed with her heels kicking in the air as if she were a mere girl of thirteen, not ten years past that forgiving age.
“What the heck, Lillian? Why the funny smell?”
She turned her head to give me a withering gaze. “Oh, do shut up, Sassparilla.”
My name was Samuel, but people seemed incapable of remembering that particular fact about yours truly. All sorts referred to me by this name which name had come about due to my uncommon devotion to sarsaparilla the full duration of my childhood.
I would not, however, be put out by this indignity. “Hey, Lillian?”
“Yeah?” She was scribbling something in her journal.
“Why are you wearing a new perfume?”
She didn't answer.
“Did you run out?”
No reply.
“Did you lose the bottle?”
Still no answer. Lillian was never short on words. Her new reluctance to speak haunted me. I crossed into the room and felt the sacred seal break. I'm not sure it really happened, but it seemed to me that Lillian's shoulders stiffened when I silently passed the threshold. I'm not sure. But her heels came down. She suddenly seemed very much twenty-three again. Still, if I'd gone through the trouble of coming this far, it was only the dignified thing to see it through. In one wild moment of courage, I plopped onto the bed beside Lillian. I even shoved her left elbow over to try to see what she was writing. Didn't get very far, but that didn't bother me. I had Lillian's attention now. She had really noticed me. She capped her pen and positioned her chin on her arms.
“Sassparilla, you know something?”
“What?” Her window was open and the smell of baking pizza twirled into the room from the pizzeria down the street. I was suddenly inexpressibly hungry. Starving in fact.
“You need a haircut,” she said.
“I need food. What's up, Lillian?” I asked again. “I know something happened to you.”
“Okay.” Lillian sat upright and started picking at her cuticles. “Something did happen.”
I almost gave tongue to my satisfaction at being right, but I didn't want to shut down the confessional factory. I made the most encouraging, “Go on. Please do,” face in my repertoire and waited.
Lillian continued picking at the beds of her nails with a funny smile. It was a smile I saw infrequently. A smile that meant something – and this was rare – had gone well beyond Lillian's powerful imagination. The first occasion had been when she'd got free lipstick from a beauty counter at a drugstore just for happening to be the five-hundredth customer that day. Another time she had successfully sneaked into a stranger's wedding reception at a fancy hotel, signed the guest-book, and taken away a piece of cake while I watched from a service elevator. The third time the smile had lasted a full week and had, according to reports, much to do with the acquaintance of one Robert Cavendish. The Robert Cavendish affair had died down pretty rapidly and it had been months, come to think of it, since I'd seen that smile.
And now here it was, devilishly red and amused. Finished picking the right hand, Lillian began on the cuticles of her left. Her nails needed re-painting, I noticed. Lillian hated the whole process of nail-painting but she did it religiously every Friday night. It was Thursday. The manicure had survived the week about on-average.
“You remember the new bank on Llewellyn?”
“Which new one?” I brought up my mental file of our wedge of Norfolk and considered each bank in my knowledge.
“The one on Llewellyn!”
“Ah – hate to tell ya, Lil, but it's not new. Been open three years at least.”
“New to me.”
“Everything's new to you.”
“I like to be impressed,” Lillian replied with an arch smile. “It's quite satisfying.”
“You're crazy.”
Lillian's eyes suddenly became serious. She nodded. “I know. I am. Totally nuts.”
Here we came, creeping closer to the disclosure of whatever secret was eating at Lillian, doing things to her...changing her perfume. I deepened the “Please, do,” face and rolled over on my back.
“Well,” her voice felt for the edge of the topic like when you're at the beach in springtime and you're quite certain the ocean's still frigid but you feel compelled to put your foot in anyway. “I was at the bank and...you know tomorrow's April Fool's?”
I wriggled. I'd forgot. And I needed a good prank to pull on dumb old Abe for not smashing the Bellini Bowl. “Uh, yeah.”
“Yeah.” Lillian had finished picking her nails. Now she started on peak of her top lip – a nervous habit leftover from a traumatic teething period during toddlerhood. “Well, I thought what a joke it'd be to pretend I was engaged. You know, just for the heck of it.”
“Who pretends they're engaged for the heck of it?” I asked.
Lillian shrugged. “I don't know. I told you I was crazy.”
“What'd you do? Propose to a stranger?”
“Noooooo...” Lillian quit picking at her lip. “You know my Polaroid camera?”
“Yeah.”
“Well, I thought I'd get somebody to take a photo with me. I had my class ring in my pocketbook – just got it cleaned at the jeweler's. So what I figured is, if I could get some man to take a picture with me...”
“What man?” I put in.
“I don't know. Some man.”
“Lillian – you didn't.”
“Of course I did!” My sister glared at me, then the smile came back. She shrugged. Picked at her lip again. “I mean, nobody would believe me unless there was photographic proof. You can't prank people by telling them anything. Everyone's a doubting Thomas in these progressive days. I needed a picture so what I did is – ”
I sat up and shook my head. “You're absolutely crazy.”
“Didn't I agree? Now shut up, Sassparilla, or I won't finish telling you.”
I hated people who didn't finish telling things. “What'd you do? Pick the handsomest one?”
That smile came back. “Well look, if I'm going to fake a fiance, why not choose someone I'd actually marry, for heaven's sake? I mean, you can't just pull this trick a few times. It's a one-shot game, Sass. You're done, you're done.”
“I get it, Lillian. Don't have to convince me!”
She settled back down on the bed and hugged herself. I thought how she looked thirteen again. Funny how a person can go back and forth ten years like that.
“Well,” she said. “I had a guy all picked out. A teller. You know. I'd gotten used to him, sorta. I went through the scenario at least five times in my head and had it all worked out. And then...well, I started thinking about how it would would be if I went through all the trouble of asking him and he wouldn't pose with me and how embarrassed I'd feel, and then I saw his eyes.”
“What was wrong with his eyes?” She had me curious now.
Lillian shook her head. “No sense of humor. Not a twinkle of a sense of humor. He was awfully nice-looking. Just my style. But I bet there wasn't an atom in his body that'd let him laugh at me, let alone allow him to stoop to taking a photo with a strange girl. I mean, don't get me wrong. He was terribly nice-looking. Probably smart too. But I bet he wouldn't laugh even if Harpo Marx came in there.”
“I wouldn't laugh if Harpo Marx came over to me,” I said.
My sister made an exasperated sound. “Yeah but you don't like comedy. You're just like That Man, Sassparilla, darling. You're very intellectual.”
I didn't much like how that sounded when Lillian said it like that. I didn't much like what I'd heard of That Man, as she called him, and being told I was just like him wasn't my idea of a clear compliment. I said so. Lillian said that I was being sensitive. I said, would she just hurry up and finish her story so I could go get a snack. She said I was free to go. I said if she didn't finish, I wouldn't make Bananas Foster. She loves my Bananas Foster and, because she's the most awful cook in the world, her hands were tied.
Lillian bounced on the bed, so I bounced too. We bounced together, she and I, and she might've even looked a couple months younger than thirteen at this point.
“Well, I'd just about screwed my courage to the sticking point. I was going to do it, by Holyrood. I'd loitered forever, filled out deposit slips with false names, reapplied lipstick, put on this new perfume sample rolling around in the bottom of my pocket-book – ”
“AHA!” I squawked, rather more violently than necessary.
“My word, Sassparilla!”
I blushed. “It's just, you were finally getting to the perfume.”
She ruffled. “And I'll go on getting to it if you'd just shut up for five seconds.”
“Okay. I'm shutting up. I'm shutting up.”
“Anyway, just as soon as I'd gotten myself all ready and riled, do you know what happened? He up and left. He left! A teller! As if he had permission to leave right as I got brave. I'd got used to him, you know. It had taken an hour to get that far. And he left.”
“Wasn't there a – ”
Sassparilla Martin. Shut up. I looked for another man but I didn't like their noses.”
“Their noses...”
“I'm not particular about much but when it comes to noses, I have standards.” This wasn't news to me – Lillian had a very nice nose herself and wanted to be sure her children got it. “They were handsome enough and stylish enough and men enough in the place but they just didn't have a good nose on them.”
The story seemed to be drawing to a climaxless close. Her teller left and she hadn't been crazy enough to ask a stranger for a photograph in the bank. All this seemed a relief to me, though it was a little too bad for her, you know. With her impressed little smirk and sparkling eyes.
“I was furious with myself, Sassparilla.” She kicked her bedroom slipper across the room. “How would you feel if you'd stuck around a whole darn hour getting your courage up and the thing you were hunting just skipped town?”
“I'd feel relieved Fate had got me out of an embarrassing position I'd never put myself in to begin with.”
She sighed. “Well, I actually stomped my foot I was so crazy mad. And then I saw him.”
“Whom?”
“Listen to the educated young owl.” Lillian shook back her brown hair, smiling. “I saw another man. With blue eyes.”
“Adequate nose?”
“Very adequate. He was tall and broad-shouldered. Not quite what I'd call my style, but attractive all the same. And he had good teeth! Do you know, Sass, how hard it is to find a man with a nice smile?”
“Do I have a nice smile?”
“Don't flatter yourself, darling. You know your teeth are crooked. Oh, don't look at me like that! It isn't your fault you lost your retainer on vacation.”
I mentally cursed Abe, who had thrown my retainer into Lake Champlain three Augusts ago. My teeth were a sore point with me. “So you saw this man.”
“Yes, I saw him and I don't know what came over me. I felt perfectly calm and cool and collected and I just slipped that ring on and took my Polaroid camera out of my pocketbook and marched right up to him. He had one of those faces that looked ready for a laugh. He might never teach at Harvard, but he certainly would know a joke when he saw one.
'Excuse me,' I said, smiling my brightest. 'I realize this is a strange request, but I wondered if you might be willing to help a girl out with pulling an April Fool's trick on a friend?'
He sort of smiled.
Then I said, 'All I need is a snapshot of you and me and this ring.' And I held up my left hand with my class ring. The guy was really grinning now, like he thought it was the best idea he'd heard all day. Never-mind I was a total stranger in a bank lobby and I'd just asked for his photograph. He just sort of grinned at me, put his arm out to embrace me, and said,
'Let's do it!'” Lillian leaned back on her hands and laughed. That's another thing I liked about her. She never giggled or tittered, for heaven's sake.
I let out an appreciative whistle, just for her. “I hate to say this, Kitty-Cat, but your brain is one in a million. Even if you are certifiably nuts. Who'd you get to take the photo?”
“That's just it! This fellow was kind enough to flag down the bank manager. We took our photo and I thanked him and that was that. He even waited around till I'd shaken it to see if it came out all right.”
“Did it?”
That smile again. Lillian turned, reached into her journal, and brought out a fresh Polaroid. There was my sister all right: womanly and vivacious, smiling so hard you worried her face might shatter with gladness. Her class ring shone on her left hand which she held up between herself and the strange man. To tell you the truth, a big lump formed in my throat when I looked at the picture. She looked so happy. Like it was real. Like she'd actually got engaged to a man she really loved. He looked happy too. Thrilled, in fact. Funny thing is, they looked like a couple of kids. Lillian wasn't even twelve in that photo. She looked hardly eleven. The lump bobbed in my throat. I worked around it to say,
“Wow, that's nice, Lil. Picked a good one.” I quickly put the Polaroid photo face-down on the bedspread. I couldn't stand to look at it anymore. “What was his name?”
She shrugged and picked up the photo, cradling it in her palm. “Funny thing is, I was so excited to have been that brave, I forgot to introduce myself.”
Lillian.”
“Well?”
I couldn't take it any more. I stood up and plunged my hands into my pockets. “Do you see your face in that picture?”
“What's wrong with it?”
My stomach growled like three caged lions. “Look at it! You're grinning like he actually proposed or something!”
“I was over the moon!” she said defensively. “All a person needs is one wild, crazy moment of bravery to touch off unspeakably interesting things. And after failing to nab the first guy, I was doubly satisfied with myself.”
“You're too easily pleased.”
She rolled her eyes. “What was I supposed to do? Ask him to the movies? He was a good sport, darling, but I'm no femme fatale. I don't ask men for Polaroids just to lure them in.”
“I know you don't. That's just the trouble with you.”
“The trouble with me?”
“Yeah! You're too darned nice. You're too genuine for anyone. You ought to try ulterior motives sometime, Lillian Martin. They're good for things like catching men. They're good for getting what you want in life. You act like yourself, you act normal, you're not going to get anywhere. That's the matter with you, Kitty-Cat. You're too apt to think the best of people, or act all the way like yourself. You've got to go into the world arms akimbo or it'll never make space for you. That's what I think.” I flapped my elbows, fists still in my pockets. “Gotta try some complexity. Some duplicity for gosh sake.”
Lillian's face went quiet. She still had the Polaroid in her hand and traced the man's features absently with one fingertip. “I don't believe that, Samuel.”
My blood positively clinked with ice cubes. I couldn't remember the last time she'd looked that old. She looked almost ancient. Probably nearly thirty. Neither could I remember the last time she'd used my real name.
I breathed heavily through my nose. “You gonna see him again?”
She shrugged. “Probably not.”
“Think he'd remember you if you saw him again?”
Another shrug.
Because she didn't, I said what I knew my sister was thinking: “Probably not.”
I sneaked another look at the snapshot. The tonnage of senseless joy in that photo killed me. I took a deep breath. The unfamiliar, new smell of her perfume did nothing to dissipate that blockage in my throat.
“Hey, Lil?” I squeaked.
“Yeah?”
I cleared my throat. “Why're you still wearing that perfume?”
I didn't expect her to answer and she didn't. She just stood up and retrieved her bedroom slipper, came back to the bed, and jammed it on.
“Why not use the old stuff?” I pressed. “You've never changed it up before. You make such a thing of having a 'signature scent,' you know. It's not like you to start wearing something new.”
Of course she didn't say anything. She just sat there looking embarrassingly thirteen. But despite it all that rare, fortified smile drifted back onto her face. I almost didn't want to look at her. She was such a ridiculous, hopeful little thing sitting there smiling like that when we both knew the joke was up. My stomach roared again. Gosh, I loved Lillian.
I stalked to her bedroom door, then wheeled about. “You two look great together. I'm just saying.” I took a step into the hall, then poked my head back in. “And he's a damned fool if he doesn't realize a once in a lifetime girl when he sees her.”
“Don't swear, Sassparilla.”
“Sorry, but I'm only saying...
Lillian started to pick at her lip again but I watched her age rack back up: fifteen, sixteen, eighteen, twenty-three. “Hey, Sass?”
“Yeah?”
She looked pretty much back to normal now. “The perfume.”
“Yeah.”
“How else is he supposed to recognize me? I'm just saying, maybe...” Pink, pink color ran into Lillian's face and that smile beamed in full strength. “...maybe the scent...maybe it'll trigger memory. You know, if we ever meet again.”


I just looked at her, marveling. Then I smacked the door frame with the flat of my palm and stalked off into the kitchen. I had Bananas Foster to make for a girl who damn well deserved them.


Monday, March 28, 2016

The Red Shooter Hat

see? i identify with this. 

I don't know why, but when I read a classic book I usually seem to get hold of it by the wrong end. I don't go to misinterpret or to catch a different meaning than everyone else, but somehow I do. When I read, I let the story carry me. I let go of analysis until I have finished the book. Its effect on me usually remains to be seen until the final pages are gone. I don't know how to analyze as I go. And even if I did, I think I would get caught in the current of the story and forget to. When I was younger I used to grow frustrated that I couldn't foresee the solution of a mystery when my brother, bless his soul, could guess in three pages who had done it and how, and possibly in which room. Then I grew older, and it frustrated me (and still frustrates me) that I seem to interpret books differently than the official analysis. Take, Go Set a Watchman by Harper Lee. That book made critics throw back their heads and howl with pain as Lee allegedly ripped the character of Atticus as we know him, to shreds. When I read the book I was disappointed in Atticus, yet Lee had built her characters and story-world well enough that the shift in conviction didn't exactly ruin Atticus for me. It made him even more real...because he has a (very large) flaw that one didn't see in To Kill a Mockingbird but that one could believe given his age and times. There is an argument to be made for the idea that Harper Lee didn't intend the version of Atticus seen in Go Set a Watchman to be the Atticus the world knew because, after all, she published TKAM and Atticus mightn't yet have been in his final form in its prequel. There is that argument (I spent some time this weekend arguing the point with the aforementioned brother) and that is a topic for another post. But the fact remains that I didn't react the way the majority of the public reacted to Go Set A Watchman.
Likewise, upon strength of recommendation from a friend, I dived into J.D. Salinger's work this week. He is best known, I believe, for The Catcher in The Rye. I've read that and am now halfway through Franny & Zooey. Since I entered Catcher not knowing anything about it, really, except that it was generally regarded as something People Should Read, I had no preconceived notions about what it would or would not be. My initial reaction was that Salinger is a darn good wordsmith. The best way I can describe the way his writing effects me is that it feels like soda bubbles up one's nose. It's unexpected and fresh and totally different than most anything else I've ever read. My second reaction was that I, too, could write like Salinger if I replaced all my adjectives with swearing. My third reaction was that Catcher's main character, Holden Caulfield, was a boy who'd grown up too fast. His morals are questionable at every turn, but his heart is gold. I know that sounds like an anomaly. Perhaps it is. But what I saw in the character was a boy who has rushed headlong into the world and its many pleasures and yet finds himself confused by the hollow chaos and unsure how to handle how he feels about it. He is kind-hearted. He is smart. He is empty. He is generous. He has known tragedy and he has known happiness, in some small way. The kid's winded, that's for sure. He's going to kill himself presently if he doesn't get a grip, but I had a soft spot for Holden Caulfield.

Thus ran my mind as I closed The Catcher in The Rye and totted the name on my List of Books Read in 2016. Later on I looked up the book online to see what the GP (General Populace) thought of it and found that, apparently, I took away the wrong takeaway from the novel. It is reputed to be a manifesto of teen rebellion; the most censored book of the baby boomers' era; the mental ramblings of an obsessed kid; an inspiration for several shooters, including John Lennon's killer. And I swear to you most earnestly, I can't figure out why on my own. Once I looked up a couple articles, of course, I saw what they meant...if you're an over-thinker and like to overthink things. I mean, if you want to think hard enough about a grape, I guess you can decide it's a raisin and you wouldn't be wrong. You'd just be scrutinizing it past the point of good sense. Or maybe my difficulty is that I don't scrutinize much at all. I'm perfectly happy, if it's a good story, to take the story at face value. I like discussing deep things and ulterior motives and various interpretations, but I'm what Shakespeare would call a "pleasant-spirited lady" and I don't like assigning sketchy backstory to people helter-skelter. I'm more than willing to believe you are what you appear to be, until you give me a reason to think otherwise. I mean, take Holden Caulfield. Yeah, he's an emotionally unstable person given to hyperbole, but you don't exactly go around asking people if they're mad, do you? My problem is that characters become very real to me and I treat them, subconsciously, as if they were real acquaintances. I can imagine my friendship with Holden Caulfield going this way:

Me: "Hello, I'm Rachel."
H.C.: "What're you *%#% introducing yourself to me for?"
Me: "Oh, I thought you looked lonely. It's a little cold out here. Want to step inside?"
H.C. looks at me and shrugs.
Me: "Let's go."
We step inside, camera shifts, H.C. shudders some rain off his coat.
Me: "That's a dashing hat. Very red."
H.C.: "Why the &$#@$@ does everyone comment on my hat? Isn't a fella allowed to wear a $%#$3 hat every once in a while if he wants to?"
Me: "Well, it's a very nice hat."
H.C. begrudgingly: "Gee, thanks."

I'd come away thinking that H.C. was a bit of a crab, had a great many peculiarities, but was probably a fairly nice person on the whole. I wouldn't sit there and psychoanalyze him and start getting a pathological fear of people who wear red deerstalker hats and try not to go home so they won't get into trouble with their parents for flunking out of yet another school. I mean, don't get me wrong: Holden Caulfield has problems. But I think I'm the one about to develop a paranoia of letting madmen go undetected. The really disturbing part is when, like with the quote above, I identify with the supposedly nut-so character in question.

I hate the fact that I don't pick up on subtle cues in literature. I'm not a great one for symbolism. I like people to say what they mean but I don't mind if it has two or three meanings. I like complexity. But I'm also not going to assume that when you put a character in a red hat he bought in New York City, that he needs a psychiatrist. I mean, give a man a sartorial break. At any rate, this is why I don't do book reviews on my blog; I always seem to come away with quite a different impression than the author intended and I'm not sure what that says about me. So now I want to open up a discussion and ask you: are you one of the dedicated G.P. that foresee the psychological conclusion of a character like Holden Caulfield or are you more like me: a woman a bit shy to clap the shackles of a sanitarium on a person who hasn't proved himself in any concrete way to be a total loony? 

Monday, March 21, 2016

you are no stranger to me


Here are some visual, verbal, and audible pieces of inspiration for the untitled short-story I mentioned last week. I hope you'll enjoy browsing what amounts to my current "mind palace." I'm working on this story as often as I can and though it's a paltry showing yet, I'm finding my way all right yet. I jokingly teased that the writing sector of my brain is like a mother hamster, eating its young when it gets startled. So I'm going to not speak an awful lot of this story for fear of saying all I have to say on the blog rather than in the word document. So apologies for being vague. This is how I'm rolling this tine around.






"upon seeing you"

I thought it unlikely to meet
a stranger and know
him for my own.
Before words
or look
or laugh
or smile;
before you I recognized it:
yours was a soul my soul
knew well and
the sweet click of the
latch behind kept us
in the thoroughfare.
Should we go
together?
Do we part here?
Home - safe home -
is gone for now
you are no stranger to me.
And so I smile
and hope
you know the way
because I'm lost already.










"Sweet Serendipity" - Lee DeWyze
"Fall in Love" - Peter Hollens
"Destino" - Walt Disney & Salvador Dali




Monday, March 14, 2016

Eleven on the Eiffel Tower


Hey, Guys! Last Monday I was not at all in town (Tampa is a beautiful place to spend a March Monday), and this Monday I'm late with the post, but I'm definitely posting, so that's something. I did a lot of talking-about-books in Tampa. The friends with whom I stayed are the sort of people who have read widely, who laugh at my affinity for the 19th Century British Novel, and who are able to suggest improvements to my course of reading. I've been told to read Crime And Punishment as soon as possible and to follow it up with some J.D. Salinger ("All of Salinger is great - he only published four books."). While in Tampa, I had the chance to go to Oxford Exchange - probably the most pretentiously-hipster place I ever hope to set foot in. There was, of course, an entire section devoted to books and I did, of course, have to buy at least one. I chose a creative's travel-guide to London in preparation for my trip next year and a newish French novel - The Red Notebook by Antoine Laurain. I'm not saying the latter choice was the most groundbreaking literature ever written (it was a simple, sweet, predictable, very enjoyable story), but I loved it. Sometimes, you know, you just want a book that does exactly what you hope it will do. The Red Notebook did that. I got so lost in the book that I momentarily forgot I was in Florida at all and had to blink round for a moment or two before I realized where I was.

Perhaps my favorite part of Oxford Exchange was when I checked out at the desk with the preppy fellow in glasses. He slipped the titles across the desk to himself, palm down. His mouth quirked in a smile as he read the titles.
"London...and Paris....which will it be?"
I laughed. "Going to London next year."
"But why not go to Paris too? I mean, you're already over there." He announced my total and leaned on the counter. "You can take the tunnel or something."
I couldn't not let my cracking-grin out. "Have you been?"
"Yeah. When I was twelve. I wish I remembered more of it. I'm sorry I can't give you recommendations."
"That's all right. I want to go to the Eiffel Tower at eleven o'clock at night." I don't know why I told him that, but it wanted to be announced."
He grinned. "Yeah? Why eleven o'clock?"
"Oh, I don't know. I think it'd be prettiest then. The city might be a little quiet. The lights would all be out. I might have it more to myself."
He tossed his head and laughed. "I bet everyone has that idea."
"Yeah, probably."
"Well, hey, eleven o'clock's all right, but you don't want to be out in Paris after midnight. They say strange things start to happen."
"Is that so?" My mind swirled around and caught hold of his reference, tugging me back to the surface. "Right - well, I think I'll be all right as long as I don't get into any old cars with dead authors."
He beamed. "Exactly - you know, the movie?"
"Yeah! Midnight in Paris." I mentally blessed that random film choice on a Russian airline and turned to leave. "Have a great day."
"You too! Enjoy London and Paris!"

Another bright book-realm moment of the trip was talking home-libraries with one brother and seeing the personal library of the other. So many beautiful hard-bound editions. Such a wealth of knowledge in one location. Do you ever feel like that? Like if you could just make it through the entirety of the shelves (even of one small personal library) you'd be about twice as smart as you currently are? I do constantly. And it's a hopeful thing, you know, because there's always a chance you'll stumble upon some stroke of genius in a yet-unread book.

I've also been inspired recently by something I'm hoping to turn into at least a piece of flash-fiction if not a short story. If I'm really ambitious it could make it into a novella sized story, but we'll see. For now, know that I'm reading Henry V cozily, thumbing again through Chesterton's Orthodoxy as I feel like it, and putting Crime And Punishment on hold at the library. Ho for expanding one's mind!

What are you reading, and do you have any recommendations for really good modern fiction?

Monday, February 29, 2016

Cliches I Wish I Had


Writers. We're such a strange set. We're such a cool set. I don't much like the stereotypes surrounding writers and their lives. We aren't all recluses - we can't afford to be. One has to actually socialize these days in order to have any sort of following. But there are some stereotypes that I wish I could fit in because, let's face it, the traditional writer (which I'm not) is a pretty cool creature. That being said, I wish I could...

...live in a coffee shop

Looking at my flash fiction, you might think I live at a coffee shop, but that's not true. I would love to be a regular. I would love to have a well-worn corner at the bar and a barista who knew my name and slid a fresh latte toward my laptop because he knew by the knitting of my brow and the pricking of my thumbs that I wasn't feeling the whole editing thing today.

...sit on a white bed with perfectly shaved legs effortlessly balancing a laptop

Confession: I think sitting with your laptop anywhere near your actual lap is cause for ovarian cancer or something. At any rate, I'm sure it's not good for you. Also, who really wants to sit in bed all day? Also, whose feet don't fall asleep, like, right away after sitting Indian-style for more than five minutes? But you have to admit - it looks pretty darn cosmopolitan.

...survive off coffee alone

Coffee is so low calorie, I almost wish I could be one of those writers who gets so absorbed in their work that they can't stop for food. That's how those girls keep so slim. #coffeeislife...I'm sorry, but I'm the opposite. If I'm even remotely hungry, I get the worst hankering to A) stop for a snack B) eat all the chocolate, ever, in the whole world C) browse Instagram ad infinitum. I love coffee...but I also love muffins, toast, Chex Mix, pink lady apples, tangerines, trail mix, chocolate chips, granola, and many other things it's possible to love more than coffee.

...willingly shut out social life

We've discussed before how this aspect of my personality one hundred percent shoots me in the Achille's heel. It's almost impossible for me to choose writing time over people-time and that's why I'm sitting here writing a humorous blog post instead of sharing snippets of all the work (snark) I've gotten done recently. Of any writer stereotype, this one is the one I would give my left hand for. Not my right arm...I need that for writing, when I get around to it.

...achieve the perfect messy bun + bangs

You'd think after all these years I would be able to get this one right. That perfect top-knot that every college sorority girl knows how to do. I just can't. I can coil my hair into a sort of tea-pot handle and stab a pen through it, but that's about all. Rest in peace, hopes for the iconic writer-girl hairstyle. You just weren't meant to be.

....have so much plot it's bursting from my ears

This goes right up next to willingly shutting out social life. How people are overwhelmed with plot is beyond me. I am overwhelmed with atmosphere and characters and setting and clever sentences but plot comes to me only after blood sacrifices. Sheesh. Give girl a break, Plot, for heaven's sake!

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What are some stereotypes you'd like to be afflicted with?

P.S. Good luck to those of you who entered Rooglewood Press's Five Magic Spindles contest! I can't wait to see the winners' names tomorrow. 

Monday, February 22, 2016

In Memory of Harper Lee

Most of you (all of you) have heard that Harper Lee, author of To Kill a Mockingbird, died last week. I almost said "beloved author" but that isn't exactly true. It would be truer to say that her book was beloved, because Lee preferred to stay out of it almost entirely. Only rarely would Lee submit to an interview, and even then she preferred to be selective in what she showed of herself. I don't fault her for that - I think by the sheer fact that she gave us so little of herself and, really, so little of her talents, makes what we do have that much more precious. For so long we only had To Kill a Mockingbird. Recently added to that is Go Set a Watchman. I've read the former many times. I enjoyed the latter. At times like these, I wonder: how did Harper Lee manage to do what she did in her debut novel? Atticus Finch...I mean honestly. Can you imagine a fuller, more admirable, richer character than that? I can't. I love the world of Maycomb. It's tiny and limited and specific. It could be everywhere but it can't just be anywhere. It's the American South and Harper Lee wrote about it as only a true American Southerner could.
I don't read much "modern" American fiction, actually. My earliest diet was the classic set written in the eighteen-hundreds. You know, the usual Anne of Green Gables, all of Louisa May Alcott, and so forth. From there I jumped to Lewis and Tolkien, bashed through half of Dickens' novels, and took three tries (and, finally, success) fording through Les Miserables. The Brontes, Austen, Gaskell, and Sir Walter Scott have each had their share of space on my shelves. Wodehouse, Henry James, Dorothy Sayers, and James Herriot have had their say. I'm the veritable property of the Brits and pre-modernity Americans at this point. So to say that I'm well-versed in American fiction would be a straight-forward lie. I don't pretend to be up on my American fiction. I don't think you have to be up on your American fiction to appreciate what Harper Lee did with To Kill a Mockingbird. If writers only improve with time and practice, I'm sorry Lee didn't write more. Almost sorry, though. Because if she was going to be a one-shot wonder, she used her chance well. She gave Americans a novel to conjure with, and influenced so many, many people with her story. What more could you want as a writer?

I hope you'll all join me in remembering Harper Lee and the fine legacy she left American fiction. If you'd like, leave your favorite To Kill A Mockingbird or Go Set a Watchman quote in the comments below as a little memorial to the author who left us Atticus, Scout, Jem, Dill, Calpurnia, and the rest. Rest in peace, Harper Lee.